DJ Eddie Fowlkes created the techno genre alongside Derrick May, Juan Atkins and Kevin Saunderson. Now the 'Godfather of Techno Soul' uses his extensive knowledge and experience to create a dynamic wax release drenched in Motor City inspiration - this four-track vinyl package is both a love letter to his musical roots and an inspired representation of the left-of-centre house that Classic is known for. For the lead track, 'AHYEE', Eddie carves out his own sound in a low growl as distorted percussion whirs over a four-on-the-floor beat. 'Blow' goes tougher, with an undulating bass that adds a wonky unease to the rhythmic kick and syncopated decoration. On the B-side, ‘Talking To Me’ makes use of a distinctive spoken-word vocal over an expansive and rhythmically intricate accompaniment, celebrating the culture through expert sampling and production techniques, whilst ‘Complex’ is more beat-focused with driving synth rhythms. Coming from producing some of the first techno records nearly 40 years ago, unique releases like this continue to prove Fowlkes' status as a constant innovator, and his ear for house music is undeniable.
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Ahyee
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Blow
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Talking To Me
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Complex
Last FM Information on Eddie Fowlkes
Please note the information is done on a artist keyword match and data is provided by LastFM.
Detroit-born Eddie “Flashin’” Fowlkes was raised on the music of another Detroit native: Motown Records. The songs of Stevie Wonder and Marvin Gaye filled his parents’ house and Fowlkes took this influence and keen vocal ear with him when he began turning heads DJ’ing soul and jazz in 1982. With friends like Juan Atkins and roomates like Kevin Saunderson and Derrick May in 1986, the eventual followed: DJ’ing Kraftwerk gradually turned into making music.
Fowlkes’ angle on what would become known as Techno was a smooth continuation of the humanity found in Soul. He sought to bring emotional warmth to the usually cold and machined sound of Techno, seeing Detroit’s new and old music styles - Techno and Soul - as inseparable. Unafraid to combine Techno with Jazz tunes, melodies, and especially vocals, Fowlkes sought to bring the FEELING back to Techno.
The success of his first single, “Goodbye Kiss” on Metroplex confirmed his ideology and he pressed on with hits on labels like KMS, 430 West, Play It Again Sam, and Lafayette (UK) until 1992 when Techno caught fire in Europe and Fowlkes caught the eye of Tresor. He recorded for the label with production masterminds 3MB (Thomas Fehlmann & Moritz Von Oswald) in Berlin that year. 3MB were so impressed with Fowlkes’ vision that they put together more tracks for the “Detroit Techno Soul” compilation that Fowlkes coordinated for Tresor in 1994. The spirit of Soul was truly contained in Techno. Now Los Angeles based, Fowlkes keeps spreading the message with his own label, City Boy. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
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