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OASIS - DON'T BELIEVE THE TRUTH
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TITLE:
Don't Believe The Truth
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CATNO:
RKIDLP30XX
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FORMAT:
Vinyl record
DESCRIPTION:
Rock LP Repressed - Since Oasis has an instantly identifiable, seemingly simple signature sound -- gigantic, lumbering, melodic, and inevitable, as if their songs have always existed and always will -- it can be hard to pinpoint what separates a great Oasis song from a merely mediocre tune. It could be anything from overblown production to a diminished swagger, or it could be a self-satisfied laziness in the songwriting, or a panicky attempt to update their defiantly classicist pop with an electronic shine. All of these problems plagued the group's records since their blockbuster 1995 blockbuster second album, (What's the Story) Morning Glory?, and while none of the three albums that followed were outright bad, by 2002's Heathen Chemistry it seemed that even Noel and Liam Gallagher had lost sight of what made Oasis great. While that record had its moments, it often seemed generic, suggesting that the group had painted itself into a corner, not knowing where to go next. Surely, all the reports from the recording of their long-gestating sixth album suggested a faint air of desperation. First, the electronica duo Death in Vegas was brought in as producers, bringing to mind the band's awkward attempts at electronica fusion on Be Here Now and Standing on the Shoulder of Giants, but those recordings were scrapped, and then their second drummer, Alan White, left only to be replaced by Zak Starkey, the son of Ringo Starr, suggesting that the Gallaghers were coming perilously close to being swallowed by their perennial Beatles fixation.
All of which makes the resulting album, Don't Believe the Truth, a real shock. It's confident, muscular, uncluttered, tight, and tuneful in a way Oasis haven't been since Morning Glory. It doesn't feel labored nor does it sound as if they're deliberately trying to recreate past glories. Instead, it sounds like they've remembered what they love about rock & roll and why they make music. They sound reinvigorated, which is perhaps appropriate, because Don't Believe the Truth finds Oasis to be quite a different band than it was a decade ago. Surely, Noel is still the first among equals, writing the majority of the songs here and providing the musical direction that the rest follow, but his brother Liam, bassist Andy Bell, and guitarist Gem Archer are now full and equal partners, and the band is the better for it. Where Noel struggled to fill the post-Morning Glory albums with passable album tracks (having squandered his backlog of great songs on B-sides), he's now happy to have Bell and Archer write Noel soundalikes that are sturdier than the filler he's created over the last five years. These likeable tunes are given soul and fire by Liam, who not only reclaims his crown as the best singer in rock on this album, but comes into his own as a songwriter. He had written good songs before, but here he holds his own with his brother, writing lively, hooky, memorable songs with "Love Like a Bomb," "The Meaning of Soul," and "Guess God Thinks I'm Abel," which are as good as anything Noel has written for the album. Which is not an aspersion on Noel, who has a set of five songs that cut for cut are his strongest and liveliest in years. Whether it's the insistent stomp of "Mucky Fingers" or the Kinks-styled romp of "The Importance of Being Idle," these songs are so good it makes sense that Noel has kept them for himself, singing four of the five tunes himself (including the soaring closing duet "Let There Be Love," the brothers' best joint vocal since "Acquiesce"). But the key to this new incarnation of Oasis is that this move by Noel doesn't seem like he's hoarding his best numbers, or a way to instigate sibling rivalry with Liam. Instead, it emphasizes that Oasis is now a genuine band, a group of personalities that form together to form one gang of charming rogues. Apart from the tremendous, rambling "Lyla" that channels the spirit of the Faces and the occasional ramshackle echo of Beggars Banquet, there's not m
All of which makes the resulting album, Don't Believe the Truth, a real shock. It's confident, muscular, uncluttered, tight, and tuneful in a way Oasis haven't been since Morning Glory. It doesn't feel labored nor does it sound as if they're deliberately trying to recreate past glories. Instead, it sounds like they've remembered what they love about rock & roll and why they make music. They sound reinvigorated, which is perhaps appropriate, because Don't Believe the Truth finds Oasis to be quite a different band than it was a decade ago. Surely, Noel is still the first among equals, writing the majority of the songs here and providing the musical direction that the rest follow, but his brother Liam, bassist Andy Bell, and guitarist Gem Archer are now full and equal partners, and the band is the better for it. Where Noel struggled to fill the post-Morning Glory albums with passable album tracks (having squandered his backlog of great songs on B-sides), he's now happy to have Bell and Archer write Noel soundalikes that are sturdier than the filler he's created over the last five years. These likeable tunes are given soul and fire by Liam, who not only reclaims his crown as the best singer in rock on this album, but comes into his own as a songwriter. He had written good songs before, but here he holds his own with his brother, writing lively, hooky, memorable songs with "Love Like a Bomb," "The Meaning of Soul," and "Guess God Thinks I'm Abel," which are as good as anything Noel has written for the album. Which is not an aspersion on Noel, who has a set of five songs that cut for cut are his strongest and liveliest in years. Whether it's the insistent stomp of "Mucky Fingers" or the Kinks-styled romp of "The Importance of Being Idle," these songs are so good it makes sense that Noel has kept them for himself, singing four of the five tunes himself (including the soaring closing duet "Let There Be Love," the brothers' best joint vocal since "Acquiesce"). But the key to this new incarnation of Oasis is that this move by Noel doesn't seem like he's hoarding his best numbers, or a way to instigate sibling rivalry with Liam. Instead, it emphasizes that Oasis is now a genuine band, a group of personalities that form together to form one gang of charming rogues. Apart from the tremendous, rambling "Lyla" that channels the spirit of the Faces and the occasional ramshackle echo of Beggars Banquet, there's not m
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Last FM Information on Oasis
Please note the information is done on a artist keyword match and data is provided by LastFM.
