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ONEIDA - EACH ONE TEACH ONE
ARTIST:
TITLE:
Each One Teach One
LABEL:
CATNO:
JAG048LP
STYLE:
Psychedelic Rock / Rock /
FORMAT:
Vinyl record
DESCRIPTION:
Psychedelic Rock, Experimental LP From 2000-2001. Limited Edition Silver Vinyl Version - When this album was written, recorded, and conceptualized, Oneida was a pretty hectic organization, committed to confrontation and tragipsych and Wu-Tang and electro relentlessness.
“The record was made by the original quartet lineup of the band, founded in 1997; and the tour that followed the completion of the album in late 2001 was the final 35-date hurrah of this lineup.
“When the record finally saw the light of day in early 2002, the band hadn’t broken up but was in a process of irrevocable transformation.
“Oneida began as a project, then became a gang. ‘Come On Everybody Let’s Rock’ (2000) and ‘Anthem Of The Moon’ (2001) were absolutely gang work, and ‘Each One Teach One’ was a logical final blow.
“We had been through some intimate dances on the road with the medical and legal professions by this point, and we’d left some blood in most US states – and not always on purpose.
“So in some respects this record is a baring of scars. Our original label, Turnbuckle Records, had closed its doors with no warning in 1999, giving rise to the oldest tune on the album, ‘No Label’; and both extended pieces on the record, ‘Sheets of Easter’ and ‘Antibiotics’, conjoin pain and possibility in some more metaphysical or metaphorical ways that absolutely reflect our collective state of disorientation at the time.
“The music on ‘Each One Teach One’ was recorded in several different locations, under different circumstances, and using different compositional techniques. Some of the songs were built piece by piece through the recording and editing process; some were conceptualized ahead of time and approached with some science; and some were pure instinct.
“All four members of the band worked on composing - like I said, this was a gang doing gang work - and the final result, this album, is an accurate document of Oneida following the turn of the century.” - Oneida
“The record was made by the original quartet lineup of the band, founded in 1997; and the tour that followed the completion of the album in late 2001 was the final 35-date hurrah of this lineup.
“When the record finally saw the light of day in early 2002, the band hadn’t broken up but was in a process of irrevocable transformation.
“Oneida began as a project, then became a gang. ‘Come On Everybody Let’s Rock’ (2000) and ‘Anthem Of The Moon’ (2001) were absolutely gang work, and ‘Each One Teach One’ was a logical final blow.
“We had been through some intimate dances on the road with the medical and legal professions by this point, and we’d left some blood in most US states – and not always on purpose.
“So in some respects this record is a baring of scars. Our original label, Turnbuckle Records, had closed its doors with no warning in 1999, giving rise to the oldest tune on the album, ‘No Label’; and both extended pieces on the record, ‘Sheets of Easter’ and ‘Antibiotics’, conjoin pain and possibility in some more metaphysical or metaphorical ways that absolutely reflect our collective state of disorientation at the time.
“The music on ‘Each One Teach One’ was recorded in several different locations, under different circumstances, and using different compositional techniques. Some of the songs were built piece by piece through the recording and editing process; some were conceptualized ahead of time and approached with some science; and some were pure instinct.
“All four members of the band worked on composing - like I said, this was a gang doing gang work - and the final result, this album, is an accurate document of Oneida following the turn of the century.” - Oneida
PRICE:
£21.49
RELEASED YEAR:
SLEEVE:
Mint (M)
MEDIA:
Mint (M)
BUY:
LISTEN:
Last FM Information on Oneida
Please note the information is done on a artist keyword match and data is provided by LastFM.
Oneida is an experimental rock band from Brooklyn, New York. Their influences include psychedelic rock, krautrock, electronic, and noise rock, but the overall structure and intent of their music cannot be easily traced to any of these styles, or the myriad other styles they have drawn upon in recordings.
The most striking and consistent aspect of Oneida's music is their use of and fascination with repetition. Their 2002 LP, Each One Teach One, for instance, begins with two especially long tracks, Sheets of Easter and Antibiotics, the former over fourteen minutes long, the latter more than sixteen. Both of these songs are composed of one repeated riff (with a few short interludes on Antibiotics). In addition to the use of repetition Oneida's music can be distinguished by the bandmember's extensive use of and enthusiasm for antique keyboards and analog electric pianos.
Originally recording on Turnbuckle Records (their first two albums in 1997 and 1999), the band now runs Brah Records, an imprint of Jagjaguwar (Jagjaguwar group at Last.fm). In September 2007 the group celebrated 10 years of existence with a concert at the P.S. 1 Contemporary Art Center in NYC.
The current lineup is:
* Kid Millions - drums, vocals participated as drummer 53 in the Boredoms 77 Boadrum performance which occurred on July 7th, 2007 at the Empire-Fulton Ferry State Park in Brooklyn, New York
* Bobby Matador - organ, guitar, vocals
* Hanoi Jane - guitar, bass
* Double Rainbow (aka Phil Manley of Trans Am and The Fucking Champs) - guitar
* Shahin Motia (of Ex Models) - guitar
Papa Crazy (aka PCRZ) of Oakley Hall is a former member of Oneida, and has revived connections with Oneida by recording OH's most recent album Gypsum Strings on Oneida's Brah Records label.
http://www.enemyhogs.com/site/
http://www.myspace.com/oneidarocks Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.