SOUL II SOUL / ORB / REECE, ALEX / FUTURE SOUND OF LONDON, THE - [NAD25] RE:VERSAL 001

There are multiple artists with the name Orb. 1. Ambient artist from Founded in 1988 by Alex Paterson and KLF member Jimmy Cauty, Orb (alternately credited as The Orb) are an English electronic music group known for popularising chill out music in the 1990s and spawning the genre of ambient house. 2. A Stoner Metal band from Lithuania. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

Alex Reece is the Creator of the jazzstep sound, a mix of drum 'n' bass and jazz, and one of the artists under the Metalheadz collective, who works also under the alias of Fallen Angel. Though he's most interested in acid house and early Detroit techno, Alex Reece came to prominence in the mid-'90s as a jungle star. His interest in techno began in the late '80s, when acid house was popular. Reece gradually earned enough money to buy turntables and a decent vinyl collection. He then began DJing and worked for Basement Records in 1992, engineering for Wax Doctor. Quitting his job to concentrate on making his own music, Reece first tried his hand at house (recording with brother Oscar as Exodus), but found it too formulaic. He realized that there was much more to explore in jungle/drum'n'bass, so he began to experiment. His initial releases appeared on the Sinister, Creative Wax, and Moving Shadow labels, but Reece made his name with Goldie's Metalheadz Records. Singles like "Basic Principles" and "Pulp Fiction" -- with its trademark lurching bass line -- became jungle standards, showcasing his minimalist style, a sound partly inspired by his fixation with acid house. In fact, the case might be made that Reece's music isn't jungle at all, since most of his beats are quite steady. It is only the occasional percussion break and offbeat rimshots that spin his work into jungle territory. No matter if he's a junglist or a house maven, Reece cemented his reputation quite well with additional recordings as Jazz Juice (for Precious Materials), Lunar Funk (for Mo'Wax), and the Original Playboy (for R&S). In early 1996, he landed a major-label deal when Island recruited him for their Quango subsidiary. His debut album So Far was released in September 1996. While the album was received well in most circles, the jungle underground -- led by Goldie -- had practically disowned Reece by that time, disgusted with his "commercial" leanings. During this fallout Goldie renamed "Pulp Fiction" to "Pulp Friction." A second album for Island was recorded and released as a promo tape to select people. However, Reece's music had taken what seemed to be a radical departure into old school electro and 80s techno pop territories. In retrospect the album would have been seen as an important development in the drum & bass sound, but the label dropped the album from their schedule when white labels of a lead off single received a very poor response from DJs. In 1999 Reece once again teamed up with Wax Doctor to record an album for Sirkus. Called 'Part One' it revealed the duo to still be quite a force in the Detroit drum & bass arena. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

The Future Sound of London (often abbreviated to FSOL) is a British experimental, electronic music duo, formed in 1988 in Manchester, United Kingdom, and made up by Garry Cobain and Brian Dougans. Their music style covers most areas of electronic music, such as techno, drum and bass, house, trip-hop, ambient, dub, and often incorporates elements of jazz, classical and psychedelic rock. In addition to music composition, they are involved in 2D and 3D computer graphics, video, animation (in making almost all their own videos for their singles), radio broadcasting and creating their own electronic devices for sound making. They are mostly known for the ambient-dub single "Papua New Guinea" and the innovative ambient album Lifeforms. They have released works under numerous aliases like The Future Sound of London (main moniker), Amorphous Androgynous, Yage, Humanoid, Amorphous Androgynous, Mental Cube, Q, Zeebox, Heads Of Agreement, Semtex, The Far-out Son Of Lung, Part-Sub-Merged, Art Science Technology, and many more. Garry Cobain and Brian Dougans met in the mid 80s while studying electronics at university in Manchester, England. Dougans had already been making electronic music for some time, working between Glasgow and Manchester, when they first began working in various local clubs. In 1988, Dougans embarked on a project for the Stakker graphics company. The result was the club hit "Stakker Humanoid", issued under Humanoid alias. In the following three years the pair produced music under a variety of aliases, releasing a plethora of singles and EPs, including the successful bleep techno singles "Q" and "Metropolis". The band achieved commercial success in 1991 with the seminal breakthrough ambient-dub track "Papua New Guinea", featuring a looping Lisa Gerrard (of Dead Can Dance) vocal sample and a bassline from Meat Beat Manifesto's "Radio Babylon". Other singles issued include Cascade, Expander, Lifeforms EP, The Far-Out Son of Lung and the Ramblings of a Madman, My Kingdom, We Have Explosive, Stakker Humanoid 2001, Papua New Guinea 2001, Papua New Guinea Translations. FSOL's main studio albums are: the techno-influenced Accelerator (1991), the jazz-influenced ISDN (1994), the ambiental Lifeforms (1994), the experimental Dead Cities (1996), and the ambient tetralogy Environments (2007), Environments II (2008), Environments 3 (2010), Environments 4 (2012). They released in 2006 a Best Of album entitled Teachings from the Electronic Brain, followed by a series of compilations with pieces recorded in the 90s, like From the Archives Vol.1 (2007), From the Archives Vol.2 (2007), From the Archives Vol.3 (2007), From the Archives Vol.4 (2008), From the Archives Vol.5 (2008), From the Archives Vol.6 (2010). Under the moniker Amorphous Androgynous, Cobain and Dougans released the highly experimental Tales of Ephidrina (1993) and the psychedelic rock influenced albums The Isness (as FSOL in USA, 2002), Alice in Ultraland (2005), The Peppermint Tree and Seeds of Superconsciousness (2008), A Monstrous Psychedelic Bubble Exploding in Your Mind: Volume 1 (2008), A Monstrous Psychedelic Bubble Exploding in Your Mind: Volume 2 (2009), A Monstrous Psychedelic Bubble Exploding in Your Mind: Volume 3 (2010). The pair also grew in repute as remixers, obliterating tracks by Curve, The Shamen, Robert Fripp/David Sylvian, Oasis, Massive Attack, Jon Anderson, Apollo 440, and rebuilding pieces of almost majestic complexity with the remnants. FSOL collaborated with Robert Fripp on "Flak", with Talvin Singh on "Life Form Ends", with Toni Halliday (of Curve) on "Cerebral", with Elizabeth Fraser (of Cocteau Twins) on the single version of "Lifeforms". Official site: http://www.futuresoundoflondon.com Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.