GLOBAL GROOVE
Specialists in dance music and vinyl, over 60,000 in stock shipping worldwide daily.
Open for mail order transactions as normal.

HOPKINS, JON - LATE NIGHT TALES 2XLP+MP3 - 180G


ARTIST:
TITLE:
Late Night Tales 2xLP+MP3 - 180g
CATNO:
ALNLP39
STYLE:
FORMAT:
Vinyl record
DESCRIPTION:
2xLP+MP3 - 180g Melodic Downbeat & Minimal Techno / Tech

Requiem for a dreamstate. It’s possibly somewhere between heaven, hell and high water, down the Thames Delta towards Eden. It may involve techno and a distorted state or simply mates sat listening to music together, drifting on the open sea of their minds. This is Jon Hopkins’ world, not so much joining the dots as colouring the whole damn picture in.

The story arc with which Hopkins succeeded on 'Immunity' makes its appearance on Late Night Tales, with a perfectly sculpted excursion on this widescreen selection. Opening with the unreleased 'Sleepers Beat Theme' by composer Ben Lukas Boysen, ghostly pianos skip elegantly hither and thither, among rising strings, as on Darkstar’s ‘Hold Me Down’. Nils Frahm is here, his sonic palette perfect for the job, while labelmate A Winged Victory For The Sullen contribute ‘Requiem For The Static King Part I’. Sigur Ros offshoot Jónsi & Alex’s heroic ‘Daniell In The Sea’ sends us forth towards the Baltic with tears streaming.

Beats occasionally appear, as on the Grace Jones-sampling ‘Yr Love’ by Holy Other or the pair of Black Country acts Bibio and Letherette, whose ‘After Dawn’ is almost spry in comparison to the minor key symphonies on display here. The perfect contrast to this comes from Alela Diane’s wistful ‘Lady Divine’ or even Four Tet’s mesmerising ‘Gillie Amma I Love You’, with its enchanting kids’ choir. Exclusive to this release, Jon Hopkins provides a startlingly vulnerable new piano version of Yeasayer’s ‘I Remember’.

Poet and fellow Brian Eno collaborator (their joint album 'Drums Between The Bells' was released by Warp in 2011) Rick Holland narrates the exclusive spoken word closer 'I Remember', underpinned with additional sound design by Hopkins.

PRICE:
£22.49
RELEASED YEAR:
SLEEVE:
New
MEDIA:
New

BUY:
 
 
LISTEN:
Play       Cue Sample

TRACK LISTING:

Click to listen - add to playlist or download mp3 sample.

PLAY
 
CUE
MP3
a1
Ben Lukas Boysen - Sleepers Beat Theme
a2
Darkstar - Hold Me Down
a3
Holy Other - Yr Love
a4
Teebs - Verbena Tea With Rebekah Raff
b1
Nils Frahm - More
b2
Songs Of Green Pheasant - I Am Daylights
b3
Evenings - Babe
b4
Letherette - After Dawn
c1
Jon Hopkins - I Remember
c2
David Holmes - Hey Maggy
c3
Alela Diane - Lady Divine
c4
Last Days - Missing Photos
c5
School Of Seven Bells - Connjur
d1
Peter Broderick - And It's Alright - Nils Frahm Remix
d2
Four Tet - Gillie Amma I Love You
d3
Bibio - Down To The Sound
d4
A Winged Victory For The Sullen - Requiem For The Static King 1
d5
Helios - Emancipation
d6
Rick Holland - I Remember

Last FM Information on Jon Hopkins

Please note the information is done on a artist keyword match and data is provided by LastFM.
Jonathan Julian "Jon" Hopkins (born 15 August 1979) is an English producer and musician who writes and performs electronic music. He began his career playing keyboard for Imogen Heap, and has produced or contributed to albums by Brian Eno, Coldplay, David Holmes and others. Hopkins composed the soundtrack for the 2010 film Monsters, which was nominated for an Ivor Novello Award for Best Original Score. His third solo album, Insides, reached no. 15 on the Dance/Electronic Album Chart in 2009. His collaborations on Small Craft on a Milk Sea with Brian Eno and Leo Abrahams and Diamond Mine with King Creosote both reached no. 82 on the UK Albums Chart. In 2011 Diamond Mine was nominated for a Mercury Prize, which is annually awarded for best album from the United Kingdom and Ireland. Immunity was also nominated for the 2013 Mercury Prize. Jon Hopkins was born in 1979 in Kingston upon Thames, Surrey and grew up in nearby Wimbledon. He first became aware of electronic music after hearing early house music on the radio at the age of seven or eight, and also became a fan of Depeche Mode and the Pet Shop Boys. These records inspired an early fascination with synths. At the age of 12 Hopkins began studying piano at the Junior Department of the Royal College of Music in London, where he continued until age 17. The composers that were greatly influential to him whilst studying were Ravel and Stravinsky, and he eventually won a competition to perform a concert of Ravel's Piano Concerto in G with an orchestra. For a time Hopkins considered becoming a professional pianist, only to decide classical performance was too formal and unnerving to pursue full-time. As a teenager he also listened to acid house, early hardcore, grunge, as well as electronica artists such as Acen, Seefeel, and Plaid. When Hopkins was 14 he got his first computer, an Amiga 500, and started programming MIDI material. By the age of 15 he had saved up enough money from winning piano competitions to buy a low-level professional Roland synth, and on this he began creating his first full-length electronic compositions. On March 6, 2018, Hopkins announced that his 5th studio album "Singularity" would be released on May 4, 2018 via Domino Recordings. Speaking about the album, Hopkins told Exclaim!, "Now that Singularity is done, I can look back on it, and it's almost like some sort of living thing that's purifying itself over the course of that hour. By the time it gets to the end, it's in the exact opposite place, and yet it ends with the same sound — the infinite simplicity of that one note. I like that idea." Hopkins has performed at music festivals such as Moogfest, Mutek, Beacons Festival, and Electric Zoo, and at venues such as Madison Square Garden and the London O2 Arena.[19] As of 2014 he maintains a regular touring schedule both in England and internationally, playing at the Glastonbury Festival in June, with upcoming dates at the Pitchfork Music Festival, Electric Picnic and Time Music Festival and in 2015 at Wonderfruit in Thailand for the premiere of the iy_project, a collaboration with light artist, Chris Levine. According to reviews, "Hopkins's aesthetic is perpetually intriguing. He transcends genres, melding digital coldness with subtle, bucolic textures; veering from skewed elegance to strange, unsettling depths. He makes powerfully emotive, instrumental music that consistently crosses genres, ranging from solo acoustic piano to explosive, bass-heavy electro." Also, he "meticulously constructs lush, downtempo arrangements, blending digital beats and soothing ambience." Hopkins practices autogenic training and Transcendental Meditation, of which he says, "For me, it's not about relaxing. It can get music flowing in a way that's really uninhibited, and I want to spend as much time in that place as possible." Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.