Oasis was an English rock band formed in Manchester in 1991. Originally known as the Rain, the group initially consisted of Liam Gallagher (lead vocals, tambourine), Paul Arthurs (guitar), Paul McGuigan (bass guitar) and Tony McCarroll (drums). Liam's older brother Noel (lead guitar, vocals) later joined as a fifth member, finalising the group's core lineup. During the course of their existence, they had various lineup changes, with the Gallagher brothers remaining the only staple members.
Oasis signed to independent record label Creation Records in 1993 and released their record-setting debut album Definitely Maybe (1994). The following year they recorded (What's the Story) Morning Glory? (1995) with drummer Alan White, in the midst of a chart rivalry with peers Blur. Spending ten weeks at number one on the UK Albums Chart, (What's the Story) Morning Glory? was also an international chart success and became one of the best-selling albums of all time. In addition, it stands as the fifth-best-selling album in the UK and the biggest-selling album in the UK of the 1990s. The Gallagher brothers featured regularly in tabloid newspapers for their disputes and wild lifestyles. In 1996, Oasis performed two nights at Knebworth for an audience of 125,000 each time, the largest outdoor concerts in UK history at the time. In 1997, Oasis released their third album, Be Here Now. It became the fastest-selling album in UK chart history.
Oasis' popularity later declined and McGuigan and Arthurs left in 1999 as Oasis released Standing on the Shoulder of Giants (2000). They were replaced by former Heavy Stereo guitarist Gem Archer and former Ride guitarist Andy Bell. White departed in 2004, replaced by Zak Starkey and later Chris Sharrock. Oasis released three more studio albums, Heathen Chemistry (2002), Don't Believe the Truth (2005) and Dig Out Your Soul (2008). The group abruptly disbanded after the departure of Noel Gallagher in August 2009.
As of 2009, Oasis had sold over 70 million records worldwide. They are among the most successful acts on the UK Singles Chart and Albums Chart, with eight UK number-one singles and eight UK number-one albums. The band also achieved three platinum albums in the US. They won 17 NME Awards, nine Q Awards, four MTV Europe Music Awards and six Brit Awards, including one in 2007 for Outstanding Contribution to Music and one for the "Best Album of the Last 30 Years" for (What's the Story) Morning Glory?. They were nominated for two Grammy Awards.
Full Wikipedia article: https://en.wikipedia.org/wiki/Oasis_(band)
Studio albums
Definitely Maybe (1994)
(What's the Story) Morning Glory? (1995)
Be Here Now (1997)
Standing on the Shoulder of Giants (2000)
Heathen Chemistry (2002)
Don't Believe the Truth (2005)
Dig Out Your Soul (2008)
Members:
Liam Gallagher – vocals (1991–2009)
Noel Gallagher – lead guitar, vocals (1991–2009)
Paul Arthurs - rhythm guitar (1991–1999)
Gem Archer – rhythm guitar (1999–2009)
Paul McGuigan – bass guitar (1991–1999)
Andy Bell (Oasis) – bass guitar (1999–2009)
Tony McCarroll – drums (1991–1995)
Alan White (Oasis) – drums (1995–2004)
Zak Starkey – drums (2004–2008)
Chris Sharrock – drums (2008–2009) Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.