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TRESHER, GREGOR / BAILEY, MARCO / HADES, TOM - THE ELEKTRONIK ZOO (FESTIVAL JOURNEY VA. EP)

- NEW RELEASE

TITLE:
The Elektronik Zoo (Festival Journey Va. EP)
CATNO:
EZV002
STYLE:
Techno / Tech /
FORMAT:
Vinyl record
DESCRIPTION:
4 Tracks - 4 Artists of Pumpin Tech With Spoken Vocal & Techno.

The new various artists compilation launches with a seismic opener from none other than Gregor Tresher, a true legend whose influence has shaped the sound of techno for decades—"Bonegrinder" is a raw, hypnotic masterstroke. Following is Marco Bailey, our iconic label founder and relentless force in the scene, delivering a bold Electro cut with "Arcane". The journey continues with deep melodic trips from Works of Intent & Voltaire and Tom Hades & Soren Aalberg, gritty Electro from Ian O’Donovan, raw techno heat from Eddie Merced, and ethereal Electronica by Alienna—each artist contributing their unique voice to this powerhouse compilation.

This four-track compilation draws a tight line between warehouse muscle and emotional lift, delivering techno that's as moving as it is functional. Each cut brings a distinct perspective, yet they all share a sense of cinematic build and focused production. Gregor Tresher starts with 'Bonegrinder', a slow-burn builder that creeps forward before erupting into a peak-time workout. The groove is tight, the progression deliberate and when it hits full stride, it lands with impact. 'Cascade Rips', a collaboration between Works Of Intent and Voltaire, brings a different mood entirely. Its rolling bassline sits beneath a futuristic synth lead that feels both suspenseful and strangely touching. There's emotion under the surface and it simmers just right. On the Side-B, Marco Bailey drops 'Arcane', built around raw drum machine sequences and electro pulses. It grooves hard with a throwback vibe, nodding to early rave with metallic melodies and vocodered snippets that recall Kraftwerk without mimicking. The closer, 'Perditae' by Tom Hades and Soren Aalberg, floats into a more euphoric space. Its rising melody and ghostly vocals feel like they're beamed down from the heavens. A smartly curated collection of peak and soul.


PRICE:
£13.99
RELEASED YEAR:
SLEEVE:
New
MEDIA:
New

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LISTEN:
Play       Cue Sample

TRACK LISTING:

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PLAY
 
CUE
MP3
a1
Gregor Tresher - Bonegrinder (8’12”)
a2
Works Of Intent & Voltaire - Cascade Rips (6’37”)
b1
Marco Bailey - Arcane (4’26”)
b2
Tom Hades & Soren Aalberg - Perditae (6’04”)

Last FM Information on Gregor Tresher

Please note the information is done on a artist keyword match and data is provided by LastFM.
In the field of electronic music, Gregor Tresher is by no means a debutant. For more than seven years the thirty-year old DJ and producer from Rhine-Main area gathered merits modernizing the algorithms of electronic music. It has been his "Still EP" in 2005 that upgraded him into the Champions League of European Techno producers and many highlight releases like "Neon", "Full Range Madness" or "The Now People" on labels like Great Stuff, Datapunk, Cocoon or Terminal M convinced the readers of German magazine "Raveline" to vote him as "Best Producer 2006". It is no surprise that past year 2006 was one of the most successful in Gregor’s career so far. Besides his cooperation with London ?s well known DJ Billy Nasty, showing first encouraging results with a row of releases, it was mainly his double-12inch "Neon" on Datapunk being one of the big summer anthems 2006. Also, the inspiring connection to Sven Vaeth’s Cocoon Recordings led to another highlight: "Full Range Madness" on Cocoon’s Compilation F. Shortly after that Gregor released "The Now People / Battery" on the Munich based label Great Stuff Recordings, followed by the collaboration with Israel’s newcomer of the year Guy Gerber: "Open The Gates". In 2006 Gregor played all the major events like Mayday, Nature One or the Street Parade and also all the prime European clubs like Fabric London, Fuse Brussels, Loft Barcelona or the Cocoon Club in Frankfurt. A great reward for an intensive year: Besides being voted as Best Producer he also received high rankings in the categories "Newcomer 2006" and "Best Track 2006" ("Full Range Madness") in "Raveline Magazine". Gregor’s musical roots have always been Electro. With his project "Sniper Mode", he tried to achieve an aesthetic development of the motorbeat from the beginning, releasing several records on Frankfurt’s electronica label Elektrolux and it’s sublabel Mikrolux. However, Electro has never been a fixed category for Gregor ?s production and DJ-ing, but more of an open reference-system between past, present and future of electronic music. "At the beginning of the new millenium i got bored of straight beat and wanted to work with more complex grooves – Electro was the perfect playground. Past years ? developments in techno music and the end of the harder&faster-trend attracted me back into electronic music for the dancefloor as DJ and producer as well. The flexibility of integrating melodies or vocals in a track considerably widened the spectrum. Today Electro has got a whole new meaning for me and no longer defines itself by Vocoder-vocals or 808-beats, but stands for energetic electronic music in general, emancipated from rules and conventions and extendable in every direction." (Tresher, November 2005) With the release of his "Still" EP Gregor Tresher has definitely found his place among the most important German producers in electronic music. Up to now several tracks mark the highlights of this exciting development: "Neon" and "Still" (both on Datapunk), "The Now People" (Great Stuff Records), Gregor ?s "Komm"-Remix for Sven Vaeth and Anthony Rother (#2 Best Remix 2005 in German Raveline Magazine) or his "Full Range Madness" for Cocoon ?s Compilation F. And not only Sven Vaeth upscaled all of those tracks by playing them on heavy rotation in his sets for months. Gregor ?s current musical direction is underlined by his recent DJ-Gigs in the prime clubs everywhere in Europe: From London to Budapest, from Madrid to Athens, from Marseille to Berlin. "To play anything from Tech-House to Electro in one set and present it in an exciting voyage is what modern DJ-ing means to me." Since early 2007, Gregor is working on his first full length album under his real name, which will be released on Great Stuff Recordings in summer 2007 and will be featuring an extensive Album Tour in summer 2007 with Gregor playing Live-gigs for the first time ever as well. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

