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2x12 Tech & House Cuts - Mathias Kaden announces the ‘Three Decades’ LP on Rekids, releasing 3rd April 2026, with single ‘Fyutr’ featuring Zoë Xenia and a remix from the legendary Dennis Ferrer available now. His third full-length, following 2009’s ‘Studio 10’ on Vakant and 2015’s ‘Energetic’ on Freunden Am Tanzen, ‘Three Decades’ spans nine tracks and celebrates Kaden’s 30-year career as one of Germany’s most enduring House and Techno figures.
The ‘Three Decades' album opens with a title intro, in which Mathias Kaden expresses gratitude to those closest to him before moving into his signature deep, emotive House sound. Tracks like ‘Keep Balance’ set the tone with sub-heavy bass and crisp, driving drums, occasionally punctuated by vocal snippets, while ‘I Got You’ features Cassy for a high-energy, soulful dancefloor moment. Reminiscent of Kaden’s work as Mathimidori, the dubbiness of ‘Getting Closer’ sets the stage for ‘Inner Signal’, which leans into wiggy electro territory, before the second record shifts gears with ‘Next Wave’ and ‘Shelter’, returning to pacey, piano-fuelled rave energy.
‘Viral’ follows with tough drums and excellent stab work, before the album closes on ‘Fyutr’, Kaden’s collaboration with Zoë Xenia, already supported by Honey Dijon, DJ Deep, Laurent Garnier, and more. Active since the mid-90s, Mathias Kaden quickly became one of the artists at the forefront of Germany’s flourishing rave scene. He began releasing music in the early 2000s, first collaborating with Marek Hemmann on a series of EPs for Freude Am Tanzen, before establishing himself as a solo artist with more than two dozen EPs on labels including Desolat, Watergate Records, Pets Recordings, Diynamic, Ovum, and Cocoon. Since first appearing on Rekids in 2019 with the ‘Control Your Mind’ EP, Kaden has released multiple projects on the label and remains a regular contributor to its catalogue.
Alongside his own productions, he has remixed artists such as DJ Koze, KiNK, Monika Kruse, Trentemøller, and Sven Väth, while under his Mathimidori alias, he has explored more spacious territory with releases on Mule Musiq, Ornaments, and Freund der Familie, including an additional album, ‘Akebono’, on Echocord.
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Mathias Kaden is for 11 years and counting a first-rate ‘turn-tablist’ in the recordrotation disciplines. For both training- and competitive exercises he utilizes the basics: 2 turntables, a mixer and painstakingly selected vinyl. With such equipment he nightly compels both listeners and casual spectators alike into a sportive revelry on the dance floor. The device is thus: along the ranks of abandoned spaces on the periphery... patrons shift to the crux where the sounds radiate from Kadens chamber, compelled to engage in physically strenuous activity. Therein the master of ceremonies’ form is altered to that of an engaging style behind the masses. Out of the boxes a resounding conglomerate of House & Techno pours forth, without the ‘pop’ imitation and duplication, but instead reflecting the movements that challenged mankind. Whether he’s the opening act, headliner or shutting the place down, a flair for the crowd and thorough grasp of the scene is always there.
With fresh sources and influences minus the uniformity, he exhibits the following range of elements and sound-structures: minimal, funky, freaky, dashing, fiddly, marching, hopping, slamming, dub, straight-forward and around the corner...Along with his prince-o-pal Marek Hemmann under the mark Trainerduo Hemmann & Kaden, a lot of 12" releases in total are in the offing. The latest, as with the other 2 releases, will be thrown to the dance-happy multitudes. Occupying the ‘next’ spot on the Muna/Bad Klosterlausnitz bench is his own event-promotion outfit Freshblood, predominately from the above-named locale alive with vibrant talent. Additionally he is one of the many responsible for the technical direction for Kassablanca Jena, where he also performs as a DJ and organizer. Alas listeners and dancers, allow me to take leave and let the sound of this young man splash onto your eardrums. Take it from the German proverb: ‘To write about music is to dance about architecture!’.
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