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PHAROAH SANDERS - BLACK UNITY
ARTIST:
TITLE:
Black Unity
LABEL:
CATNO:
5521236
STYLE:
Jazz /
FORMAT:
Vinyl record
DESCRIPTION:
1972 Jazz LP Repressed on Audiophile 180g Pressing - For 1971’s Black Unity, Pharaoh Sanders added groove to foundation of spiritual and free jazz he had explored on his previous Impulse! albums. The result is a piercing and emotive 37-minute rhythm-driven title track exploration of African, Latin, aborigine and Native American sounds. This Verve By Request title is pressed on 180-gram vinyl at Third Man in Detroit.
Pharaoh Sanders has many high-points in his illustrious career, but Black Unity is a truly special, long-form body of work stretching out over 37 minutes of mesmerising, sustained groove. Widely hailed by critics as one of Sanders' most revealing works, he's joined on the 1971 session by Marvin Peterson on trumpet, Carlos Garnett on flute and tenor sax, Joe Bonner on piano, Stanley Clarke and Cecil McBee on bass, Norman Connors and Billy Hart on drums and Lawrence Killian on percussion. Between them, the ensemble guide us through ebbs and flows of majestic power, all elements flowing into one another in a true expression of the unity Sanders spelt out in the title.
Pharaoh Sanders has many high-points in his illustrious career, but Black Unity is a truly special, long-form body of work stretching out over 37 minutes of mesmerising, sustained groove. Widely hailed by critics as one of Sanders' most revealing works, he's joined on the 1971 session by Marvin Peterson on trumpet, Carlos Garnett on flute and tenor sax, Joe Bonner on piano, Stanley Clarke and Cecil McBee on bass, Norman Connors and Billy Hart on drums and Lawrence Killian on percussion. Between them, the ensemble guide us through ebbs and flows of majestic power, all elements flowing into one another in a true expression of the unity Sanders spelt out in the title.
PRICE:
£32.99
RELEASED YEAR:
SLEEVE:
New
MEDIA:
New
BUY:
LISTEN:
Last FM Information on Pharoah Sanders
Please note the information is done on a artist keyword match and data is provided by LastFM.
Pharoah Sanders (1940-2022) was a U.S. jazz saxophonist.
Sanders was born on 13th October 1940 in Little Rock, Arkansas, under the name Farrell Sanders. He began his professional career playing tenor saxophone in Oakland, California.
Sanders moved to New York City in 1962. He received his nickname "Pharoah" from Sun Ra, with whom Sanders performed. He came to prominence playing with John Coltrane's band starting in 1965, as Coltrane began experimenting with the music which would soon become known as avant-garde jazz.
Although he developed a slightly different style from Coltrane, Sanders was strongly influenced by their collaboration together. Sanders was also greatly influenced by Coltrane's earlier works (in which Sanders did not collaborate), particularly A Love Supreme. Spiritual elements such as the chanting in A Love Supreme would later show up in many of Sanders' own works. Sanders would also go on to produce much free jazz, being influenced by his free jazz collaborations with Coltrane, particularly Coltrane's most notable free-jazz work, Ascension (1965), as well as their dual-tenor recording Meditations (1965).
In 1968 he participated in Mike Mantler & Carla Bley's JCOA: Jazz Composer's Orchestra Association album Communications featuring Cecil Taylor, Don Cherry, Larry Coryell and Gato Barbieri. This solo has been referred to by John Zorn and others as the most intense and inspiring free tenor solo ever put to tape.
In the 1970s, Sanders pursued his own recordings and continued to work with the likes of Alice Coltrane on her Journey in Satchidananda album.
In 1994 he travelled to Morocco to record with master Gnawa musician Maleem Mahmoud Ghania, resulting in the Bill Laswell-produced The Trance of Seven Colours. Sanders continued to work with Laswell, Jah Wobble, and others on the albums Message from Home (1996) and Save Our Children (1998).
Sanders is known for his overblowing, harmonic, and multiphonic techniques on the saxophone, as well as his use of "sheets of sound". Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.