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[Rel] Cuz I Love You
R&B / Soul / Hip Hop / R&B / Soul / Hip Hop /
Vinyl record
R&B Soul & Hip Hop Vibes on This Quality Crossover LP - Since her indie days, Lizzo has been a distinctive and multi-talented artist capable of blending rap, soul, pop, and her classical training with positive messages and a sharp sense of humor.

On her major-label debut Cuz I Love You, she takes all of these strengths to the next level, and the results are her most consistent, and consistently joyous, set of songs yet. Working with a creative team that includes producer Ricky Reed -- with whom Lizzo connected shortly after releasing her second album, Big Grrrl Small World -- she continues to embrace her gospel roots and the full power of her voice. It's a journey she began on that album and 2016's Coconut Oil EP, both of which feel like dress rehearsals for what she unleashes on Cuz I Love You. Lizzo wastes no time in showing off her range: The title track kicks off the album with stunning high notes and powerful vocalizing that add new dimensions to her music and lyrics ("I thought I was love-impaired") that prove she's as witty as ever. As hinted by its other lead singles, Cuz I Love You's musical range is almost as wide as Lizzo's vocal one. The sexy roller disco of "Juice" and "Tempo"'s sleekly rumbling shout-out to thick girls -- which makes equal time for a Missy Elliott cameo and a flute solo -- are wildly different, but share Lizzo's effortless charisma. That charisma also unites all the other twists and turns she throws at her audience over the course of Cuz I Love You. She's unapologetically funky on "Cry Baby," while "Jerome"'s fusion of gospel, soul, and trap is another example of how cleverly Lizzo blends traditional sounds into her songs about love and lust in the late 2010s. She manages the unlikely feat of being raunchy and uplifting at the same time on "Better in Color," and serves up seduction with a wink on the standout closing track "Lingerie," which boasts one of her sultriest vocals as well as the singular double entendre "you make me crescendo." More importantly, when she sings the praises of singlehood on "Soulmate," it sounds like it's the best choice, not second choice. Elsewhere, Lizzo's empowering messages extend to "Like a Girl"'s celebration of powerful women and the importance of being true to your feelings -- whatever they may be -- on the Gucci Mane collaboration "Exactly How I Feel." Fueled by megawatt energy that never lets up, Cuz I Love You is a triumphant showcase for every part of Lizzo's talent, physicality, and sexuality.

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Cuz I Love You
Like A Girl
Exactly How I Feel
Better in Color
Heaven Help Me
Truth Hurts
Water Me

Last FM Information on Lizzo

Please note the information is done on a artist keyword match and data is provided by LastFM.
Melissa Jefferson (born April 27, 1988 in Detroit, Michigan, U.S.), known professionally as Lizzo, is an American rapper and singer. She is a founding member of indie hip hop groups The Chalice, Grrrl Prty, The Clerb, Ellypseas, and Absynthe. Her debut album, Lizzobangers, was released in 2013. In 2015, she released her sophomore album, Big Grrrl Small World. Born in Detroit in the late 80’s, Lizzo spent much of her formative years in the church, where she was raised on the gospel sounds of The Winans, The Clark Sisters, and Fred Hammond, along with mainstay secular artists such as Stevie Wonder and Elton John. At the age of 10 her family moved to Houston, TX, and Lizzo was exposed to a wide array of emerging Southern musical styles, from the trademark chopped and screwed rap tracks of the underground, to the progressive and polished R&B sounds of groups like Destiny’s Child that were raising the city’s national profile to new heights. In fact, it was after she stumbled across a Destiny’s Child performance at Wal-Mart that Lizzo—then a 5th grader-- was inspired to start writing music on her own. Over the next decade that decision would take her through the trenches of some of the most varied musical genres: R&B girl groups (I.N.I.T.I.A.L.S., Cornrow Clique), progressive rock bands (Elypseas), solo rap ventures, and electro-pop duos (Lizzo & The Larva Ink). In 2011 she made the move to Minneapolis with Larva Ink in order to be a part of that city’s blossoming and collaborative musical community. Lizzo & The Larva Ink was well received there, and the group earned a few encouraging nods from the press. Lizzo was soon introduced to Sophia Eris and Claire de Lune, with whom she would form The Chalice, the three-piece all-female rap/R&B group that would elevate Lizzo’s profile and reputation. In 2012 The Chalice released We Are The Chalice, an album that would gain them instant local success amongst fans and critics alike, garnering City Pages’ prestigious Best New Band and Picked To Click accolades in the same year. The success brought setbacks, though, and a falling out soon led to the demise of Lizzo & The Larva Ink. Feeling discontent with the loss of one group and the hurried blur of success of another, Lizzo was creatively drained from writing We Are The Chalice in two short months. She found herself in the throes of her first full-blown case of writer’s block. Unable to create music for herself, she began listening to several different local albums in hopes of finding inspiration. It was LAVA BANGERS, a 20-track instrumental mixtape from Doomtree producer and Minneapolis music vet Lazerbeak, that ultimately caught her ear. Beaks’ beats proved the fix for Lizzo’s problem. “I sat at home and listened to LAVA BANGERS, and when “Lift Every Voice” came on, my writer’s block was cured,” says Lizzo. “I think it revived my gospel roots. I wrote pages and pages of songs, and finally reached out to Lazerbeak, not thinking anything would come of it.” Her timing could not have been better. Beak, impressed with Lizzo’s output with The Chalice, as well as her guest appearances on several other local releases, was looking for a change of pace from his daily Doomtree production and business responsibilities. He immediately signed on to work on some demos. Beat tapes were exchanged, songs were written, and mutual friend and musical collaborator Ryan Olson (Totally Gross National Product founder, Gayngs/Marijuana Deathsquads mastermind) was brought on board to creatively oversee the project. Olson recorded and edited all 15 tracks in his bedroom studio, bringing in laid back hype-man Cliff Rhymes along the way to add even more layers to Lizzo’s dynamic vocals. LIZZOBANGERS is the culmination of that four-way collaboration, an album that manages to capture all of the varied musical influences of Lizzo’s upbringing and combine them with the forward-thinking experimental production style of Beak and Olson. The end result is a brave new project that encapsulates the best parts of both the familiar and the future. Read more on User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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