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FUTURE SOUND OF LONDON - LIFEFORMS


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TITLE:
Lifeforms
LABEL:
CATNO:
5778707
FORMAT:
Vinyl record
DESCRIPTION:
2x 12" Ambient/ IDM / Experimantal Techno & Downbeat Electronica - Gatefold Sleeve Inc Free Download Of LP

Remastered re-issue of the 1994 double album by experimental electronica group The Future Sound of London. Although slightly lost in the hyped-up murk of the mid 90s, with time, it has become their best-known album and is considered to be an important and influential classic of avant-garde electronic music. It sounds timeless, and could well have been released this week. Using unique and enthralling keyboard sounds, pad presets or ambient washes FSOL create an exotic and otherworldly collage; existing somewhere between the stars and a deserted tropical island. Sprawling, languid, and unhurried, I'm sure this made a brilliant companion to the permo-comedown from all those high end gary's available at the time.

Having indulged in more explicitly ambient realms with the Amorphous Androgynous side project, FSOL returned to full action with Lifeforms, a double-disc effort that ranks as one of the best

PRICE:
£23.99
RELEASED YEAR:
SLEEVE:
Mint (M)
MEDIA:
Mint (M)

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LISTEN:
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TRACK LISTING:

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PLAY
 
CUE
MP3
a1
Cascade
a2
Ill Flower
a3
Flak
a4
Bird Wings
a5
Dead Skin Cells
b1
Lifeforms
b2
Eggshells
b3
Among Myselves
c1
Domain
c2
Spineless Jelly
c3
Interstat
c4
Vertical Pig
c5
Cerebral
c6
Life Form Ends
d1
Vit
d2
Omnipresence
d3
Room 208
d4
Elaborate Burn
d5
Little Brother

Last FM Information on Future Sound Of London

Please note the information is done on a artist keyword match and data is provided by LastFM.
First recognized as the dance duo behind the club hits "Stakker" (as Humanoid) and "Papua New Guinea," Future Sound of London later became one of the most acclaimed and respected international experimental ambient groups, incorporating elements of techno, classical, jazz, hip-hop, electro, industrial, and dub into expansive, sample-heavy tracks, often exquisitely produced and usually without easy precursor. Notoriously enigmatic and often disdainful of the press, the group's Garry Cobain and Brian Dougans worked their future-is-now aesthetic into a variety of different fields, including film and video, 2- and 3-D computer graphics and animation, the Internet, radio broadcast, and, of course, recorded music. Although they usually disdain their earlier work as play-for-pay club fare not representative of their later musical vision, many of the thematic concerns of their earlier 12"s and their first, heavily dance-oriented LP, Accelerator, followed them into their later work. Usually filed under ambient, that work is often much more than that, drawing from the history of experimental electronic music with a relentlessness that has helped to push the calmer elements of that genre's reputation into decidedly more difficult directions. The pair also grew in repute as remixers, obliterating tracks by Curve, Jon Anderson, David Sylvian and Robert Fripp, and Apollo 440, and rebuilding pieces of almost majestic complexity with the remnants. The duo's works of the mid- to late '90s -- Lifeforms, ISDN, and Dead Cities -- were important stopping points on the road of rabid hybridization characteristic of post-rave European experimental electronica (ambient, jungle, trip-hop, ambient dub, etc.), and the pair's somewhat punk rock attitude (despite their success) did much to underscore the scene's underground roots. After a lengthy hiatus marked by rumors of mental illness and a cottage lifestyle, Cobain and Dougans returned in 2002 with The Isness, a record heavily influenced by '60s and '70s psychedelia. ~ Sean Cooper, All Music Guide www.futuresoundoflondon.com Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.