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VIOLENT FEMMES - WHY DO BIRDS SING
ARTIST:
TITLE:
Why Do Birds Sing
LABEL:
CATNO:
7226897
STYLE:
FORMAT:
Vinyl record
DESCRIPTION:
1991 Alternative Rock LP Repressed on Smoke Coloured Vinyl - The textbook American cult band of the ‘80s, Violent Femmes captured the essence of teen angst with remarkable precision; raw and jittery, the trio’s music found little commercial success but nonetheless emerged as the soundtrack for the lives of troubled adolescents the world over. Their self-titled 1983 debut was a blueprint for legions of sardonic alternative rockers that would follow, and they continued their blend of searing, darkly humorous lyrics and sharp-edged folk-rock on other standout albums like 1991’s Why Do Birds Sing.
Violent Femmes formed in Milwaukee, Wisconsin, in the early ‘80s, made up of singer/guitarist Gordon Gano, bassist Brian Ritchie, and percussionist Victor DeLorenzo. After being discovered by the Pretenders’ James Honeyman-Scott while they were busking on the street, the band signed to Slash and issued their self-titled debut, a melodic folk-punk collection which struck an obvious chord with young listeners who felt a strong connection to bitter, frustrated songs like “Blister in the Sun,” “Kiss Off” and “Add It Up.” Though never a chart hit, the album remained a rite of passage for succeeding generations of teen outsiders, and after close to a decade after release, it finally achieved platinum status.
40 years on, Violent Femmes’ legacy remains strong, while their influence can be heard across multiple genres—from the anti-folk movement of the early 2000s to the chart-topping hits of Barenaked Ladies, and the indie-pop of Clap Your Hands Say Yeah. In 2014, Popmatters declared that the folk-punk pioneers “may have very quietly been one of the most important rock bands of the 1980s, if not the past quarter-century…[They] celebrated the simplicity of pop music from the fringes, attacking convention with a mix of humour and violence.” Pitchfork argued that “The Femmes don’t signify an era so much as a time of life,” adding that “for young people growing up in the internet age” their music “is part of a shared language.”
Why Do Birds Sing? is the fifth studio album and their last studio album with original drummer, Victor DeLorenzo. Featuring the fan favourite “American Music,” which reached No. 2 in the Billboard Modern Rock Chart, as well as a cover of Culture Club’s “Do You Really Want To Hurt Me.”
Violent Femmes formed in Milwaukee, Wisconsin, in the early ‘80s, made up of singer/guitarist Gordon Gano, bassist Brian Ritchie, and percussionist Victor DeLorenzo. After being discovered by the Pretenders’ James Honeyman-Scott while they were busking on the street, the band signed to Slash and issued their self-titled debut, a melodic folk-punk collection which struck an obvious chord with young listeners who felt a strong connection to bitter, frustrated songs like “Blister in the Sun,” “Kiss Off” and “Add It Up.” Though never a chart hit, the album remained a rite of passage for succeeding generations of teen outsiders, and after close to a decade after release, it finally achieved platinum status.
40 years on, Violent Femmes’ legacy remains strong, while their influence can be heard across multiple genres—from the anti-folk movement of the early 2000s to the chart-topping hits of Barenaked Ladies, and the indie-pop of Clap Your Hands Say Yeah. In 2014, Popmatters declared that the folk-punk pioneers “may have very quietly been one of the most important rock bands of the 1980s, if not the past quarter-century…[They] celebrated the simplicity of pop music from the fringes, attacking convention with a mix of humour and violence.” Pitchfork argued that “The Femmes don’t signify an era so much as a time of life,” adding that “for young people growing up in the internet age” their music “is part of a shared language.”
Why Do Birds Sing? is the fifth studio album and their last studio album with original drummer, Victor DeLorenzo. Featuring the fan favourite “American Music,” which reached No. 2 in the Billboard Modern Rock Chart, as well as a cover of Culture Club’s “Do You Really Want To Hurt Me.”
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Last FM Information on Violent Femmes
Please note the information is done on a artist keyword match and data is provided by LastFM.
Violent Femmes is an alternative rock band, formed in Milwaukee, Wisconsin, United States in 1980. The band originally consisted of Gordon Gano (vocals, guitar), Brian Ritchie (bass), and Victor DeLorenzo (drums), with Guy Hoffman replacing DeLorenzo following his departure starting in 1993 and up until his return in 2002. The band split in early 2009, their last recording being a cover of the Gnarls Barkley song "Crazy", a response to Gnarls Barkley's cover of the Femmes song "Gone Daddy Gone" released the previous year. In January 2013, it was announced that the Violent Femmes would be reuniting and performing at the Coachella Valley Music and Arts Festival in April. They performed there, the Bottlerock Napa Valley in May and Milwaukee's Summerfest in June. The band is also on the bill for Riot Fest, which will take place in Chicago in September.
Drummer Victor DeLorenzo said that he would be open to recording new material with the Violent Femmes, but on July 15, 2013, it was announced that Dresden Dolls drummer Brian Viglione would be replacing DeLorenzo as the band's drummer. In a statement, DeLorenzo said "It's always hard to write a eulogy for a lost loved one. In this case, I sadly lament the loss of a dream and an ideal that was once Violent Femmes." Viglione is credited as the drummer on the 2016 release We Can Do Anything but would later be replaced by John Sparrow, who had played in the Violent Femmes backing band previously.
Their music is an innovative combination of American folk music and punk rock. The lyrics mix common adolescent themes like yearning for love, sex and affection with explorations of sin, death, and the hope of salvation. Their songs often express both a lyrical and musical sense of humor. Critics often attribute the Violent Femmes as laying the groundwork of dynamicism for the 90s grunge movement.
In its early days, the band frequently played coffee houses and street corners. They were discovered by James Honeyman-Scott (of The Pretenders) on August 23, 1981, when the band was busking on a street corner in front of the Oriental Theatre, the Milwaukee venue that The Pretenders would be playing later that night. Chrissie Hynde invited them to play a brief acoustic set after the opening act. The band signed to Slash Records and recorded their eponymous debut in July 1982.
The group quickly gained a small cult following after the release of their self-titled album that never burgeoned into widespread popularity, although a few songs from this album did get some recognition ("Add It Up", "Blister in the Sun" and "Gone Daddy Gone"). The debut album Violent Femmes went platinum ten years after its release, and "Blister in the Sun" has become an alternative rock radio staple. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.