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PIXIES - TROMPE LE MONDE


ARTIST:
TITLE:
Trompe Le Monde
LABEL:
CATNO:
CAD1014
FORMAT:
Vinyl record
DESCRIPTION:
Trompe le Monde is the fourth studio album by the American alternative rock band Pixies, released on September 23, 1991

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£19.49
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CUE
MP3
a1
Trompe Le Monde
a2
Planet Of Sound
a3
Alec Eiffel
a4
The Sad Punk
a5
Head On
a6
U Mass
a7
Palace Of The Brine
a8
Letter To Memphis
b1
Bird Dream Of The Olympus Mons
b2
Space (I Believe In)
b3
Subbacultcha
b4
Distance Equals Rate Times Time
b5
Lovely Day
b6
Motorway To Roswell
b7
The Navajo Know

Last FM Information on Pixies

Please note the information is done on a artist keyword match and data is provided by LastFM.
Pixies are an American alternative rock band formed in Boston, Massachusetts, in 1986. Widely regarded as pioneers of indie rock, their music incorporates elements of punk rock, post-punk, surf rock, noise rock and melodic pop rock. Their distinctive sound, characterised by abrupt quiet-loud dynamics, angular guitar lines, surreal lyrics and contrasting male and female vocals, helped shape the development of alternative music during the late 1980s and 1990s. Formation and early years (1986–1989) The band was founded by vocalist and rhythm guitarist Black Francis (Charles Thompson) and guitarist Joey Santiago, who met at the University of Massachusetts Amherst. They recruited bassist and vocalist Kim Deal through a newspaper advertisement seeking someone who liked both Hüsker Dü and Peter, Paul and Mary. Deal introduced drummer David Lovering, completing the original lineup. After recording a demo known as The Purple Tape, Pixies signed to British independent label 4AD, which released their debut mini-album, Come On Pilgrim, in 1987. The record introduced Black Francis' unconventional lyrics, exploring religion, sexuality, violence and surreal imagery, alongside his distinctive mixture of melodic singing and screaming. The band's early sound drew from the American underground rock and college rock scenes. Their first full-length album, Surfer Rosa (1988), was recorded with producer Steve Albini. Featuring Bone Machine, Gigantic and Where Is My Mind?, its raw production, distorted guitars and unconventional arrangements established the band's international underground reputation. The follow-up, Doolittle (1989), was produced by Gil Norton and brought wider recognition. Songs including Debaser, Monkey Gone to Heaven, Here Comes Your Man and Hey combined abrasive noise pop, unpredictable arrangements and accessible melodies. The album is widely regarded as a landmark of alternative rock. Later albums and breakup (1990–1993) Following extensive touring and increasing internal tensions, Pixies released Bossanova (1990), which explored atmospheric textures, surf guitar, space rock influences and science-fiction themes. Their fourth album, Trompe le Monde (1991), returned to a denser, faster and more aggressive sound, incorporating elements of punk and experimental guitar rock. Creative differences, particularly between Black Francis and Kim Deal, contributed to the band's breakup in January 1993. Francis continued recording as Frank Black, while Deal achieved further success with The Breeders, whose album Last Splash became a major alternative rock release later that year. Influence and legacy Despite achieving limited mainstream commercial success in the United States during their original existence, Pixies became one of the most influential alternative rock bands of their generation. Their combination of distorted guitars, unconventional structures and memorable melodies helped bridge the American underground of the 1980s with the mainstream alternative rock and grunge movements of the early 1990s. Their influence extended to artists including Nirvana, Radiohead, Weezer, PJ Harvey and The Smashing Pumpkins. Kurt Cobain specifically acknowledged Pixies as an inspiration for Smells Like Teen Spirit, particularly its contrasting quiet verses and explosive choruses. The band's original recordings also became foundational within indie rock, noise rock and alternative rock, influencing successive generations of guitar bands throughout the 1990s and beyond. Reunion and later career (2004–present) Pixies reunited with their original lineup in 2004, performing internationally and introducing their music to a new generation of listeners. Kim Deal departed in 2013 and was briefly replaced by Kim Shattuck of The Muffs, before Paz Lenchantin joined in 2014. The band resumed recording with Indie Cindy (2014), their first studio album in 23 years. Subsequent releases included Head Carrier (2016), Beneath the Eyrie (2019) and Doggerel (2022), incorporating elements of melodic alternative rock, atmospheric guitar music, folk rock and indie pop. In 2024, Lenchantin departed and Emma Richardson, formerly of Band of Skulls, became the band's bassist. Their ninth studio album, The Night the Zombies Came, was released on 25 October 2024 through BMG. Produced by Tom Dalgety, it featured elements of punk rock, country rock and atmospheric alternative rock, alongside horror-inspired imagery. Four decades after their formation, Pixies remain an internationally active band whose original recordings continue to influence contemporary indie rock and alternative guitar music. Discography Mini-album: 1987 – Come On Pilgrim Studio albums: 1988 – Surfer Rosa 1989 – Doolittle 1990 – Bossanova 1991 – Trompe le Monde 2014 – Indie Cindy 2016 – Head Carrier 2019 – Beneath the Eyrie 2022 – Doggerel 2024 – The Night the Zombies Came Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.


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