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MORALES, JOHN / PENDERGRASS, TEDDY - THE VOICE (REMIXED WITH PHILLY LOVE)

- NEW RELEASE

TITLE:
The Voice (Remixed With Philly Love)
LABEL:
CATNO:
BBE688ALPBLUE
FORMAT:
Vinyl record
DESCRIPTION:
Soul Funk & DIsco Reworks Of The Legendary Teddy Pendergrass Fromm John Morales - 3x12 Pressing On Ltd Edition Blue Vinyl

BBE Music presents a brand new album celebrating one of Philadelphia soul music’s most iconic figures, Teddy Pendergrass, remixed by pioneering producer and engineer, John Morales. This exploration of 1970s Philly soul at its apex focuses on one of the era’s defining voices, Theodore DeReese Pendergrass.

Born in Philadelphia in 1950, Pendergrass sang church music at age two, and was ordained a minister at ten years old. Having learned drums and played in local bands during his teens, at 20 he was hired as a drummer for the Blue Notes by group leader Harold Melvin. After being spotted singing along onstage, he was soon appointed lead singer, and the rest is history…

The masterful, revealing remix work of John Morales affords these classic songs improved clarity, allowing each individual player more space to be heard and modernising the recordings without ever losing sight of the original spirit. The virtuoso quality of the songwriting, production, arrangements and performances shine forth anew, and so do some of the music’s subtler qualities and nuanced, sometimes conflicted, subtexts that might have been overlooked in the most conventional view of Pendergrass in his prime.

Curated authoritatively, remixed with love and passion, John Morales’ collection revisits our relationship with Teddy’s and Gamble & Huff’s music as compellingly and immersively as when it was new. Teddy’s timeless force resides equally in his talent for portraying truthfully the joys and hurts, beliefs and doubts, blessings and challenges of our lives, and in the bravery of confronting them all with an honesty that is still utterly extraordinary.

Teddy Pendergrass is one of soul's all time greats, and his voice practically defines the Philadelphia sound across too many hits to count. There might not be many stones left unturned in reflecting on this titan of Black American music, but venerated New York producer and remix pioneer John Morales is one of the few who was able to take Pendergrass' music to new heights in the disco era. This collection, carefully assembled through Morales' trusted collaborators at BBE, presents some all time classics as they should be heard, mixed to perfection by someone truly bedded into the music.

PRICE:
£36.99
RELEASED YEAR:
SLEEVE:
New
MEDIA:
New

BUY:
 
 
LISTEN:
Play       Cue Sample

TRACK LISTING:

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PLAY
 
CUE
MP3
a1
Teddy Pendergrass -The More I Get, The More I Want
a2
Teddy Pendergrass - Only You
b1
Harold Melvin And The Blue Notes Featuring Teddy Pendergrass -The Love I Lost
b2
Teddy Pendergrass -Come Go With Me
c1
Harold Melvin And The Blue Notes Featuring Teddy Pendergrass - Don't Leave Me This Way
c2
Teddy Pendergrass -Now Is The Time To Do It
d1
Harold Melvin And The Blue Notes Featuring Teddy Pendergrass -Satisfaction Guaranteed (Or Take Your Love Back)
d2
Teddy Pendergrass -If You Know Like I Know
e1
Teddy Pendergrass -You Can't Hide From Yourself
e2
Harold Melvin And The Blue Notes Featuring Teddy Pendergrass - Is There A Place For Me
f1
Harold Melvin And The Blue Notes Featuring Teddy Pendergrass - Where Are All My Friends
f2
Harold Melvin And The Blue Notes Featuring Teddy Pendergrass -If You Don't Know Me By Now

Last FM Information on John Morales

Please note the information is done on a artist keyword match and data is provided by LastFM.
John Morales was born in the Bronx, New York. He is recognized worldwide as one of the early pioneers of Dance Mixing/Remixing,and producing beginning his career in 1975 as a local DJ in the Bronx. John has been involved in the creation of hit records for the better part of 30 years. Known in the industry as an innovator and chance taker, he has always welcomed the challenge of working with new artists and has never been afraid to try new and different ideas. The road to the top of the profession has been a long and steady climb for John. He honed his talents in an unlikely arena – as a disc jockey for the United States Air Force. "It was two hours a night," he recalls. "Your main job was to take their minds away from reality ...." After that grueling hitch, he returned to New York and a day job, mixing music at night in his homemade studio, pursuing his lifelong dream. John landed a gig at the Stardust Ballroom in the Bronx, spinning for "tops, $40-$50 a night, but you considered yourself lucky. Guys do it for nothing." In order to get some relief from his relentless work schedule (seven nights a week, 12-3pm., 7-1Opm., then 10pm-3am.), John began to mix his sounds on tape. He transferred some of his remixes to vinyl to be played by other DJs. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

