GLOBAL GROOVE
Specialists in dance music and vinyl, over 60,000 in stock shipping worldwide daily.
VARIOUS ARTISTS - STUDIO ONE FUNK
ARTIST:
TITLE:
Studio One FUNK
LABEL:
CATNO:
SJRLP97C
FORMAT:
Vinyl record
DESCRIPTION:
Rare 2004 2x12" Funk / Reggae Compilation LP Repressed on Gatefold Red Vinyl 2xLP + MP3 Download Code.
18 years on from its original release, ‘Studio One Funk’ remains one of Soul Jazz Records’ most in demand Studio One titles.
‘Studio One Funk’ is made up of rare and unreleased reggae funk from the vaults of Studio One. Ever since the birth of funk in America, the sound has been an ever-present ingredient in the melting pot of Studio One’s musical output.
The music on this release is a combination of originals, US covers and versions of existing Studio One cuts. Jackie Mittoo shows his appreciation for Booker T and The MGs, the studio group at Memphis’ famous Stax Records, with ‘Hang ‘Em High’, itself a cover of a film soundtrack by Dominic Frontiere. Incredibly this version has never before been released. Booker T’s super funky ‘Melting Pot’ is also covered by the little-known Underground Vegetables.
Other versions include Isaac Hayes’ classic Blaxploitation soundtrack ‘Shaft’, again by Cedric Im Brooks, another unreleased gem, straight from the tape master. Motown gets a look in with Alton’s stripped-down version of the Spinners classic, ‘It’s A Shame’, written by Stevie Wonder and Syreeta.
James Brown is apparent in spirit with the JBs-inspired groove on the super rare cut, ‘Now’, by Lee Arab. Lloyd Williams similarly does a fine Kingston-style version of the hardest-working man in showbusiness on ‘Reggae Feet’.
Version-wise, we have ‘Idleberg’, Cedric Im Brooks’ tough instrumental cut on Horace Andy’s seminal ‘Skylarking’. The little-known Prince Moonie gives us a rare DJ cut of another Horace Andy classic, ‘See A Man’s Face’.
Pablove Black’s cut of Sidewalk Doctor (aka Poco Tempo) is one of a handful of Studio One releases featuring Augustus Pablo’s trademark instrument, the melodica, played by Black himself.
Add to these original cuts from Studio One’s heavyweight session players, including Leroy Sibbles, Jackie Mittoo, Leroy Sibbles, Eric Frater, Leroy ‘Horsemouth’ Wallace, Richard Ace, Vin Gordon and more, and you have one of the finest selections of reggae and funk you will ever hear.
“An absolute treasure trove for the collector as well as being great for the ears and feet. Jackie Mittoo's 'Hang Em High' is worth the price of the album on its own.” - Echoes
“A superb collection that shows how much many Jamaican musicians were influenced by the heavy funk belting out of American studios from the early seventies onwards.” - Touch
“The most satisfying listening experience so far in the Studio One series.” - The Wire
18 years on from its original release, ‘Studio One Funk’ remains one of Soul Jazz Records’ most in demand Studio One titles.
‘Studio One Funk’ is made up of rare and unreleased reggae funk from the vaults of Studio One. Ever since the birth of funk in America, the sound has been an ever-present ingredient in the melting pot of Studio One’s musical output.
The music on this release is a combination of originals, US covers and versions of existing Studio One cuts. Jackie Mittoo shows his appreciation for Booker T and The MGs, the studio group at Memphis’ famous Stax Records, with ‘Hang ‘Em High’, itself a cover of a film soundtrack by Dominic Frontiere. Incredibly this version has never before been released. Booker T’s super funky ‘Melting Pot’ is also covered by the little-known Underground Vegetables.
Other versions include Isaac Hayes’ classic Blaxploitation soundtrack ‘Shaft’, again by Cedric Im Brooks, another unreleased gem, straight from the tape master. Motown gets a look in with Alton’s stripped-down version of the Spinners classic, ‘It’s A Shame’, written by Stevie Wonder and Syreeta.
James Brown is apparent in spirit with the JBs-inspired groove on the super rare cut, ‘Now’, by Lee Arab. Lloyd Williams similarly does a fine Kingston-style version of the hardest-working man in showbusiness on ‘Reggae Feet’.
Version-wise, we have ‘Idleberg’, Cedric Im Brooks’ tough instrumental cut on Horace Andy’s seminal ‘Skylarking’. The little-known Prince Moonie gives us a rare DJ cut of another Horace Andy classic, ‘See A Man’s Face’.
Pablove Black’s cut of Sidewalk Doctor (aka Poco Tempo) is one of a handful of Studio One releases featuring Augustus Pablo’s trademark instrument, the melodica, played by Black himself.
Add to these original cuts from Studio One’s heavyweight session players, including Leroy Sibbles, Jackie Mittoo, Leroy Sibbles, Eric Frater, Leroy ‘Horsemouth’ Wallace, Richard Ace, Vin Gordon and more, and you have one of the finest selections of reggae and funk you will ever hear.
“An absolute treasure trove for the collector as well as being great for the ears and feet. Jackie Mittoo's 'Hang Em High' is worth the price of the album on its own.” - Echoes
“A superb collection that shows how much many Jamaican musicians were influenced by the heavy funk belting out of American studios from the early seventies onwards.” - Touch
“The most satisfying listening experience so far in the Studio One series.” - The Wire
PRICE:
£25.99
RELEASED YEAR:
SLEEVE:
New
MEDIA:
New
BUY:
LISTEN:
TRACK LISTING:
Click to listen - add to playlist or download mp3 sample.PLAY
CUE
MP3
Last FM Information on Various Artists
Please note the information is done on a artist keyword match and data is provided by LastFM.
Warning! Deleting this artist may remove other artists and scrobbles from your library - please handle this with caution!
Note: You can view albums tagged as 'Various Artists' in your library here.
The term Various Artists is used in the recording industry to designate releases featuring contributions from multiple performers. It commonly appears on compilation albums or collaborative recordings where no single artist attribution applies. On digital platforms such as Last.fm, tracks may be listed under this designation when individual artist information is missing or incomplete in metadata, resulting in automatic grouping under the generic label.
In some cases, singles credited to Various Artists are issued for charitable purposes, particularly when performers collaborate under a collective project name. Examples include Band Aid with the song "Do They Know It’s Christmas?" and USA for Africa with "We Are the World".
Various Artists is also used as a performance alias by German musician Torsten Pröfrock, founder of the DIN label. In addition to this name, he has recorded under several other aliases, including Dynamo, Erosion, Resilent, and Traktor. He has collaborated with Robert Henke and has been a member of Monolake since 2004.
The name was also used by a short-lived punk band formed in Bristol by brothers Jonjo and Robin Key, originally from Birmingham. Other members were involved simultaneously in Art Objects, which later evolved into The Blue Aeroplanes; the Key brothers also contributed as songwriters and participants in that project. After the group disbanded, the brothers formed Either / Or.
The designation Various Artists is also commonly applied to musical theater soundtracks, reflecting recordings that feature multiple cast members or ensemble performances within a single track. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.