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SLITS, THE - CUT
ARTIST:
TITLE:
Cut
LABEL:
CATNO:
7734143
STYLE:
Punk /
FORMAT:
Vinyl record
DESCRIPTION:
FemalePunk Pioneers 1979 LP - Re-issued For The Latest Generation - Who'd have thought that the inclusion of drummer Budgie (Palmolive left to join The Raincoats) and production by UK reggae master Dennis Bovell could've transformed The Slits' freeform punk thrash of 1977 / 1978 into the totally awesome dub-punk-funk mash up you hear here by 1979! Mixing unavoidable hooks, minimalist arrangements and exuberant vocals with a rough street smart style, "Cut" remains as fresh and innovative today as it did back then. Includes their classic tracks - "Typical Girls", "Newtown", "Shoplifting", "Love And Romance", "So Tough" etc. Not to be missed!!
long with more recognized post-punk records like Public Image Limited's Metal Box, the Pop Group's Y, and less-recognized fare like the Ruts DC and Mad Professor's Rhythm Collision Dub, Cut displayed a love affair with the style of reggae that honed in on deep throbs, pulses, and disorienting effects, providing little focus on anything other than that and periodic scrapes from guitarist Viv Albertine. But more importantly, Cut placed the Slits along with the Raincoats and Lydia Lunch as major figureheads of unbridled female expression in the post-punk era. Sure, Hole, Sleater-Kinney, and Bikini Kill would have still happened without this record (there were still the Pretenders and Patti Smith, just to mention a few of the less-subversive groundbreakers), but Cut placed a rather indelible notch of its own in the "influential" category, providing a spirited level rarely seen since. Heck, the Slits themselves couldn't match it again. You could call some of these songs a reaction to the Nuggets bands, or the '60s garage acts that would find as many ways as possible to say "women are evil." Songs like "Instant Hit" (about PiL guitarist Keith Levene), "So Tough" (about Sid Vicious and Johnny Rotten), "Ping Pong Affair," and "Love Und Romance" point out the shortcomings of the opposite sex and romantic involvements with more precision and sass than the boys were ever able to. "Spend Spend Spend" and "Shoplifting" target consumerism with an equal sense of humor ("We pay f*ck all!"). Despite the less-than-polished nature and street-tough ruggedness, Cut is entirely fun and catchy; it's filled with memorable hooks, whether they're courtesy of the piano lick that carries "Typical Girls" or Ari Up's exuberant vocals. (One listen to Up will demonstrate that Björk might not be as original as you've been led to believe.) Island's 2000 reissue blows away the 1990 CD version in sound and presentation. A mammoth improvement is made with the sound, and extensive liner notes and photos are included. Movie fans should also check out High Fidelity, in which a copy of Cut makes more appearances than many of its co-stars.
long with more recognized post-punk records like Public Image Limited's Metal Box, the Pop Group's Y, and less-recognized fare like the Ruts DC and Mad Professor's Rhythm Collision Dub, Cut displayed a love affair with the style of reggae that honed in on deep throbs, pulses, and disorienting effects, providing little focus on anything other than that and periodic scrapes from guitarist Viv Albertine. But more importantly, Cut placed the Slits along with the Raincoats and Lydia Lunch as major figureheads of unbridled female expression in the post-punk era. Sure, Hole, Sleater-Kinney, and Bikini Kill would have still happened without this record (there were still the Pretenders and Patti Smith, just to mention a few of the less-subversive groundbreakers), but Cut placed a rather indelible notch of its own in the "influential" category, providing a spirited level rarely seen since. Heck, the Slits themselves couldn't match it again. You could call some of these songs a reaction to the Nuggets bands, or the '60s garage acts that would find as many ways as possible to say "women are evil." Songs like "Instant Hit" (about PiL guitarist Keith Levene), "So Tough" (about Sid Vicious and Johnny Rotten), "Ping Pong Affair," and "Love Und Romance" point out the shortcomings of the opposite sex and romantic involvements with more precision and sass than the boys were ever able to. "Spend Spend Spend" and "Shoplifting" target consumerism with an equal sense of humor ("We pay f*ck all!"). Despite the less-than-polished nature and street-tough ruggedness, Cut is entirely fun and catchy; it's filled with memorable hooks, whether they're courtesy of the piano lick that carries "Typical Girls" or Ari Up's exuberant vocals. (One listen to Up will demonstrate that Björk might not be as original as you've been led to believe.) Island's 2000 reissue blows away the 1990 CD version in sound and presentation. A mammoth improvement is made with the sound, and extensive liner notes and photos are included. Movie fans should also check out High Fidelity, in which a copy of Cut makes more appearances than many of its co-stars.
PRICE:
£24.99
RELEASED YEAR:
SLEEVE:
Mint (M)
MEDIA:
Mint (M)
BUY:
LISTEN:
Last FM Information on The Slits
Please note the information is done on a artist keyword match and data is provided by LastFM.
The Slits was a British punk rock/post-punk/reggae band, formed in London 1976, originally all female led by Arianna Forster (aka Ari Up. It has had different lineups until the group disbanded after Ari's death 2010. Bass guitar player Tessa Pollitt also was a long time member. Hollie Cook – the daughter of Sex Pistols' drummer – joined the Slits 2005, and has now a successful solo carrier. Slits debut studio album Cut was released 1979 and their latest, Trapped Animal 2009.
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The Slitz formed in 1976 in London, England. The original members, all female, were: Arianna Forster (aka Ari Up, Ari-Up & Madusa, vocals), Paloma Romera (aka Palmolive, drums), Kate Korus (guitar) & Suzi Gutsy (bass). Viv Albertine & Tessa Pollitt would later replace Kate & Suzi. Pete Clarke (aka Budgie, formerly of Spitfire Boys & later to join Siouxsie and the Banshees), was the drummer when Palmolive left to join The Raincoats - then later Bruce Smith.
They released their first album 'Cut' on Island Records in 1979, a Bootleg Retrospective on Rough Trade Y in 1980, and The Return Of The Giant Slits in 1981. Further releases since their initial split in 1981 are two sessions for the John Peel show released on Strange Fruit, In The Beginning: A Live Anthology 1977-1981, and Live At The Cibus Club. Ari Up, went on to help form, The New Age Steppers. The Slits have since reformed with original members Ari Up and Tessa Pollitt plus new members Hollie Cook on keybooards, and Anna Schulte on drums, and guitarist No. The band toured widely and released another album, Return of the Giant Slits before breaking up in early 1982. Ari Up and Tessa Pollitt reformed the band with new members in 2005. In October 2006 the EP Revenge Of The Killer Slits was issued and in October 2009 the well-received album Trapped Animal was released.
On Wednesday October 20th 2010 John Lydon's web site announced that, after a serious illness, Ari Up had died.
Sites: Wikipedia, Discogs and MusicBrainz Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.