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HOPKINS, JON - MUSIC FOR PSYCHEDELIC THERAPY
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TITLE:
Music for Psychedelic Therapy
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CATNO:
WIGLP458X
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FORMAT:
Vinyl record
DESCRIPTION:
Ambient , Modern Classical 2x12" Ltd Edition Clear Vinyl - Stripped Back ambient affair from Hopkins, and routinely features soothing, sampled vocal snippets from the late yogi and guru Baba Ram Daas, as well as collabs with producer and psychedelic ceremony guide East Forest.
Music for Psychedelic Therapy is Hopkins’ first full-length since sister albums, the GRAMMY-nominated Singularity (2018) and Immunity (2013). For this collection, Hopkins wanted to make something that faced the opposite direction, something egoless and introspective, made with total, raw honesty. “It felt like time for a reset, to wait for music to appear from a different place,” says Hopkins. That place ended up being Tayos Caves in Ecuador, where Hopkins went on a life-changing creative expedition in 2018.
“‘Sit Around The Fire’ exists from one of the deep synchronicities that ushered this thing (Music For Psychedelic Therapy) into being,” comments Hopkins. “I was contacted by East Forest, who had spent some time with Ram Dass in Hawaii before he passed. He was given access to several lesser-heard talks from the 70s, and asked to set them to music. He sent me some starting points, including the beautiful choral vocals he recorded which open the piece. I put my headphones on and with Ram Dass’ voice inside my head, I sat at the piano and improvised. What you hear is the first thing that came out - it just appeared in response to the words.”
Hopkins elaborates on Music For Psychedelic Therapy: “What grew from this experience is an album with no beats, not one drum sound, something that is closer to a classical symphony than a dance / electronica record. Something that is more like having an experience than listening to a piece of music. Maybe something far more emotionally honest than I had been comfortable making before - a merging of music, nature and my own desire to heal. The freedom from traditional rhythmic structures unlocked so much - it felt like I was free to explore a new form of rhythm, one that you discover when you just allow things to flow without letting yourself get in the way.
“Music For Psychedelic Therapy is not ambient, classical or drone but has elements of all three. For me it’s a place as much as it is a sound. It works for the sober mind, but takes on a new dimension entirely when brought into a psychedelic ceremony. In my own psychedelic explorations testing this music, I found a quote I had read would keep coming to mind. ‘Music is liquid architecture, architecture is frozen music.’ I love this idea of music as something you inhabit, something that works on you energetically. In fact, it was while in that state that the title appeared to me. Psychedelic-assisted therapies are moving into legality across the world, and yet it feels like no one is talking about the music; the music is as important as the medicine.”
Music for Psychedelic Therapy is Hopkins’ first full-length since sister albums, the GRAMMY-nominated Singularity (2018) and Immunity (2013). For this collection, Hopkins wanted to make something that faced the opposite direction, something egoless and introspective, made with total, raw honesty. “It felt like time for a reset, to wait for music to appear from a different place,” says Hopkins. That place ended up being Tayos Caves in Ecuador, where Hopkins went on a life-changing creative expedition in 2018.
“‘Sit Around The Fire’ exists from one of the deep synchronicities that ushered this thing (Music For Psychedelic Therapy) into being,” comments Hopkins. “I was contacted by East Forest, who had spent some time with Ram Dass in Hawaii before he passed. He was given access to several lesser-heard talks from the 70s, and asked to set them to music. He sent me some starting points, including the beautiful choral vocals he recorded which open the piece. I put my headphones on and with Ram Dass’ voice inside my head, I sat at the piano and improvised. What you hear is the first thing that came out - it just appeared in response to the words.”
Hopkins elaborates on Music For Psychedelic Therapy: “What grew from this experience is an album with no beats, not one drum sound, something that is closer to a classical symphony than a dance / electronica record. Something that is more like having an experience than listening to a piece of music. Maybe something far more emotionally honest than I had been comfortable making before - a merging of music, nature and my own desire to heal. The freedom from traditional rhythmic structures unlocked so much - it felt like I was free to explore a new form of rhythm, one that you discover when you just allow things to flow without letting yourself get in the way.
