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THE WEEKND - BEAUTY BEHIND THE MADNESS (5 YEAR ANNIVERSARY EDITION)
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Beauty Behind The Madness (5 Year Anniversary Edition)
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CATNO:
739571
FORMAT:
Vinyl record
DESCRIPTION:
R&B Hip Hop / Soul LP - Anniversary Edition - Pressed on 2x Coloured Vinyl & Housed In Slip Case
All bets regarding Abel Tesfaye's career arc were off once Trilogy, material previously released at no (financial) cost to the listener, went platinum. For a period after that, it seemed like the singer had peaked just short of pop-star status. His eager congregation pushed Kiss Land, the proper debut, to number two in the U.S., yet none of its singles, not even the one that featured Drake, reached the Hot 100. "Love Me Harder," a duet with labelmate Ariana Grande released in 2014, proved to be a masterstroke. It put Tesfaye in the Top Ten for the first time and began a streak of similarly effective singles that preceded -- and are included on -- Beauty Behind the Madness. "Earned It," a ballad recorded for the Fifty Shades of Grey soundtrack, showed that he could adapt to a traditional pop backdrop. That cut a path for "The Hills," in which Tesfaye alleviated his "day one" base with a typically degenerate slow jam, co-produced by Illangelo, that affirmed "When I'm fucked up, that's the real me" while taking the toxic narrative a step further with lines like "Drugs started feelin' like it's decaf." And then "Can't Feel My Face," a sleek slice of retro-modern disco-funk produced by Max Martin and Ali Payami, landed in June 2015. An obvious pop move, it worked -- it went to number one in the U.S. and several other territories. Tesfaye skillfully delivered his biggest hooks as he sang about dependency in that part-anguished, part-euphoric fashion derived from Michael Jackson. Like its advance singles, the rest of Beauty Behind the Madness is R&B and pop as drug-den paella: chemical and sexual abasement, self-loathing, and self-absorbed belligerence over narcotized sludge and less expected moves that peak with the wholly sweet "As You Are" and crest with a big-band diversion on "Losers." Uneventful collaborations with Kanye West, Ed Sheeran, and Lana Del Rey add star power, though the last of that pack contributes to a moment where Tesfaye turns another corner by acknowledging a dead end through the fog, "addicted to a life that's so empty and so cold." The commercial strides are obvious. The creative advancements are less apparent, obstructed by some unappealing measures, but they're in there.
All bets regarding Abel Tesfaye's career arc were off once Trilogy, material previously released at no (financial) cost to the listener, went platinum. For a period after that, it seemed like the singer had peaked just short of pop-star status. His eager congregation pushed Kiss Land, the proper debut, to number two in the U.S., yet none of its singles, not even the one that featured Drake, reached the Hot 100. "Love Me Harder," a duet with labelmate Ariana Grande released in 2014, proved to be a masterstroke. It put Tesfaye in the Top Ten for the first time and began a streak of similarly effective singles that preceded -- and are included on -- Beauty Behind the Madness. "Earned It," a ballad recorded for the Fifty Shades of Grey soundtrack, showed that he could adapt to a traditional pop backdrop. That cut a path for "The Hills," in which Tesfaye alleviated his "day one" base with a typically degenerate slow jam, co-produced by Illangelo, that affirmed "When I'm fucked up, that's the real me" while taking the toxic narrative a step further with lines like "Drugs started feelin' like it's decaf." And then "Can't Feel My Face," a sleek slice of retro-modern disco-funk produced by Max Martin and Ali Payami, landed in June 2015. An obvious pop move, it worked -- it went to number one in the U.S. and several other territories. Tesfaye skillfully delivered his biggest hooks as he sang about dependency in that part-anguished, part-euphoric fashion derived from Michael Jackson. Like its advance singles, the rest of Beauty Behind the Madness is R&B and pop as drug-den paella: chemical and sexual abasement, self-loathing, and self-absorbed belligerence over narcotized sludge and less expected moves that peak with the wholly sweet "As You Are" and crest with a big-band diversion on "Losers." Uneventful collaborations with Kanye West, Ed Sheeran, and Lana Del Rey add star power, though the last of that pack contributes to a moment where Tesfaye turns another corner by acknowledging a dead end through the fog, "addicted to a life that's so empty and so cold." The commercial strides are obvious. The creative advancements are less apparent, obstructed by some unappealing measures, but they're in there.