Last FM Information on Marco Bailey

Please note the information is done on a artist keyword match and data is provided by LastFM.
Marco grew up in a small village in Belgium. Nothing much happened there really, but he did learn that one doesn't achieve much without working hard. He is a true hedonist but a workaholic as well. Marco loves to work hard and spin records as much as possible; sleeping is for later. Therefore, his colleagues know him for his no-nonsense kick-ass mentality. At the age of 12, Marco wanted nothing more than to become a sportsman since motocross and competitive cycling were his passions until injuries made it impossible to continue and Marco soon had a new obsession - music, then shortly after that DJing. He started playing Funk, Hip Hop, Rock,New Wave and Punk!! Marco Bailey has spun every style of music and played pretty much everywhere in the world. There are not many countries in the world that Marco hasn't cracked a crowd as DJ. His burning, all-consuming drive could only be calmed by getting into music. A positive result of this is seen on a daily basis in the studio, where together with his best friend Tom Hades he works on tracks and DJ sets, puzzling just as long as it takes to get it to sound right and release the right energy. Marco calls this his 'positive disorder', positive because it gives meaning to his life. He is constantly on the road or at work in the studio and doesn't take his job lightly. He invests all of his energy to make sure he can give the best possible performance to his audiences all around the world. Having a superstar status in Belgium, he travels the world playing the biggest events as well as the small intimate clubs. His mixture of party techno, minimal and electronic house means he is a permanent fixture at all major European festivals and clubs. With love, hard work and fantastic sounds he has succeeded in gaining worldwide recognition. Playing events like Extrema Outdoor (NL), Time Warp (DE), Awakenings (NL), I Love Techno (BE), Nature One (DE), Wire (JP), Monegros (SP) and clubs such as Zouk or Avalon (SG), Ageha (JP), Space (ES), Industrial Copera (ES) and Chinese Laundry (AU) he has made clear that he still is a big force to reckon with. Killer releases on respected labels of the industry such Bedrock, Intec Records, Drumcode, Tronic, Toolroom Rec, 1605 amongst others has confirmed his strong reputation as a producer to be followed. He has since set up MB Elektronics & MB Selektions to release high quality music and remixes by Marco himself alongside Carl Cox, John Digweed, Adam Beyer, Umek, Christian Smith, John Selway & Cristian Varela. In July 2011 MB Elektronics celebrated their 70th release with a special compilation put together by Marco. In 2000 he joined forces with Christian Varela to set up Pornographic Recordings, a respected outlet to give unknown talent a chance to release their music. After a short hiatus where both parties concentrated on their own careers the label is back up and running with releases from Joseph Capriati and Cristian Varela. The Pornographic parties, which are a great success in Spain (Ibiza), are continuing to become bigger and better around the world. In 2009 John Digweed released the first of many Marco Bailey releases on his Bedrock Records Imprint (Jungle Laps in October 2009, Watergate and Rayavadee in 2010) These tracks led the way for Marco to release his debut artist album "Dragon Man" also on Bedrock Records in February 2011, a few other massive releases followed (Faint Hope and Sa Trinxa in April 2011, Oriental Disco in 2012, Stars & Shines March 2012). Marco Bailey does not like to think in boxes but more outside the box. Although he has an expansive taste in music, techno keeps intriguing him. Despite techno growing into a bigger genre with its sub-styles in minimal, tech house and hard techno, he still discovers fascinating records in every style. This is the reason Marco's sound is so diverse and surprising. Marco his weekly 'MB Elektronics Force’ radio show is now available worldwide as a podcast via iTunes and on more than 45 radiostations worldwide. Marco's carrer has so far stretched more than 20 years as a DJ and 15 years as a producer and there are no signs of him slowing down here to the next 20 years! Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

Last FM Information on Tom Hades

Please note the information is done on a artist keyword match and data is provided by LastFM.
Real Name: Wim Vanoeveren Profile: Already at very young age Tom Hades was very interested in electronic music, especially the music influenced by DAF, Kraftwerk, and so on. During the period 1991 until 1999, he couldn’t control his urge to produce music any longer. Therefore, he bought his first keyboard and he turned his game-computer into his first audio-workstation. Because his everlasting stubbornness and his enormous interest in computers, he wanted to learn every technical detail by himself. He knew Redhead for a long time already, and that's how he was brought in contact with Marco Bailey. And so, in the beginning of 2000, they started to produce their first tracks. The "I Love Techno" anthem of 2001 was one of the many releases which were accomplished as a duo (check out the releases list for a complete overview). In 2001, Tom Hades started to do live-performances. In the beginning of the year 2002, Tom released his first solo on Session Recordings, Session 15. In 2004, Marco & Tom teamed up to start their label: Rhythm Convert. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.


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