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LIBERTINES, THE - [RED] UP THE BRAKET
ARTIST:
TITLE:
[Red] Up The Braket
LABEL:
CATNO:
RT0332LPE
STYLE:
FORMAT:
Vinyl record
DESCRIPTION:
2x12" Indie Rock LP Pressed on Red Vinyl - Side C/D Live LP From 100 Club 04/10 2002 - At the Height Of There Powers
Up The Bracket arrived like a raging bull in a tired post-Britpop china shop and introduced the world to The Libertines, a new gang of London bohemians, whose ragged tunes, red military tunics, opiated poetry and ‘live now pay never’ lifestyle came to define the millennial angst of the early noughties. At the heart of the band is the blood bond bromance between the ramshackle Music Hall Jagger/Richards, Peter Doherty and Carl Barat, ably assisted by the rock solid rhythm twins John Hassall and Gary Powell. Any bookie worth his salt would have given you short odds on this quartet surviving more than a month or two, given the teetering on the brink lifestyle they chose to lead, but here we are two decades later and our Byronic heroes, though older and wiser, are still fighting the good fight and making music every bit as vital as their debut. The belief, talent and fervour that Doherty spoke of in their earliest manifesto has stood them in good stead.
Up The Bracket, justly considered one of the greatest albums of the noughties, was originally released on October 21st 2002 by Rough Trade Records. The album, a heady stew of indie rock, skiffle, blues, dub and English bucolic pop, was a huge shot in the arm to a largely redundant music scene and helped to inspire the rebirth of guitar music, going on to influence countless artists who followed in its wake.
Up The Bracket, which was produced by Mick Jones of The Clash, takes you on a wondrously poetic journey into the band’s mythical world and their fevered dreams of Albion, a land of squalid glamour, liberty, equality, fraternity, gin palaces and chip shops. Quite simply Pete, Carl, Gary and John created a hugely compelling timeless British rock'n'roll classic debut as relevant now as it was upon its release.
Can the debut album from London dandies The Libertines live up to the hype? with the Clash's Mick Jones at the production helm, gravelly tracks such as horror show and the boy looked at johnny rattle along like first-gen punk classics. But like the Strokes, The Libertines manage to imbue snotty garage rock with a sort of wistful romanticism that adds genuine soul to their raucous clatter. Although there's no sign of what a waster, the single that made their name, there's no shortage of excellent tunes here
Up The Bracket arrived like a raging bull in a tired post-Britpop china shop and introduced the world to The Libertines, a new gang of London bohemians, whose ragged tunes, red military tunics, opiated poetry and ‘live now pay never’ lifestyle came to define the millennial angst of the early noughties. At the heart of the band is the blood bond bromance between the ramshackle Music Hall Jagger/Richards, Peter Doherty and Carl Barat, ably assisted by the rock solid rhythm twins John Hassall and Gary Powell. Any bookie worth his salt would have given you short odds on this quartet surviving more than a month or two, given the teetering on the brink lifestyle they chose to lead, but here we are two decades later and our Byronic heroes, though older and wiser, are still fighting the good fight and making music every bit as vital as their debut. The belief, talent and fervour that Doherty spoke of in their earliest manifesto has stood them in good stead.
Up The Bracket, justly considered one of the greatest albums of the noughties, was originally released on October 21st 2002 by Rough Trade Records. The album, a heady stew of indie rock, skiffle, blues, dub and English bucolic pop, was a huge shot in the arm to a largely redundant music scene and helped to inspire the rebirth of guitar music, going on to influence countless artists who followed in its wake.
Up The Bracket, which was produced by Mick Jones of The Clash, takes you on a wondrously poetic journey into the band’s mythical world and their fevered dreams of Albion, a land of squalid glamour, liberty, equality, fraternity, gin palaces and chip shops. Quite simply Pete, Carl, Gary and John created a hugely compelling timeless British rock'n'roll classic debut as relevant now as it was upon its release.
