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FUTURE SOUND OF LONDON - WE HAVE EXPLOSIVES RSD 2021

- NEW RELEASE

TITLE:
We Have Explosives RSD 2021
LABEL:
CATNO:
LPRSDFSOL1
STYLE:
FORMAT:
Vinyl record
DESCRIPTION:
For RSD 2021 - Breaks, Minimal Techno & IDM - Originally released in 1996 and charted at no 12 in the official UK charts. Now recreated reinterpreted and reimagined in a brand new version.

PRICE:
£14.99
RELEASED YEAR:
SLEEVE:
New
MEDIA:
New

BUY:
 
 
LISTEN:
Play       Cue Sample

TRACK LISTING:

Click to listen - add to playlist or download mp3 sample.

PLAY
 
CUE
MP3
a1
We Have Explosive
a2
Implosive
a3
Abandoned Housing Blocks Of Prypiat
a4
Vaporise
a5
Detonation
b1
Herd Killing
b2
Stasis Field
b3
Waiting Your Return
b4
MIB1.479
b5
Exploding
b6
Exotype

Last FM Information on Future Sound Of London

Please note the information is done on a artist keyword match and data is provided by LastFM.
First recognized as the dance duo behind the club hits "Stakker" (as Humanoid) and "Papua New Guinea," Future Sound of London later became one of the most acclaimed and respected international experimental ambient groups, incorporating elements of techno, classical, jazz, hip-hop, electro, industrial, and dub into expansive, sample-heavy tracks, often exquisitely produced and usually without easy precursor. Notoriously enigmatic and often disdainful of the press, the group's Garry Cobain and Brian Dougans worked their future-is-now aesthetic into a variety of different fields, including film and video, 2- and 3-D computer graphics and animation, the Internet, radio broadcast, and, of course, recorded music. Although they usually disdain their earlier work as play-for-pay club fare not representative of their later musical vision, many of the thematic concerns of their earlier 12"s and their first, heavily dance-oriented LP, Accelerator, followed them into their later work. Usually filed under ambient, that work is often much more than that, drawing from the history of experimental electronic music with a relentlessness that has helped to push the calmer elements of that genre's reputation into decidedly more difficult directions. The pair also grew in repute as remixers, obliterating tracks by Curve, Jon Anderson, David Sylvian and Robert Fripp, and Apollo 440, and rebuilding pieces of almost majestic complexity with the remnants. The duo's works of the mid- to late '90s -- Lifeforms, ISDN, and Dead Cities -- were important stopping points on the road of rabid hybridization characteristic of post-rave European experimental electronica (ambient, jungle, trip-hop, ambient dub, etc.), and the pair's somewhat punk rock attitude (despite their success) did much to underscore the scene's underground roots. After a lengthy hiatus marked by rumors of mental illness and a cottage lifestyle, Cobain and Dougans returned in 2002 with The Isness, a record heavily influenced by '60s and '70s psychedelia. ~ Sean Cooper, All Music Guide www.futuresoundoflondon.com Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.