DESCRIPTION:
2017 Downbeat Electronica / Synth/ Experimental LP Repressed on Purple Vinyl - Even in the increasingly crowded field of electronic music, Kelly Lee Owens’ debut album arrives as a wonderful surprise. An album that bridges the gaps between cavernous techno, spectral pop, and krautrock’s mechanical pulse,
Without wishing to get too jackanory, I'm gonna start this review with a little anecdote. Way back in April 2015, when I was a little younger and lot lighter, Kelly Lee Owens strolled into our glorious establishment and casually inquired if we'd be interested in stocking her self-released debut 12". Always a sucker for something new, limited and hand labeled I took a cursory ten copies off her hands as she left for the train station. Approximately four minutes later, as the dreamlike shimmer of ghost-pop paean "Lucid" echoed through my headphones I called the number she'd left and asked if she could drop off another thirty copies without missing her train.
Fast forward two years and three Piccadilly Record Of The Weeks later and the Welsh wonder is back with a majestic full length on the excellent Smalltown Supersound. As she leads us through ten tracks of spectral techno, nebulous synth pop and squelching waveforms, Kelly meditates on anxiety, sadness and darkly-shaded ecstacy, pouring pure emotion into an expansive electronic landscape. Previous 12" tracks "Arthur", "Lucid" and the hypnotic "CBM" sound better than ever next to the brooding synth soul of "S.O." and late night mysticism of Jenny Hval collaboration "Anxi", while the bleep heavy "Evolution" is a sultry, seductive club cut for very late in the session. For me, this LP perfectly captures those moments when you get home from the club with a loved one and settle into that time honoured pre dawn routine. It's intimate, emotional, sexy and slightly blurred - in other words, midnight music at its finest.
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Kelly Lee Owens is an electronic music producer and singer signed to Smalltown Supersound. She debuted in 2015 with 'Arthur' followed by 'Uncertain'. In 2016 she released '1 of 3' and the EP 'Oleic'. Her debut long-player 'Kelly Lee Owens' was released in March 2017.
Kelly grew-up in North Wales, UK, and moved to Manchester for a couple of years before settling in London, United Kingdom where she played bass in The History of Apple Pie and worked at XL Recordings, Pure Groove and Rough Trade East. After contributing with her writing and vocal skills to Daniel Avery's 'Drone Logic', a new collaboration emerged: 'Keep walking'. Another creative collaboration was formed after remixing Jenny Hval's song 'Kingsize (Kelly Lee Owens Rework)'; Jenny features on the single 'Anxi.'.
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