Can the debut album from London dandies The Libertines live up to the hype? with the Clash's Mick Jones at the production helm, gravelly tracks such as horror show and the boy looked at johnny rattle along like first-gen punk classics. But like the Strokes, The Libertines manage to imbue snotty garage rock with a sort of wistful romanticism that adds genuine soul to their raucous clatter. Although there's no sign of what a waster, the single that made their name, there's no shortage of excellent tunes here
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£23.99
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Click to listen - add to playlist or download mp3 sample.PLAY
CUE
MP3
c1
Horror Show" (live At The 100 club
c2
Vertigo
c3
The Delaney
c4
What A Waster
c5
Begging
d1
Time For Heroes
d2
Death On The Stairs
d3
Boys In The Band
d4
I Get Along
Last FM Information on The Libertines
Please note the information is done on a artist keyword match and data is provided by LastFM.
The Libertines is an English band that formed in London, England in 1997 and disbanded in 2004. They reformed in 2010 to play the Reading and Leeds festivals. The band released three full-length LPs, first two produced by Mick Jones of The Clash. Their third album was released after 11 years of silence - they reformed again in 2015. Centered around the song-writing partnership and chemistry between Peter Doherty (vocals/rhythm guitar) and Carl Barât (vocals/lead guitar), while backed by John Hassall (bass) and Gary Powell (drums), the band was one of the cornerstones of the English independent scene in the early 2000's.
Championed by NME, the band's first single What a Waster charted at number 37, despite being banned from Radio 1 and commercial radio due to an overabundance of foul language; this set the trend for steadily increasing returns, culminating in a #2 single and #1 album in the UK Charts. However, the band's music was often eclipsed by its internal conflicts, many of which stemmed from Doherty's considerable drug use, and it was mostly because of this that after a final show in Paris (without Pete) that the band was disbanded at the end of 2004.
The former members of The Libertines have gone on to form three splinter bands, with varying degrees of commercial and critical success. These bands include Peter Doherty in Babyshambles, Carl Barât and Gary Powell in Dirty Pretty Things and John Hassall in Yeti.
Pete and Carl recently came back to work on Babyshambles' charity cover of The Clash's 'Janie Jones' for Strummerville. Carl and Pete also performed 13 songs together in April 2007 as Carl appeared on stage at one of Pete's shows. On the 29th of March 2010 the Libertines announced they had reunited to play the Leeds and Reading festivals in August.
On 20 April 2014 an image of London's Hyde Park was released to the band's Facebook page. Around this time both Carl Barat and Peter Doherty indicated in interviews that they had accepted an offer to play the venue on July 5, 2014. On 25 April, it was confirmed that The Libertines will play on Saturday 5 July in London's Hyde Park, headlining the day, as part of the Barclaycard British Summer Time series of concerts. Support for the concert will be provided by a number of bands and artists, most notably The Pogues, Spiritualized, Maxïmo Park, Raglans and The Enemy
On 20 May, it was confirmed that The Libertines will play on Saturday 19 July in Benicassim FIB, Spain, as headliners.
They have also announced a European tour, their first tour in 10 years, consisting of 9 dates prior to the release of a new album in 2015, 11 years after their previous studio release.
The band's reunion album was followed by a series of festival appearances, including a surprise gig during the 2015 Glastonbury Festival, as they were secretly called to replace Florence + the Machine (who were earlier announced as unscheduled headliners after Foo Fighters' Dave Grohl's injury prevented the latters from headlining the day). The Libertines were filmed as they landed down off an helicopter outside the festival site, and stated their show with a hit from their 2nd album, Can't Stand Me Now.
On the 13th of October 2023 the band released their first single in eight years, as well as announcing that their new album All Quiet on the Eastern Esplanade will be arriving on March 8, 2024.[40] To celebrate the announcement of the new album the band announced "The Albionay Tour". An intimate club tour that sold out in seconds. [41] Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.