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WITHERS, BILL VS EEE - LOVELY DAY

- NEW RELEASE

ARTIST:
TITLE:
Lovely Day
LABEL:
CATNO:
EEE012
STYLE:
FORMAT:
Vinyl record
DESCRIPTION:
East End Dubs on the tech house rework - "Just one look at you…and I know it's gonna be….a lovely day!"

EEE supplying a certified slice of summer sun with a raucous roller sure to get any party going. A marriage you never thought would happen like this but ticks all the right boxes with a swag in the step.

PRICE:
£11.49
RELEASED YEAR:
SLEEVE:
New
MEDIA:
New

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Lovely Day

Last FM Information on Bill Withers

Please note the information is done on a artist keyword match and data is provided by LastFM.
William Harrison "Bill" Withers Jr. (July 4, 1938 – March 30, 2020) was an American singer-songwriter and musician. He had several hits over a relatively short career of fifteen years, including "Ain't No Sunshine" (1971), "Grandma's Hands" (1971), "Use Me" (1972), "Lean on Me" (1972), "Lovely Day" (1977), and "Just the Two of Us" (1981). Withers won three Grammy Awards and was nominated for six more. His life was the subject of the 2009 documentary film Still Bill. Withers was inducted into the Songwriters Hall of Fame in 2005 and Rock and Roll Hall of Fame in 2015. Two of his songs were inducted into the Grammy Hall of Fame. Withers, the youngest of six children, was born in the small coal-mining town of Slab Fork, West Virginia, on July 4, 1938. He was the son of Mattie (Galloway), a maid, and William Withers, a miner. He was born with a stutter and later said he had a hard time fitting in. His parents divorced when he was three, and he was raised by his mother's family in nearby Beckley, West Virginia. He was 13 years old when his father died. Withers enlisted in the United States Navy at the age of 17, and served for nine years, during which time he became interested in singing and writing songs. He left the Navy in 1965, relocating to Los Angeles in 1967 to start a music career. His debut release was "Three Nights and a Morning" in 1967. Arranged by Mort Garson, the song went unnoticed at the time but was later reworked by Withers as the track "Harlem". Withers worked as an assembler for several different companies, including Douglas Aircraft Corporation, IBM and Ford, while recording demo tapes with his own money, shopping them around and performing in clubs at night. When he returned with the song "Ain't No Sunshine" in 1971, he refused to resign from his job because he believed the music business was a fickle industry. In early 1970, Withers's demonstration tape was auditioned favorably by Clarence Avant, owner of Sussex Records. Avant signed Withers to a record deal and assigned former Stax Records stalwart Booker T. Jones to produce Withers' first album. Four three-hour recording sessions were planned for the album, but funding caused the album to be recorded in three sessions with a six-month break between the second and final sessions. Just as I Am was released in 1971 with the tracks, "Ain't No Sunshine" and "Grandma's Hands" as singles. The album features Stephen Stills playing lead guitar. On the cover of the album, Withers is pictured at his job at Weber Aircraft in Burbank, California, holding his lunch box. Withers was known for his "smooth" baritone vocals and "sumptuous" soul arrangements. He wrote some of the most covered songs of the 1970s, including "Lean on Me" and "Ain't No Sunshine". The former entered the Hot 100 chart through multiple versions, including Club Nouveau's 1987 cover, which made the composition one of nine songs to have led the chart via different acts. With "Lovely Day", he set the record for the longest sustained note on a chart hit on American charts, holding a high E for 18 seconds. Editors from The Guardian considered that Withers' songs are "some of the most beloved in the American songbook," citing, "'Ain't No Sunshine' is regarded as one of the all-time great breakup tracks, while 'Lean on Me', an ode to the supportive power of friendship ..." For the same newspaper, Alex Petridis noticed "[he] laid pain and paranoia under his deceptively gentle songs, and retired early having conquered gospel, funk, blues, disco and more." In Rolling Stone, writer Andy Greene noted that several of his songs "are embedded in the culture and have been covered countless times." Writing for The New York Times, Giovanni Russonello considered Withers "[a] soulful singer with a gift for writing understated classics", adding, "the ultimate homespun hitmaker, he had an innate sense of what might make a song memorable, and little interest in excess attitude or accoutrements. Ultimately Withers reminded us that it’s the everyday that is the most meaningful: work, family, love, loss." A Billboard article considered that Withers "stands as one of R&B/soul music's most revered singer-songwriters." In the same magazine, writer Gail Mitchell acknowledged "Withers' legacy has flourished in the decades since, thanks to a cross-section of artists who have covered/sampled his songs or cited him as a major influence." Musician and music journalist Questlove referred to Withers' post-breakup 1974 album +'Justments as "a diary [...] [it] was a pre-reality-show look at his life. Keep in mind this was years before Marvin Gaye did it with Here, My Dear." The Beach Boys' Brian Wilson deemed him "a songwriter's songwriter". Musicians Sade, D'Angelo, Justin Timberlake, John Legend and Ed Sheeran have credited Withers as a music inspiration. Withers died from heart complications in Los Angeles on March 30, 2020, at age 81; his family announced his death four days later. He is interred in the Forest Lawn Memorial Park (Hollywood Hills). Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.



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