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FUTURE SOUND OF LONDON - [P6] ENVIRONMENTS (PART 6)

- NEW RELEASE

TITLE:
[P6] Environments (Part 6)
CATNO:
LPTOT 70
STYLE:
IDM / Ambient /
FORMAT:
Vinyl record
DESCRIPTION:
IDM & Ambient -"The original Environments album was conceived and written back in 1993. It became one of the great lost albums by The Future Sound Of London before the guys took in back to the studio to complete and issue in 2008. Since then has come the success of further instalments and following additional studio work during a period of extreme creativity comes two further volumes. Released separately but simultaneously, Environment 6 and accompanying Environment 6.5, when combined, create a two CDs of 46 tracks. Sweeping between luscious dreamscapes to delicately melodically compositions to intensely highly programmed electronics sculptures Environment 6 and Environment 6.5 continue the journey towards the boundaries of the future of sound.

PRICE:
£15.49
RELEASED YEAR:
SLEEVE:
New
MEDIA:
New

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LISTEN:
Play       Cue Sample

TRACK LISTING:

Click to listen - add to playlist or download mp3 sample.

PLAY
 
CUE
MP3
a1
Polarize
a2
Mountain Path
a3
Thought Pattern
a4
Motioned
a5
Lichaen
a6
Forest Soundbed
a7
Sol 7
a8
Silent Around Them
b1
Yut Moik
b2
Beyond The Field Of Vision
b3
Leak Stereo 70
b4
Exerting Force Or Influence
b5
Symphony For Halia
b6
Imagined Friends
b7
Electric Pastrol
b8
Solace
b9
Meanders

Last FM Information on Future Sound Of London

Please note the information is done on a artist keyword match and data is provided by LastFM.
First recognized as the dance duo behind the club hits "Stakker" (as Humanoid) and "Papua New Guinea," Future Sound of London later became one of the most acclaimed and respected international experimental ambient groups, incorporating elements of techno, classical, jazz, hip-hop, electro, industrial, and dub into expansive, sample-heavy tracks, often exquisitely produced and usually without easy precursor. Notoriously enigmatic and often disdainful of the press, the group's Garry Cobain and Brian Dougans worked their future-is-now aesthetic into a variety of different fields, including film and video, 2- and 3-D computer graphics and animation, the Internet, radio broadcast, and, of course, recorded music. Although they usually disdain their earlier work as play-for-pay club fare not representative of their later musical vision, many of the thematic concerns of their earlier 12"s and their first, heavily dance-oriented LP, Accelerator, followed them into their later work. Usually filed under ambient, that work is often much more than that, drawing from the history of experimental electronic music with a relentlessness that has helped to push the calmer elements of that genre's reputation into decidedly more difficult directions. The pair also grew in repute as remixers, obliterating tracks by Curve, Jon Anderson, David Sylvian and Robert Fripp, and Apollo 440, and rebuilding pieces of almost majestic complexity with the remnants. The duo's works of the mid- to late '90s -- Lifeforms, ISDN, and Dead Cities -- were important stopping points on the road of rabid hybridization characteristic of post-rave European experimental electronica (ambient, jungle, trip-hop, ambient dub, etc.), and the pair's somewhat punk rock attitude (despite their success) did much to underscore the scene's underground roots. After a lengthy hiatus marked by rumors of mental illness and a cottage lifestyle, Cobain and Dougans returned in 2002 with The Isness, a record heavily influenced by '60s and '70s psychedelia. ~ Sean Cooper, All Music Guide www.futuresoundoflondon.com Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.


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