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FUTURE SOUND OF LONDON - PAPUA NEW GUINEA (RE-BOOT)

- NEW RELEASE

TITLE:
Papua New Guinea (Re-Boot)
LABEL:
CATNO:
12BOOT17R
STYLE:
FORMAT:
Vinyl record
DESCRIPTION:
Drum n Bass, House, Breakbeat Mixes of 1991 Classic Feat Remixes from L MAjor, Nishesque, Soul Central & Dee Montero

In the last few months, super-rare new underground mixes of the legendary Future Sound Of London classic have appeared on various platforms, which have never been officially released before and are now collected on the Re-Booted EP. The A-side is played by the two D&B producers LMajor and Nishesque, while the flip is dedicated to Ibiza house with Soul Central and Dee Montero. All remixers enjoy a high reputation in their respective professions.

PRICE:
£16.49
RELEASED YEAR:
SLEEVE:
New
MEDIA:
New

BUY:
 
 
LISTEN:
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TRACK LISTING:

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PLAY
 
CUE
MP3
a1
Papua New Guinea (L Major Remix)
a2
Papua New Guinea (Nishesque Remix)
b1
Papua New Guinea (Soul Central Remix)
b2
Papua New Guinea (Dee Montero Remix)

Last FM Information on Future Sound Of London

Please note the information is done on a artist keyword match and data is provided by LastFM.
First recognized as the dance duo behind the club hits "Stakker" (as Humanoid) and "Papua New Guinea," Future Sound of London later became one of the most acclaimed and respected international experimental ambient groups, incorporating elements of techno, classical, jazz, hip-hop, electro, industrial, and dub into expansive, sample-heavy tracks, often exquisitely produced and usually without easy precursor. Notoriously enigmatic and often disdainful of the press, the group's Garry Cobain and Brian Dougans worked their future-is-now aesthetic into a variety of different fields, including film and video, 2- and 3-D computer graphics and animation, the Internet, radio broadcast, and, of course, recorded music. Although they usually disdain their earlier work as play-for-pay club fare not representative of their later musical vision, many of the thematic concerns of their earlier 12"s and their first, heavily dance-oriented LP, Accelerator, followed them into their later work. Usually filed under ambient, that work is often much more than that, drawing from the history of experimental electronic music with a relentlessness that has helped to push the calmer elements of that genre's reputation into decidedly more difficult directions. The pair also grew in repute as remixers, obliterating tracks by Curve, Jon Anderson, David Sylvian and Robert Fripp, and Apollo 440, and rebuilding pieces of almost majestic complexity with the remnants. The duo's works of the mid- to late '90s -- Lifeforms, ISDN, and Dead Cities -- were important stopping points on the road of rabid hybridization characteristic of post-rave European experimental electronica (ambient, jungle, trip-hop, ambient dub, etc.), and the pair's somewhat punk rock attitude (despite their success) did much to underscore the scene's underground roots. After a lengthy hiatus marked by rumors of mental illness and a cottage lifestyle, Cobain and Dougans returned in 2002 with The Isness, a record heavily influenced by '60s and '70s psychedelia. ~ Sean Cooper, All Music Guide www.futuresoundoflondon.com Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.