“Music For Psychedelic Therapy is not ambient, classical or drone but has elements of all three. For me it’s a place as much as it is a sound. It works for the sober mind, but takes on a new dimension entirely when brought into a psychedelic ceremony. In my own psychedelic explorations testing this music, I found a quote I had read would keep coming to mind. ‘Music is liquid architecture, architecture is frozen music.’ I love this idea of music as something you inhabit, something that works on you energetically. In fact, it was while in that state that the title appeared to me. Psychedelic-assisted therapies are moving into legality across the world, and yet it feels like no one is talking about the music; the music is as important as the medicine.”
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£23.99
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Last FM Information on Jon Hopkins
Please note the information is done on a artist keyword match and data is provided by LastFM.
Jonathan Julian "Jon" Hopkins (born 15 August 1979) is an English producer and musician who writes and performs electronic music. He began his career playing keyboard for Imogen Heap, and has produced or contributed to albums by Brian Eno, Coldplay, David Holmes and others.
Hopkins composed the soundtrack for the 2010 film Monsters, which was nominated for an Ivor Novello Award for Best Original Score. His third solo album, Insides, reached no. 15 on the Dance/Electronic Album Chart in 2009. His collaborations on Small Craft on a Milk Sea with Brian Eno and Leo Abrahams and Diamond Mine with King Creosote both reached no. 82 on the UK Albums Chart. In 2011 Diamond Mine was nominated for a Mercury Prize, which is annually awarded for best album from the United Kingdom and Ireland. Immunity was also nominated for the 2013 Mercury Prize.
Jon Hopkins was born in 1979 in Kingston upon Thames, Surrey and grew up in nearby Wimbledon. He first became aware of electronic music after hearing early house music on the radio at the age of seven or eight, and also became a fan of Depeche Mode and the Pet Shop Boys. These records inspired an early fascination with synths.
At the age of 12 Hopkins began studying piano at the Junior Department of the Royal College of Music in London, where he continued until age 17. The composers that were greatly influential to him whilst studying were Ravel and Stravinsky, and he eventually won a competition to perform a concert of Ravel's Piano Concerto in G with an orchestra. For a time Hopkins considered becoming a professional pianist, only to decide classical performance was too formal and unnerving to pursue full-time.
As a teenager he also listened to acid house, early hardcore, grunge, as well as electronica artists such as Acen, Seefeel, and Plaid. When Hopkins was 14 he got his first computer, an Amiga 500, and started programming MIDI material. By the age of 15 he had saved up enough money from winning piano competitions to buy a low-level professional Roland synth, and on this he began creating his first full-length electronic compositions.
On March 6, 2018, Hopkins announced that his 5th studio album "Singularity" would be released on May 4, 2018 via Domino Recordings. Speaking about the album, Hopkins told Exclaim!, "Now that Singularity is done, I can look back on it, and it's almost like some sort of living thing that's purifying itself over the course of that hour. By the time it gets to the end, it's in the exact opposite place, and yet it ends with the same sound — the infinite simplicity of that one note. I like that idea."
Hopkins has performed at music festivals such as Moogfest, Mutek, Beacons Festival, and Electric Zoo, and at venues such as Madison Square Garden and the London O2 Arena.[19] As of 2014 he maintains a regular touring schedule both in England and internationally, playing at the Glastonbury Festival in June, with upcoming dates at the Pitchfork Music Festival, Electric Picnic and Time Music Festival and in 2015 at Wonderfruit in Thailand for the premiere of the iy_project, a collaboration with light artist, Chris Levine.
According to reviews, "Hopkins's aesthetic is perpetually intriguing. He transcends genres, melding digital coldness with subtle, bucolic textures; veering from skewed elegance to strange, unsettling depths. He makes powerfully emotive, instrumental music that consistently crosses genres, ranging from solo acoustic piano to explosive, bass-heavy electro." Also, he "meticulously constructs lush, downtempo arrangements, blending digital beats and soothing ambience."
Hopkins practices autogenic training and Transcendental Meditation, of which he says, "For me, it's not about relaxing. It can get music flowing in a way that's really uninhibited, and I want to spend as much time in that place as possible." Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.