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PALE SAINTS - IN RIBBONS - 30TH ANNIVERSARY RE:MASTERS
ARTIST:
TITLE:
In Ribbons - 30th Anniversary Re:Masters
LABEL:
CATNO:
4AD0407LPX
FORMAT:
Vinyl record
DESCRIPTION:
2x12" Rock / Shoegaze LP - 30th Year Anniivesary Copy Inc Previously Unreleased Demo's ^ Brass Band Versions
The 1990 debut album from Pale Saints, The Comforts of Madness, is an outstanding record that owed as much to post-punk and L.A.’s Paisley Underground scene than it did to shoegaze. The Sunday Times called it “an unintended indie manifesto: music that is at once wayward and concise, dissonant and beautiful.”
Shortly after its release and in need of a second live guitarist, Lush founding member Meriel Barham joined the Leeds trio of Ian Masters, Graeme Naysmith and Chris Cooper, bringing a new dynamic to the band.
Having previously worked well with producer Hugh Jones (Echo and The Bunnyman, Modern English, The Sound), he did a brilliant job recording their second album, In Ribbons (1992), despite some studio tensions. Brooklyn Vegan said in a recent celebration of the album that it was the “push and pull between Masters’ outsider tendencies and (the rest’s) commercial intereststhat makes In Ribbons so good. If some of the wild, ragged edges of Comforts of Madness have been smoothed off, the album makes up for it with scope and beauty. And there’sstill no shortage of weird.”
Missing its original release date last year due to Covid delays and a production plant in meltdown, In Ribbons finally gets the 30th Anniversary celebration it deserves with a special double LP / CD release – the first disc being the UK version of the album, the second a bonus disc of never before heard demos (including their first attempt at Slapp Happy’s ‘Blue Flower’ and Ian’s 4 track recording of ‘Kinky Love’) and two brass band versions by The Tintwistle Band.
Coming in a beautiful gatefold sleeve, the limited double LP edition is being pressed on unpigmented vinyl by The Vinyl Factory in West London. A single disc, black vinyl version is also released.
The 1990 debut album from Pale Saints, The Comforts of Madness, is an outstanding record that owed as much to post-punk and L.A.’s Paisley Underground scene than it did to shoegaze. The Sunday Times called it “an unintended indie manifesto: music that is at once wayward and concise, dissonant and beautiful.”
Shortly after its release and in need of a second live guitarist, Lush founding member Meriel Barham joined the Leeds trio of Ian Masters, Graeme Naysmith and Chris Cooper, bringing a new dynamic to the band.
Having previously worked well with producer Hugh Jones (Echo and The Bunnyman, Modern English, The Sound), he did a brilliant job recording their second album, In Ribbons (1992), despite some studio tensions. Brooklyn Vegan said in a recent celebration of the album that it was the “push and pull between Masters’ outsider tendencies and (the rest’s) commercial intereststhat makes In Ribbons so good. If some of the wild, ragged edges of Comforts of Madness have been smoothed off, the album makes up for it with scope and beauty. And there’sstill no shortage of weird.”
Missing its original release date last year due to Covid delays and a production plant in meltdown, In Ribbons finally gets the 30th Anniversary celebration it deserves with a special double LP / CD release – the first disc being the UK version of the album, the second a bonus disc of never before heard demos (including their first attempt at Slapp Happy’s ‘Blue Flower’ and Ian’s 4 track recording of ‘Kinky Love’) and two brass band versions by The Tintwistle Band.
Coming in a beautiful gatefold sleeve, the limited double LP edition is being pressed on unpigmented vinyl by The Vinyl Factory in West London. A single disc, black vinyl version is also released.
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£41.99
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Last FM Information on Pale Saints
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Pale Saints were a British alternative rock band formed by Ian Masters (bass/vocals), Graeme Naysmith (guitar), and Chris Cooper (drums). They began as a three-piece band based in Leeds, England, in 1987. The band was signed to 4AD records by 4AD chief Ivo after their first London show. They were amongst a number of groups in the nineties who were dubbed as shoegaze by the NME and Melody Maker.
Early band interviews showed them to be a fun-loving bunch in contrast to their dark, lyrically pessimistic pop music. Guitarist Graeme Naysmith and drummer Chris Cooper described themselves as enthusiastic football fans and were perpetually excited about touring. Lead vocalist Ian Masters was often known to gratuitously lie in interviews, helping the group to successfully build up a certain party reputation.
In late 1990, the band added Meriel Barham, the original vocalist from Lush, as second guitarist and vocalist.
Ian Masters departed the band in 1993. By most accounts, he became more and more disenchanted with pop music and wanted to go in a more experimental direction with minimal drums and ambient sounds. He also seemed to have lost all joy for touring and live performance.
Pale Saints added former Heart Throbs bassist Colleen Browne in 1993. Meriel Barham departed in September of 1995 and the band eventually came to an end in early 1996, partly as a result of weak label support and relative lack of interest.
Ian Masters formed Spoonfed Hybrid, a duo who released a self titled album on the Guernica Label. Challenging and more experimental than Pale Saints releases.
Following the Spoonfed Hybrid Ian Masters and Warren Defever made an album together in Livonia, Michigan called 'ESP Summer'.
Shortly after Ian Masters moved to Japan, where he still lives. Material under the name 'Two Sun Tears' (a collaboration with Cailan Burns of Pretty Boy Crossover) has been released and Masters has been collaborating with musicians in Japan (Luminous Orange), Brazil (Gerador Zero) and America (Dive Index). Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.