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THE HIGH LLAMAS - HAWAII


ARTIST:
TITLE:
Hawaii
LABEL:
CATNO:
DC928
FORMAT:
Vinyl record
DESCRIPTION:
2x12" Re-issue of 1996 indie rock / Avantgarde Art Rock - The High Llamas discover America – yes, it had been done before, but not via their envisaged pilgrims’ passage. Energized by the breakthroughs of 'Gideon Gaye', they went all-in, producing a wide-screen epic further exploring their unique agenda. The reference points multiplied, stretching through realms of classic pop and jazz, soundtrack music, exotica and neo-Americana, while charting a journey through musical landscapes of abiding lightness.

The High Llamas, is a celebrated album that showcases Sean O'Hagan's intricate arrangements and homage to the lush sounds of Brian Wilson and The Beach Boys.

PRICE:
£31.99
RELEASED YEAR:
SLEEVE:
New
MEDIA:
New

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TRACK LISTING:

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CUE
MP3
a1
Cuckoo Casino
a2
Sparkle Up
a3
Literature Is Fluff
a4
Nomads
a5
Snapshot Pioneer
a6
Ill-fitting Suits
a7
Recent Orienteering
b1
The Hot Revivalist
b2
Phoney Racehorse
b3
Dressing Up The Old Dakota
b4
D.C. 8
b5
Doo-Wop Property
b6
Theatreland
b7
A Friendly Pioneer
c1
Cuckoo’s Out
c2
Peppy
c3
There’s Nobody Home
c4
The Hokey Curator
c5
Campers In Control
c6
Double Drift
c7
Island People
d1
Incidentally N.E.O.
d2
Tides
d3
Nomad Strings
d4
Pilgrims
d5
Rustic Vespa
d6
Folly Time
d7
Hawaiian Smile
d8
Instrumental Suits

Last FM Information on The High Llamas

Please note the information is done on a artist keyword match and data is provided by LastFM.
The High Llamas are a London-based musical project created by Irish-English guitarist and songwriter Sean O'Hagan after the demise of his group Microdisney. Although he writes and arranges the music and frequently uses the High Llamas moniker for his own personal musical efforts (e.g. remixes), the High Llamas are nominally a group, which usually includes Microdisney bassist Jon Fell and a rotating cast of others including keyboardist Marcus Holdaway and drummer Rob Allum. Although the High Llamas' output (including the eponymous debut album, technically credited to "Sean O'Hagan") shows influences including pre-1950s American pop and folk, Brazilian jazz and bossa nova, film composers of the 1960s, and 1990s European electronic music, criticism of O'Hagan's work most frequently includes references to Brian Wilson's psychedelic period and/or kitsch lounge revival. Although O'Hagan sometimes expresses discomfort at reviewers' claims of derivative works, he generally wears his influences on his sleeve, even naming several more recent songs after the composers and pop musicians who most inspired that particular track. (Examples: "Bach Ze", "Pat Mingus", "Shuggie Todd".) The Beach Boys' influence on O"Hagan is most obvious on the expansive, cinematic 1996 album Hawaii, a musical spaghetti western on themes of tourism and colonialism. It blended elements of Pet Sounds, Smile and Wild Honey so expertly that O'Hagan was even recommended by Bruce Johnston to produce an eventually mixed Beach Boys comeback LP. The High Llamas' own musical arrangements vary according to album, but marimbas, nylon-string guitars, and heavily reverbed pounding tack pianos are often featured. For a period in the late 1990s, O'Hagan's work was often marked by distinctive vintage synthesizer "gurgling" or "bouncing" effects, first explored and developed in Turn On, his experimental collaboration record with members of Stereolab. The High Llamas' albums are also notable for frequent guest appearances by members of that band, with whom O'Hagan once played guitar, and for whom he often contributes string and horn arrangements. The High Llamas infrequently tour and only release an album every few years; since the group was dropped by V2 Records they have made it clear that their records are personal projects that do not support them financially. O'Hagan frequently does arranging and production work for artists like The Boo Radleys, Doves and Sondre Lerche, and percussionist Allum has worked with Turin Brakes. Their work for V2 is anthologized on the compilation Retrospective, Rarities and Instrumentals, and they continue to record for Duophonic Records (UK) and Drag City (US.) Their latest album, Here Come The Rattling Trees, was released in January 2016 after a five year break. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.