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SQUAREPUSHER - ULTRAVISITOR ANNIVERSARY COPY


ARTIST:
TITLE:
Ultravisitor Anniversary Copy
LABEL:
CATNO:
WARPLP117RX
STYLE:
FORMAT:
Vinyl record
DESCRIPTION:
2004 IDM Future Jazz & Drum N Bass LP Repressed on 3x12"LP Box Set Edition Inc Booklet -

For the 20th anniversary, Warp is proud to present 'Ultravisitor' expanded deluxe version, an album beloved by fans since its release in March 2004, carefully remastered from the original tapes by Jason Mitchell at Loud Mastering and overseen by Tom Jenkinson. Tom has relished the opportunity to revisit the tapes, bringing out fresh dynamics and details in the tracks. A unique blend of studio and live recordings, it’s an excellent showcase for the diversity of his music: from the frenetic title track to the funky jazz of 'Iambic 9 Poetry' to the sunlit bliss of 'Tommib Help Buss' and beyond.

PRICE:
£40.99
RELEASED YEAR:
SLEEVE:
New
MEDIA:
New

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TRACK LISTING:

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PLAY
 
CUE
MP3
a1
Ultravisitor
a2
I Fulcrum
a3
Iambic 9 Poetry
a4
Andrei
b1
50 Cycles
b2
Menelec
b3
C-Town Smash
c1
Steinbolt
c2
An Arched Pathway
c3
Telluric Piece
c4
District Line II
d1
Circlewave
d2
Tetra-Sync
d3
Tommib Help Buss
d4
Every Day I Love
e1
Square Window
e2
Abacus 2
e3
Venus No.17
e4
Itti-Fack
e5
Melt 14.6
f1
Venus No.17 Acid Mix
f2
Tundra 4
f3
Talk About Me & You

Last FM Information on Squarepusher

Please note the information is done on a artist keyword match and data is provided by LastFM.
Squarepusher is a pseudonym of Chelmsford, Essex, England, electronic musician Tom Jenkinson (b. 1975), best known for his experimental drum and bass, with a heavy jazz fusion influence. A skilled bassist and multi-instrumentalist, Jenkinson's virtuoso playing is a staple of his music and one of the more obvious affiliations with jazz (although his formal arrangements are often as jazz-derived as his playing). His bass style includes melodic fretless playing, high-speed slap bass and intricate chordal work. The project débuted with Conumber E:P (1995, Spymania) and the latest is Be Up A Hello (January 2020, Warp). The son of a jazz drummer, Jenkinson grew up listening to greats such as Miles Davis, Charlie Parker and Art Blakey, plus dub pioneers King Tubby and Augustus Pablo. He played bass and drums in high school but was frustrated by the limitations of playing with other musicians. Introduced to electronic music through experimental electro-techno artists such as LFO and Carl Craig as well as the local rave scene, Jenkinson soon began assembling these disparate influences into an amalgam of post-bop, avant-garde and progressive jazz with breakbeat techno, making heavy use of the Amen break. Conumber E:P and another early EP, as Duke Of Haringey, Alroy Road Tracks (1995, Spymania), were initially disregarded as misplaced perversions of jungle's more obvious compositional principles. However, they found a ready audience in fans of post-acid house experimental listening music. Tracks from these EPs were later compiled onto the album Burningn'n tree. His first album, Feed Me Weird Things (1996, Rephlex - Richard D. James' label) and from there he progressed to Warp Records for the Port Rhombus EP, classic second album Hard Normal Daddy (1997) and all subsequent releases to date - except, as Chaos A.D., an album of old acid techno tracks, Buzz Caner (1998, Rephlex). For Music Is Rotted One Note (1998), he stopped using sampled drum breaks and instead multi-tracked himself playing drums, bass, and keyboards. The following year, he released two EPs: Budakhan Mindphone and Maximum Priest, plus album Selection Sixteen. Go Plastic (summer 2001), marked a change of direction with entirely sampled and synthesized sounds. It includes the closest thing to a hit single Squarepusher had seen, "My Red Hot Car". His subsequent releases, e.g. Do You Know Squarepusher (2003) and Ultravisitor (2004), found him refining his fusion of composition, programming and musicianship. More recently, Just A Souvenir (2008), with a more rock-influenced sound, was followed by Solo Electric Bass (2009), consisting of live recordings of Jenkinson on the titular instrument. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.