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Last FM Information on The Weeknd
Please note the information is done on a artist keyword match and data is provided by LastFM.
Abel Makkonen Tesfaye, popularly known as The Weeknd (born February 16, 1990 in Toronto, Ontario, Canada), is a Canadian R&B/hip-hop musician, singer-songwriter and record producer. He chose his stage name in tribute to when he was 17 years old, when, along with his friend La Mar Taylor, he dropped out of high school, took his mattress, and "left one weekend and never came home". However, his estranged former producer Jeremy Rose claims the name was his idea. The letter E was excluded to avoid trademark problems with the Canadian band The Weekend.
The Weeknd gained widespread critical acclaim for his three mixtapes: House of Balloons, Thursday, and Echoes of Silence, which he later compiled to make a remastered, three-disc album titled Trilogy after signing his record deal with Republic. In 2013, he released Kiss Land, which was considered to be his debut studio album.
In 2014, he dropped “Often,” a remix of Beyonce’s “Drunk In Love,” and “King of the Fall.” The Weeknd released two songs in collaboration with the film Fifty Shades of Grey, with Earned It becoming his solo breakout hit.
His second studio album became highly-anticipated, with riveting singles like The Hills and Can’t Feel My Face leaving fans hungry for more. Beauty Behind the Madness was released on August 28, 2015.
His third studio album, Starboy, was released on November 25, 2016. The Daft Punk-assisted title track led the project as its first official single, released on Wednesday, September 21, 2016, before becoming his third number one track in the United States, as also his home country, Canada. The effort was a commercial success, topping the Billboard 200 albums chart with over 348,000 copies sold in its first week, all eighteen tracks debuting on the Billboard Hot 100, receiving a GRAMMY Award for the Best Urban Contemporary Album, category at the 60th annual ceremony, overall for the second time in his music career and being ranked as the third most popular album of 2017 in the U.S.
Next came the My Dear Melancholy EP, released on March 30, 2018 and revolving around his breakups with Bella Hadid during summer of 2016 and Selena Gomez in October 2017. With the lead single, Call Out My Name, the Canadian singer earned the largest first-day Spotify stream count of any song released in 2018 at that time and his eighth Top 10 entry on Hot 100.
Tesfaye’s fourth studio album (and his first in three years), After Hours was officially released on March 20, 2020, and is named after a 1985 movie directed by his idol, Martin Scorsese. It was primarily supported by November 2019-released singles Heartless and Blinding Lights, with the pair becoming his fourth and fifth #1 singles in the US and the latter his first #1 single in the UK. The title track and In Your Eyes were also released as singles.
Although widely expected to receive multiple nominations for After Hours, Tesfaye failed to receive any nominations for the 63rd Annual Grammy Awards (2021). Tesfaye took to his social media to criticize the Recording Academy, claiming corruption. Speculation arose that the announcement of his then-upcoming Super Bowl performance as well as the discrepancy of being nominated as pop music versus R&B contributed to the snubs. On February 5, 2021 The Highlights was released, as his second greatest hits album. Tesfaye performed at the Super Bowl LV halftime show on February 7, 2021 after announcing he would perform in November 2020. He reportedly spent $7 million on his performance at the show. Despite having a mixed response, the show resulted in a surge in streaming and downloads for Tesfaye's After Hours album as well as for the seven other songs he performed.
His fifth album, Dawn FM was released on January 7, 2022, continuing the writing and production work with Swedish pop svengalis Max Martin and Oscar Holter. The album was preceded by the single Take My Breath in August 2021, with Sacrifice announced as the second single. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.