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LANEGAN, MARK - WITH ANIMALS
ARTIST:
TITLE:
With Animals
LABEL:
CATNO:
HVNLP151
FORMAT:
Vinyl record
DESCRIPTION:
Rock, Folk, World, & Country LP Pressed on 180 G Vinyl & Includes Download Code -
Over the last decade, Lanegan and Garwood have worked in tangent on 2013’s Black Pudding as well as on Lanegan’s solo records (Garwood contributed to 2012’s Blues Funeral and 2017’s Gargoyle after which he toured as part of Lanegan’s band). Writing and recording was split between studio collaboration and sharing music between Garwood’s home in London and Lanegan’s in Los Angeles. Elsewhere, technology helped make the duo’s transatlantic working relationships relatively easy.
“Over the years, we’ve recorded together and apart. This time, I started this record alone, with many animals as company,” says Garwood. “It flowed, I set to work and out it came. Our music is instinct, there is not much talking about it, just creating. I think that if you are at peace with your work, and feeling it right, it flows, and can feel ‘easy’. Music isn't meant to be hard. Though sometimes it can burn you to ashes. Making music for a singer, so they can inhabit it with a song means hitting the right soul buttons. There is no hit without a miss. It is a healing record, for us the makers, and for the listeners. It grows natural. We are gardeners of sonic feelings.”
While Black Pudding put Garwood’s mercurial guitar centre stage, With Animals is constructed from a different set of tools. Analogue and dust flecked, it sounds like Lanegan and Garwood have been holed up in a ’60s recording studio while the apocalypse rages outside. Tracks sit on loops that sounds like they’re straight out of There’s A Riot Goin’ On while sparse melodies nod in the direction of British electronic producers like Burial or Boards of Canada. Which is not to say it sounds like any of those things – this is a weird world all of their own design.
The record’s 12 songs are spectral and sinewy, often defined by the spaces in between the sounds. A ghost’s whistle weaves itself around a pulsing single note on Lonesome Infidel; Feast to Famine’s hard luck story floats above a guitar part so strung out and washed with distortion it’s become barely recognisable. It’s soul music for anyone who’s long since left the crossroads.
Over the last decade, Lanegan and Garwood have worked in tangent on 2013’s Black Pudding as well as on Lanegan’s solo records (Garwood contributed to 2012’s Blues Funeral and 2017’s Gargoyle after which he toured as part of Lanegan’s band). Writing and recording was split between studio collaboration and sharing music between Garwood’s home in London and Lanegan’s in Los Angeles. Elsewhere, technology helped make the duo’s transatlantic working relationships relatively easy.
“Over the years, we’ve recorded together and apart. This time, I started this record alone, with many animals as company,” says Garwood. “It flowed, I set to work and out it came. Our music is instinct, there is not much talking about it, just creating. I think that if you are at peace with your work, and feeling it right, it flows, and can feel ‘easy’. Music isn't meant to be hard. Though sometimes it can burn you to ashes. Making music for a singer, so they can inhabit it with a song means hitting the right soul buttons. There is no hit without a miss. It is a healing record, for us the makers, and for the listeners. It grows natural. We are gardeners of sonic feelings.”
While Black Pudding put Garwood’s mercurial guitar centre stage, With Animals is constructed from a different set of tools. Analogue and dust flecked, it sounds like Lanegan and Garwood have been holed up in a ’60s recording studio while the apocalypse rages outside. Tracks sit on loops that sounds like they’re straight out of There’s A Riot Goin’ On while sparse melodies nod in the direction of British electronic producers like Burial or Boards of Canada. Which is not to say it sounds like any of those things – this is a weird world all of their own design.
The record’s 12 songs are spectral and sinewy, often defined by the spaces in between the sounds. A ghost’s whistle weaves itself around a pulsing single note on Lonesome Infidel; Feast to Famine’s hard luck story floats above a guitar part so strung out and washed with distortion it’s become barely recognisable. It’s soul music for anyone who’s long since left the crossroads.
PRICE:
£18.49
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New
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New
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Last FM Information on Mark Lanegan
Please note the information is done on a artist keyword match and data is provided by LastFM.
Mark William Lanegan (November 25, 1964 – February 22, 2022) was an American singer, songwriter, and poet. First becoming prominent as the lead singer for the early grunge band Screaming Trees, he was also known as a member of Queens of the Stone Age and The Gutter Twins. He released 12 solo studio albums, as well as three collaboration albums with Isobel Campbell and two with Duke Garwood. He was known for his baritone voice, which was described as being "as scratchy as a three-day beard yet as supple and pliable as moccasin leather" and has been compared to Tom Waits, Leonard Cohen, and Nick Cave.
Lanegan began his musical career in 1984 with Screaming Trees, with whom he released seven studio albums and five EPs before their disbandment in 2000. During his time with the band, he also started a solo career and released his first solo studio album, The Winding Sheet, in 1990. He subsequently released a further 10 solo albums, which received critical recognition but only moderate commercial success. Following the end of Screaming Trees, he became a frequent collaborator of Queens of the Stone Age, and was a full-time member between 2001 and 2005 during the Songs for the Deaf and Lullabies to Paralyze eras.
Lanegan collaborated with various artists throughout his career. In the 1990s, he and Kurt Cobain recorded an album of Lead Belly covers that was ultimately never released. He also joined Layne Staley and Mike McCready in the band Mad Season, and formed the alternative rock group The Gutter Twins with Greg Dulli in 2003, as well as contributing to releases by Moby, Bomb the Bass, Soulsavers, Tinariwen, The Twilight Singers, Manic Street Preachers, and Unkle, among others.
Lanegan struggled with addiction to drugs and alcohol throughout his life, but had been sober for over a decade at the time of his death. Encouraged by his friend Anthony Bourdain, he released the memoir Sing Backwards and Weep in 2020. He followed this up in 2021 with the memoir Devil in a Coma, which focused on his near-death experience with COVID-19. He and his wife Shelley Brien left the U.S. in 2020 and settled in the Irish town of Killarney, where he died two years later at the age of 57. No cause of death was revealed.
Studio albums
The Winding Sheet (1990)
Whiskey for the Holy Ghost (1994)
Scraps at Midnight (1998)
I'll Take Care of You (1999)
Field Songs (2001)
Bubblegum (2004)
Blues Funeral (2012)
Imitations (2013)
Phantom Radio (2014)
Gargoyle (2017)
Somebody's Knocking (2019)
Straight Songs of Sorrow (2020) Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.