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ROY BROOKS - BEAT
ARTIST:
TITLE:
Beat
LABEL:
CATNO:
4599135
STYLE:
Jazz /
FORMAT:
Vinyl record
DESCRIPTION:
1964 JAzz LP Repressed on 180 gram audiophile vinyl - Recorded for Berry Gordy's short-lived Workshop Jazz imprint and recorded at the Hitsville USA studio, Roy Brooks (joined by fellow Detroit natives George Bohanon and Hugh Lawson, along with his Horace Silver Quintet bandmates Blue Mitchell, Junior Cook, and Eugene Taylor) injects a Motor City soul-jazz groove into the hard bop root of this engaging 1964 album. Audio transferred from the analog tapes.
Verve By Request Series features 180-gram vinyl, pressed at Third Man in Detroit.
Roy Brooks was a staple of Detroit's jazz scene - a gifted drummer who worked with Chet Baker, Charles Mingus, Horace Silver and more besides. He recorded Beat for Berry Gordy's short-lived Workshop Jazz label in the Hitsville USA studio, joined by George Bohanon, Hugh Lawson, Blue Mitchell, Junior Cook and Eugene Taylor. Given the interwoven shared history of these players, Beat manifested as a cohesive fusion of hard bop and soul jazz which left a mark when it came out in 1964, and it still packs a punch in the modern era thanks to this high-grade reissue courtesy of Third Man, making this a true Motor City product.
Verve By Request Series features 180-gram vinyl, pressed at Third Man in Detroit.
Roy Brooks was a staple of Detroit's jazz scene - a gifted drummer who worked with Chet Baker, Charles Mingus, Horace Silver and more besides. He recorded Beat for Berry Gordy's short-lived Workshop Jazz label in the Hitsville USA studio, joined by George Bohanon, Hugh Lawson, Blue Mitchell, Junior Cook and Eugene Taylor. Given the interwoven shared history of these players, Beat manifested as a cohesive fusion of hard bop and soul jazz which left a mark when it came out in 1964, and it still packs a punch in the modern era thanks to this high-grade reissue courtesy of Third Man, making this a true Motor City product.
PRICE:
£26.99
RELEASED YEAR:
SLEEVE:
New
MEDIA:
New
BUY:
LISTEN:
Last FM Information on Roy Brooks
Please note the information is done on a artist keyword match and data is provided by LastFM.
Roy Brooks (March 9, 1938 – November 15, 2005) was an American hard bop jazz drummer.
Brooks was born in Detroit and drummed since childhood. He was an outstanding varsity basketball player as a teenager and was offered a scholarship to the Detroit Institute of Technology; he attended the school for three semesters and then dropped out to tour with Yusef Lateef. After time with Lateef and Barry Harris, he played with Beans Bowles and with the Four Tops in Las Vegas. He played with Horace Silver from 1959 to 1964, including on the album Song for My Father; in 1963 he released his first album as a leader. Following this he freelanced in New York City through the 1960s and early 1970s, playing with Lateef again (1967–70), Sonny Stitt, Lee Morgan, Dexter Gordon, Chet Baker, Junior Cook, Blue Mitchell, Charles McPherson, Pharaoh Sanders (1970), Wes Montgomery, Dollar Brand, Jackie McLean, James Moody (1970–72), Charles Mingus (1972–73), and Milt Jackson. He married Hermine Brooks in 1967.[3] His 1970 album The Free Slave featured Cecil McBee and Woody Shaw in early performances. Later in 1970 he joined Max Roach's ensemble M'Boom, and in 1972 put together the ensemble The Artistic Truth.
Brooks's performances often included unusual instruments such as the musical saw and drums with vacuum tubes set up so as to regulate the pitch. He began to acquire a reputation for bizarre behavior on and off stage, and occasionally sought treatment for mental disorders. In 1975 he left New York and returned to Detroit, and began using lithium to regulate his behavior. In the 1980s he returned to The Artistic Truth and gigged regularly in Detroit with Kenny Cox, Harold McKinney, and Wendell Harrison. With those three he co-founded M.U.S.I.C. (Musicians United to Save Indigenous Culture), and later also founded the Aboriginal Percussion Choir, an ensemble devoted to the use of non-Western percussion instruments. He used his basement as a practice and learning space, working with children as well as accomplished musicians.
In the 1990s Detroit's jazz scene waned, and Brooks ceased taking medication; he again began breaking down at gigs, and in 1994 was institutionalized for three weeks. In 1997, he threatened his neighbor with a shotgun during a dispute over a lost set of house keys. He was charged with assault but was declared mentally unfit to stand trial and was sentenced to mental treatment; however, he missed many of his appointments, and in 1999 he threatened another neighbor with a bullwhip and a machete over property rights to an adjacent vacant lot. Sentenced to further psychiatric treatment, he disappeared again, and when probation officers found him, he was imprisoned late in 2000. He served time at Marquette Prison until 2004, when he was placed in a nursing home. He died there late in 2005.Brooks is Survived by his wife Hermine and His Two sons Raheem Brooks and Richard Elliott Brooks-Pinkston. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.