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STAN GETZ / CHARLIE BYRD - [CAT] JAZZ SAMBA
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[Cat] Jazz Samba
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CATNO:
NOTLP332
FORMAT:
Vinyl record
DESCRIPTION:
1962 Latin Jazz / Bossa Nova Classic- This ground-breaking record produced by Creed Taylor came about when Charlie Byrd introduced Stan Getz to the Brazilian Rhythm style, having brought the first Bossa Nova records over to America from Brazil. Recorded in a church in Washington, during February1962. The subtle improvisation of Getz, is perfectly matched by Byrd’s finger style on Classical Guitar along with the backing of experienced personnel.
Partly because of its Brazilian collaborators and partly because of "The Girl From Ipanema," Getz/Gilberto is nearly always acknowledged as the Stan Getz bossa nova LP. But Jazz Samba is just as crucial and groundbreaking; after all, it came first, and in fact was the first full-fledged bossa nova album ever recorded by American jazz musicians. And it was just as commercially successful, topping the LP charts and producing its own pop chart hit single in "Desafinado." It was the true beginning of the bossa nova craze, and introduced several standards of the genre (including Ary Barroso's "Bahia" and Antonio Carlos Jobim's "Desafinado" and "Samba de Uma Nota Só" [aka "One Note Samba"]). But above all, Jazz Samba stands on its own artistic merit as a shimmering, graceful collection that's as subtly advanced -- in harmony and rhythm -- as it is beautiful. Getz and his co-billed partner, guitarist Charlie Byrd -- who was actually responsible for bringing bossa nova records to the U.S. and introducing Getz to the style -- have the perfect touch for bossa nova's delicate, airy texture. For his part, Byrd was one of the first American musicians to master bossa nova's difficult, bubbling syncopations, and his solos are light and lilting. Meanwhile, Getz's playing is superb, simultaneously offering a warm, full tone and a cool control of dynamics; plus, Byrd's gently off-kilter harmonies seem to stimulate Getz's melodic inventiveness even more than usual. But beyond technique, Getz intuitively understands the romanticism and the undercurrent of melancholy inherent in the music, and that's what really made Jazz Samba such a revelatory classic. Absolutely essential for any jazz collection.
Partly because of its Brazilian collaborators and partly because of "The Girl From Ipanema," Getz/Gilberto is nearly always acknowledged as the Stan Getz bossa nova LP. But Jazz Samba is just as crucial and groundbreaking; after all, it came first, and in fact was the first full-fledged bossa nova album ever recorded by American jazz musicians. And it was just as commercially successful, topping the LP charts and producing its own pop chart hit single in "Desafinado." It was the true beginning of the bossa nova craze, and introduced several standards of the genre (including Ary Barroso's "Bahia" and Antonio Carlos Jobim's "Desafinado" and "Samba de Uma Nota Só" [aka "One Note Samba"]). But above all, Jazz Samba stands on its own artistic merit as a shimmering, graceful collection that's as subtly advanced -- in harmony and rhythm -- as it is beautiful. Getz and his co-billed partner, guitarist Charlie Byrd -- who was actually responsible for bringing bossa nova records to the U.S. and introducing Getz to the style -- have the perfect touch for bossa nova's delicate, airy texture. For his part, Byrd was one of the first American musicians to master bossa nova's difficult, bubbling syncopations, and his solos are light and lilting. Meanwhile, Getz's playing is superb, simultaneously offering a warm, full tone and a cool control of dynamics; plus, Byrd's gently off-kilter harmonies seem to stimulate Getz's melodic inventiveness even more than usual. But beyond technique, Getz intuitively understands the romanticism and the undercurrent of melancholy inherent in the music, and that's what really made Jazz Samba such a revelatory classic. Absolutely essential for any jazz collection.
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Last FM Information on Charlie Byrd
Please note the information is done on a artist keyword match and data is provided by LastFM.
Charles L. Byrd (September 16, 1925 - November 30, 1999), better known as Charlie Byrd, was a famous jazz guitarist, born in Suffolk, Virginia. He was the only jazz guitarist of that era whose primary instrument was the classical guitar which gave him his uniquely identifiable sound.
Byrd primarily looked up to Django Reinhardt. He moved to Washington, D.C., to study classical guitar with the renowned Sophocles Papas. He later moved to Italy where he studied with Andrés Segovia. In the early 1960's he was on a State Department tour in South America where he was introduced to a new music, the bossa nova, which was the musical passion of Brazil beginning in the late 50's. Jazz saxophonist Stan Getz had been in Brazil about six months earlier than Byrd, also on a State Department tour, where he, too, was exposed to the bossa nova. A short time later Getz called Byrd in D.C. and suggested the idea that they collaborate on a bossa nova album. That album was the introduction of bossa nova to North America.
He is perhaps most well known as a collaborator with Stan Getz on the Jazz Samba album, which featured many themes of bossa nova, and of course, samba. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.