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KASPAR, JONATHEN - TWOFOLD - IGNITE
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TITLE:
Twofold - Ignite
LABEL:
CATNO:
COR12179A
FORMAT:
Vinyl record
DESCRIPTION:
2 Tracks Of Bass Heavy Tech / Techno - Known for his ability to create captivating, emotionally charged techno, Jonathan Kaspar eventually returns to Cocoon Recordings with his third contribution Twofold Split. One, yet simultaneously two releases that once again showcase his extraordinary talent through condensed techno with a pinch of trance, weaving together driving rhythms and atmospheric textures in a way that feels innovatively progressive.
Drifting hypnotically, this might be the most fitting way to describe what Jonathan Kaspar unfolds before us here. The rolling percussion grooves seamlessly intertwine with the siren's spectral tone, gradually blending into the alchemy of ‘Yah’ as it erupts into the mix. By the time the peak arrives, there’s a raw intensity in the air - the track seems to bend and stretch then drills and twists until it cracks, but never loses its sense of purpose and remainsanchored in its deep, pulsating groove. On the flip side, ‘Silver Lines’ stands as a counterpart, offering a contrast in both sound and atmosphere. With its minimalist arrangement, the track first nestles in gently, lulling the listener into its world—only to tighten its grip as a synth sequence gradually opens its cut-off filter, slicing through the calm, drilling into the mind, and shifting the mood from tranquil to tense.
Cologne's Jonathan Kaspar has a rare talent for making techno feel emotional without sacrificing power. On this latest pair, he brings the same intensity and balance you'd expect from someone fully in command of his sound i a producer with roots in Germany's fertile minimal scene, but an ear turned towards something more transcendent. 'Yah' is an absolute hypnosis engine, with spectral sirens gliding above steadily rolling percussion. The track breaks and bends but never falls apart i there's a sense of near-chaos that's tightly held in place by Kaspar's meticulous control. On the flip, 'Silver Lines' arrives like a whisper before slicing the calm wide open. A swelling filter turns a simple synth sequence into something emotionally urgent, anchoring the track's shift from lull to lockdown. Kaspar, like a certain Vegas-showman r&b titan, knows how to be theatrical without losing himself i and here, it shows.
Drifting hypnotically, this might be the most fitting way to describe what Jonathan Kaspar unfolds before us here. The rolling percussion grooves seamlessly intertwine with the siren's spectral tone, gradually blending into the alchemy of ‘Yah’ as it erupts into the mix. By the time the peak arrives, there’s a raw intensity in the air - the track seems to bend and stretch then drills and twists until it cracks, but never loses its sense of purpose and remainsanchored in its deep, pulsating groove. On the flip side, ‘Silver Lines’ stands as a counterpart, offering a contrast in both sound and atmosphere. With its minimalist arrangement, the track first nestles in gently, lulling the listener into its world—only to tighten its grip as a synth sequence gradually opens its cut-off filter, slicing through the calm, drilling into the mind, and shifting the mood from tranquil to tense.
Cologne's Jonathan Kaspar has a rare talent for making techno feel emotional without sacrificing power. On this latest pair, he brings the same intensity and balance you'd expect from someone fully in command of his sound i a producer with roots in Germany's fertile minimal scene, but an ear turned towards something more transcendent. 'Yah' is an absolute hypnosis engine, with spectral sirens gliding above steadily rolling percussion. The track breaks and bends but never falls apart i there's a sense of near-chaos that's tightly held in place by Kaspar's meticulous control. On the flip, 'Silver Lines' arrives like a whisper before slicing the calm wide open. A swelling filter turns a simple synth sequence into something emotionally urgent, anchoring the track's shift from lull to lockdown. Kaspar, like a certain Vegas-showman r&b titan, knows how to be theatrical without losing himself i and here, it shows.
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