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MARK E - E-VERSION # 9

- NEW RELEASE

ARTIST:
TITLE:
E-Version # 9
LABEL:
CATNO:
MERC028
STYLE:
FORMAT:
Vinyl record
DESCRIPTION:
Deep Bass drive House.

It's safe to say that Mark E is something of a master when it comes to doing a hell of a lot, with not very much at all.
Back in 2011 'Call Me' was heard everywhere, especially the splendid Dixon edit, which teased out the drama and made the most of that spoken Ms Ross vocal.

It's testimony to the staying power of this track, and the fact it's quite rightly regarded as a Deep House classic that it's had a recent revival, largely from Luke Unabomber across his head-spinning summer tour schedule. We started getting video clips from the curious..."Do you know this track, sounds like Carl Craig remixing 51 Days ?"

Given that we sold out the initial run in a matter of days back then, we thought it was high time we put the call in for a reload.
So here you go, the classic 'Call Me' backed with a truly wonderful new jam from Mark, which is another zinger in a catalogue choc full of 'em...

PRICE:
£13.99
RELEASED YEAR:
SLEEVE:
New
MEDIA:
New

BUY:
 
 
LISTEN:
Play       Cue Sample

TRACK LISTING:

Click to listen - add to playlist or download mp3 sample.

PLAY
 
CUE
MP3
a
Call Me (Dixon Edit)
b
I'll Call You Back

Last FM Information on Mark E

Please note the information is done on a artist keyword match and data is provided by LastFM.
The music of Mark E is overwhelmingly deliberate, and in that sense it’s quintessential house — unswerving, mechanistic, intoxicatingly simple. And life imitates art: the Wolverhampton-reared, Birmingham-based DJ/producer has had a slow, steady ascension to his status as one of the genre’s most natural talents. Mark E’s love affair with electronic dance music began early, as an adolescent, when Manchester was Madchester and the irreverent attitude of rave culture swept through England. His first record? Bizarre Inc.’s exuberant, piano-loaded “Playing With Knives”, a fortuitous introduction to the hypnotizing powers of house. As Mark got older, he dove headfirst into the surprisingly fertile Wolverhampton scene, tasting house at the hands of legends like John Kelly and Frankie Knuckles before a move to Birmingham for University also installed him in a larger club scene. Mark’s first forays into production were, naturally, edits — warm, understated, and interestingly mellow, with tempos hovering somewhere between 105 and 115 BPM (or thereabouts). Once “Scared,” a ten-minute rework of Womack & Womack’s “Baby, I’m Scared of You,” found the ears of influential selector (and, more importantly, BBC radio DJ) Gilles Peterson, it was on, and a solid string of memorable, vinyl-only releases introduced the world at large to this humble, devoted househead. Slowly (again), Mark went beyond edits and into original production, starting his own label, MERC, and honing a sound that was uniquely blue collar and utilitarian — classic, almost industrial house, with a tinge of disco warmth. A stellar remix for Matthew Dear’s “Little People (Black City)” introduced him to the Ghostly/Spectral fold, who are now releasing his first artist album, "Stone Breaker". It’s as defining as anything he’s done, a symbol of his unique spot in the global club music landscape, sounding simultaneously familiar and unique like few others can. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.