Last FM Information on Teddy Pendergrass

Please note the information is done on a artist keyword match and data is provided by LastFM.
Theodore "Teddy" DeReese Pendergrass, Sr. (born March 26, 1950 in Philadelphia, Pennsylvania, died January 13, 2010) was an American Grammy nominated R&B soul singer-songwriter. Pendergrass' career began when he was a drummer for The Cadillacs, who soon merged with fellow soul band Harold Melvin & the Blue Notes. After a stellar early 70s run including the Grammy-nominated hit If You Don't Know Me by Now, Teddy went solo in 1976. He released a total of fifteen solo studio albums including hits like Love T.K.O.. A car accident in 1982 damaged his spinal cord and left him paralyzed from the waist down with limited use of his arms. His initial rise to stardom occurred under tutelage of producer's Kenny Gamble & Leon Huff on the then CBS subsidiary Philadelphia International in 1970. The Blue Notes had hits such as "I Miss You," "Bad Luck," "Wake Up Everybody," the two million seller "If You Don't Know Me By Now" and many more. Following personality conflicts between Melvin and Pendergrass, Pendergrass launched a solo career and released hit singles like "The More I Get the More I Want," "Close the Door," "I Don't Love You Anymore," "Turn Off the Lights" and others. His first solo album was self titled Teddy Pendergrass (1977), followed by Life is a Song Worth Singing (1978), Live! Coast to Coast and Teddy (1979), 1980's TP and the final Philadelphia International Records album It's Time for Love (1981). He also sang a duet with Whitney Houston on "Hold Me," from her self-titled debut album. Teddy Pendergrass started singing gospel music in Philadelphia churches, becoming an ordained minister at ten years old. While attending public school, he sang in the citywide McIntyre Elementary School Choir and in the All-City Stetson Junior High School Choir. A self-taught drummer, Pendergrass had a teen pop vocal group when he was 15. By his late teens, Pendergrass was a drummer for local vocal group the Cadillacs. In the late 60s, the Cadillacs merged with another more-established group, Harold Melvin & the Blue Notes. In 1970, when the Blue Notes broke up, Melvin, now aware of Pendergrass' vocal prowess, asked him to take the lead singer spot. It's no secret that Kenneth Gamble and Leon Huff wanted Marvin Junior of the Dells for their Philadelphia International Records roster. Since the Dells were signed to Chess, they were unavailable. When the gruff'n'ready vocals of Pendergrass came their way, they eagerly signed the group. Beginning with "I Miss You," a steady stream of hit singles flowed from the collaboration of Pendergrass and Gamble & Huff: "If You Don't Know Me By Now," "The Love I Lost," "Bad Luck," "Wake Up Everybody" (#1 R&B for two weeks in 1976), and two gold albums, To Be True and Wake Up Everybody. Unfortunately, the more success the group had, the more friction developed between Melvin and Pendergrass. Despite the revised billing of the group, Harold Melvin & the Blue Notes featuring Theodore Pendergrass, Pendergrass felt that he wasn't getting enough recognition. Around 1976, Pendergrass left Melvin's Blue Notes and formed his own Blue Notes, featuring Teddy Pendergrass. Briefly, there was some confusion as to which Blue Notes was which. The resolution came when Pendergrass disbanded his Blue Notes in favor of a solo career and Melvin's group signed a recording contract with Source Records, distributed through ABC Records, scoring a hit with "I Want to Be Your Lover." Pendergrass signed a new contract with Philadelphia International Records sometime between late 1976 and early 1977. He burst back on the scene with Teddy Pendergrass, a platinum solo debut that included the top-notch singles "I Don't Love You Anymore," "You Can't Hide From Yourself," and "The More I Get the More I Want." Around this time, Pendergrass began to institute his infamous "Ladies Only" concerts. His next three albums went gold or platinum: Life Is a Song Worth Singing, Teddy, and Live! Coast to Coast. The hit single "Close the Door" was used in the film Soup for One, where Pendergrass had a minor role. The singer received several Grammy nominations during 1977 and 1978, Billboard's 1977 Pop Album New Artist Award, an American Music Award for best R&B performer of 1978, and awards from Ebony magazine and the NAACP. He was also in consideration for the lead in the movie biopic The Otis Redding Story. The '70s ended, but Pendergrass kept racking up the hits. TP, his fifth solo album, went platinum in the summer of 1980 off the singles "Turn Off the Lights," "Come Go With Me," "Shout and Scream," "It's You I Love," and "Can't We Try." It's Time for Love gave Pendergrass another gold album in summer 1981, which included the hit singles "Love TKO" and "I Can't Live Without Your Love." However in the UK chart success was limited to a handful of singles peaking just short of the top 40. Amazingly "Love TKO" failed to even grace the top 100. A 1982 car accident left Pendergrass paralyzed from the waist down and wheelchair-bound. After almost a year of physical therapy and counseling, Pendergrass returned to the recording scene, signing a contract with Elektra/Asylum in 1983. His ninth solo album, his Elektra/Asylum debut, Love Language went gold the spring of 1984. Philadelphia International issued two albums of unreleased tracks, This One's for You (1982) and Heaven Only Knows (1983). Other albums included Workin' It Back (1985), Joy (1988, whose title track stayed at #1 in the R&B charts for two weeks), and A Little More Magic (1993). The latter half of '90s found Pendergrass recording for the Surefire/Wind Up label. Truly Blessed (the name of an 1991 Elektra album) is the title of the autobiography Pendergrass co-authored with Patricia Romanowski. Pendergrass passed away at age 59 on January 13, 2010 from complications following surgery for colon cancer. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.