DESCRIPTION:
2x12" LP - Techno Acid , Electro Across 10 Tracks - Paranoid London, the electronic band of Gerardo Delgado and Quinn Whalley, has become synonymous with stripping acid house back down to its basics, rescuing the sound from smiley faces, rave, and sugary excess while paying respects to its gay, black, American roots. Performing mainly live with hardware only, often with vocal guests, as well as unique hybrid DJ sets, the duo has established a tongue in cheek, grumpy punk sound and attitude without taking it too seriously.
Following 2019’s latest album PL and a bunch of 12” singles and edits, their new long-player Arseholes, Liars, and Electronic Pioneers refers to the cavalcade of c***s we find ourselves surrounded by. Our only respite being the joy that musical geniuses bring. The cover artwork and gatefold of the vinyl reflect this with a collage-like poster including personalities of all kinds, from politicians and royalty to music legends. When we asked them to highlight key music pioneers from their picks, they mentioned American electro don Aldo Marin, British producer Andrea Parker and Post Punk band WIRE.
Inspired by early ‘90s British prog house on the likes of Sabres Of Paradise Records and Guerilla Records, the album presents a step up on their production while the anarchic attitude remains unaltered, unadulterated and undiluted.
In Quinn’s words: the album has a slightly more Hi-Fi sound than previous efforts, but retains the urgency and punk rock attitude that we're known for. It was tested over the summer, where it lit up festival stages at Glastonbury, Houghton, Love International, and many, many others.
As expected, PL has recruited a bunch of special guests on vocals including Primal Scream’s Bobby Gillespie, US house veteran Monica “DJ Genesis” Lockett, the novo-New Romantic/gothic, Jennifer Touch, and Joe Love, from Fat Dog, Brixton’s current ones-to-watch. As well, previous collaborators Josh Caffe and Mutado Pintado return for new recordings. All bring something unique to the party, while integrating perfectly with PL’s Fuck you! circuitry.
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From the ashes of a devastated vinyl industry 10 years ago Paranoid London Records & Paranoid London the band emerged & immediately began bucking the trend in falling vinyl sales. With zero promotion, no interviews, no photos & no downloads their line in stripped down, dirty, sleazy tracks made directly for dancers & DJs caught the imagination of a scene bored shitless of the way things were.
The records started to become instant modern classics, going for silly money on sites like discogs. They would sell out before they even hit the shops leading to frenzied pre-orders & people squabbling over the few copies that made it on to the racks.
When they began to do live shows people began to get their first glimpses of the, until then, anonymous band. The atmosphere at those gigs was electric, the crowds surging forward with excitement as the show would start. The live show, like the records, was different to everything else on offer at the time. Combining a rare talent for dancefloor dynamics made with original analogue equipment spitting out often brutal shards of electronic funk with the Alan Vega/preacher -esque vocal rants of Mutado Pintado. Very quickly rising to the top of the disco chain they headlined everywhere from Panorama Bar, Block9 at Glastonbury, Sonar, Dekmantel as well as supporting bands like Fat White Family, The Chemical Brothers & Soulwax.
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