With their 2010 debut Crooks & Lovers being a near perfect, small wonder of post-dubstep bliss, British electronic music duo Mount Kimbie tackle the difficult sophomore release with the usually dire move of "add more vocals," but the results aren't dire at all. Quite the contrary, the opening "Home Recording" is the wonderfully foggy, yet somehow crisp, experience offered on their debut with far-off vocals coming from Kimbie member Kai Campos, whose style here is somewhere between James Blake and Ben Gibbard without aping either. The lyrics are a bit more free-form than traditional singer/songwriter material, and when a horn section break in the middle offers a prickly and rewarding bridge, it's like a transmission from the Portishead side of trip-hop where modern composition, The Wire magazine, and all things artistic are held dear. Still, that approachable, connectable Kimbie are well represented with rock-solid hooks taking form out of shards
Click to listen - add to playlist or download mp3 sample.
PLAY
CUE
MP3
a1
Home Recording
a2
You Took Your Time
b1
Break Well
b2
Blood And Form
b3
Made To Stay
c1
So Many Times, So Many Ways
c2
Lie Near
c3
Meter, Pale, Tone
d1
Slow
d2
Sullen Ground
d3
Fall Out
Last FM Information on Mount Kimbie
Please note the information is done on a artist keyword match and data is provided by LastFM.
Mount Kimbie are Dominic Maker and Kai Campos who met at university in 2008 and began making music together in a home studio in Peckham, England.
The duo have developed a truly unique sound whose experimental rhythms lend themselves to the fringes of dubstep, wonky and hip hop, but ooze with emotion and echoing ambient soundscapes that take the listener to an entirely different place.
Their EPs, released on Hotflush Recordings, have already been well received, with support from pioneering DJs including Mary Anne Hobbs, Scuba, Rob Booth and Ramadanman
Their debut album Crooks & Lovers was released on Hotflush in July 2010 and was met with critical acclaim. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
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