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Sealed vinyl issue - gatefold sleeve - Folk, World, & Country
English folk outfit Mumford & Sons' full-length debut owes more than a cursory nod to bands like the Waterboys, the Pogues, and the Men They Couldn’t Hang. The group's heady blend of biblical imagery, pastoral introspection, and raucous, pub-soaked heartache may be earnest to a fault, but when the wildly imperfect Sigh No More is firing on all cylinders, as is the case with stand-out cuts like "The Cave," "Winter Winds," and "Little Lion Man," it’s hard not to get swept up in the rapture. Like their London underground folk scene contemporaries Noah & the Whale, Johnny Flynn, and Laura Marling, Mumford & Sons' take on British folk is far from traditional. There's a deep vein of 21st century Americana that runs through the album, suggesting a healthy diet of Fleet Foxes, Arcade Fire, Sufjan Stevens, Blitzen Trapper, and Marah. That melding of styles, along with some solid knob-twiddling from Arcade Fire/Coldplay producer Markus Dravs, helps to kee
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Hailing from Melsele, Belgium the guys in the band have all been friends since they were 14-years-old. They’ve all played in various bands in their local scene, but somehow never all together until SONS. It was after seeing a Meatbodies show in Brussels that it dawned on the four friends to unite around a raucous, mangled sound. Read more on their website: http://vi.be/sons
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Playing with a poetic message and delivering it with power, SONS have created a masterful sound filled with highs and lows – polarizing swings that mirror the beauty of life’s struggle and redemption. Led by multi-talented Aaron Newberry, SONS have spent the last four years manufacturing a gracious grassroots following on an empty budget. Their explosive ‘The Genesis Prologue EP’ surpassed 10,000 downloads, and their debut album, with a release date yet to be determined, was funded completely by preorders. Over 7,000 dollars raised purely on anticipation.
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