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ELBOW - GIANTS OF ALL SIZES
- NEW RELEASEARTIST:
TITLE:
Giants Of All Sizes
LABEL:
CATNO:
7764402
STYLE:
FORMAT:
Vinyl record
DESCRIPTION:
Manchesters Finest Serve Up New Indie Rock LP & Includes Free Download Code For The Album
‘Giants of All Sizes’ was recorded at Hamburg’s Clouds Hill Studio, The Dairy in Brixton, 604 Studios in Vancouver and Blueprint Studios in Salford with additional recording taking place at various band member’s home studios spread across Manchester. As with their previous four studio albums, ‘Giants’ was produced and mixed by Craig Potter. Guests across the album include Jesca Hoop, The Plumedores and South London newcomer Chilli Chilton.
Guy Garvey describes the album as “an angry, old blue lament which finds its salvation in family, friends, the band and new life.” It is a record that lyrically takes in moments of deep personal loss whilst reflecting its times by confronting head-on the spectres of injustice and division not just in the UK but across the world. It is a record that could only have been made in the 21st Century.
Given such bleak, if ultimately redeemed, subject matter, it is also, perversely, the most relaxed record which elbow have made in some time. On ‘Giants of All Sizes’, each band member extended their usual process of working on demos alone and followed their vision to its conclusion rather than, as Craig Potter puts it, ‘taking the edges off things to find compromise’. In tandem with this, they returned to playing live in the studio, encouraged to experiment with the banks of analogue equipment at Clouds Hill in Northern Germany, giving songs a looser, more live feel.
The result is the most starkly dynamic record from the band in recent times, “Sonically unabashed”, as Guy would have it. Whilst album closer ‘Weightless’ has the gossamer melodies and communal harmonies for which the band have latterly been known, this album echoes earlier elbow work at times whilst also breaking new ground.
‘White Noise White Heat’ is motorik, metal machine soul driven by a vocal that is rage incarnate, ‘Doldrums’ mixes John Carpenter with The Plastic Ono Band to brilliantly disturbing effect and ‘On Deronda Road’ hitches stark bass beats and glitches to an ad-hoc choir. ‘Empires’ delivers dark resignation via an insidious melody and ‘Seven Veils’ continues the subversion by inverting the perception of elbow as a band for lovers into a band for haters, a double-barrelled fuck-you song par excellence. ‘The Delayed 3:15’ marries mariarchi guitars to jazz dynamics, Morricone via Buddy Rich, and ‘My Trouble’ is a clockwork, analogue shuffle housing a delicate melody that builds over the course of the song into a fragile monolith to the power of love.
Lead track, ‘Dexter & Sinister’, released on 10” ahead of the album, encapsulates the whole. A seven-minute musical journey that blends deep bass grooves, sudden keyboard stabs, dislocated piano and guitar runs and soul stylings then abruptly shifts gear, parts the storm clouds and takes wing, flying towards the heat of the sun. It is the soundtrack for these ‘hope free, faith free, charity free days’, a denial of the divine and a reconciliation, two songs in one song, two emotions for one emotion, human, fragile and brilliant like the album which it opens.
‘Giants of All Sizes’ was recorded at Hamburg’s Clouds Hill Studio, The Dairy in Brixton, 604 Studios in Vancouver and Blueprint Studios in Salford with additional recording taking place at various band member’s home studios spread across Manchester. As with their previous four studio albums, ‘Giants’ was produced and mixed by Craig Potter. Guests across the album include Jesca Hoop, The Plumedores and South London newcomer Chilli Chilton.
Guy Garvey describes the album as “an angry, old blue lament which finds its salvation in family, friends, the band and new life.” It is a record that lyrically takes in moments of deep personal loss whilst reflecting its times by confronting head-on the spectres of injustice and division not just in the UK but across the world. It is a record that could only have been made in the 21st Century.
Given such bleak, if ultimately redeemed, subject matter, it is also, perversely, the most relaxed record which elbow have made in some time. On ‘Giants of All Sizes’, each band member extended their usual process of working on demos alone and followed their vision to its conclusion rather than, as Craig Potter puts it, ‘taking the edges off things to find compromise’. In tandem with this, they returned to playing live in the studio, encouraged to experiment with the banks of analogue equipment at Clouds Hill in Northern Germany, giving songs a looser, more live feel.
The result is the most starkly dynamic record from the band in recent times, “Sonically unabashed”, as Guy would have it. Whilst album closer ‘Weightless’ has the gossamer melodies and communal harmonies for which the band have latterly been known, this album echoes earlier elbow work at times whilst also breaking new ground.
‘White Noise White Heat’ is motorik, metal machine soul driven by a vocal that is rage incarnate, ‘Doldrums’ mixes John Carpenter with The Plastic Ono Band to brilliantly disturbing effect and ‘On Deronda Road’ hitches stark bass beats and glitches to an ad-hoc choir. ‘Empires’ delivers dark resignation via an insidious melody and ‘Seven Veils’ continues the subversion by inverting the perception of elbow as a band for lovers into a band for haters, a double-barrelled fuck-you song par excellence. ‘The Delayed 3:15’ marries mariarchi guitars to jazz dynamics, Morricone via Buddy Rich, and ‘My Trouble’ is a clockwork, analogue shuffle housing a delicate melody that builds over the course of the song into a fragile monolith to the power of love.
Lead track, ‘Dexter & Sinister’, released on 10” ahead of the album, encapsulates the whole. A seven-minute musical journey that blends deep bass grooves, sudden keyboard stabs, dislocated piano and guitar runs and soul stylings then abruptly shifts gear, parts the storm clouds and takes wing, flying towards the heat of the sun. It is the soundtrack for these ‘hope free, faith free, charity free days’, a denial of the divine and a reconciliation, two songs in one song, two emotions for one emotion, human, fragile and brilliant like the album which it opens.
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Last FM Information on Elbow
Please note the information is done on a artist keyword match and data is provided by LastFM.
Elbow is an alternative rock band that got started in Bury, Greater Manchester, United Kingdom in 1990. Formed when its members were in sixth-form college, the group consists of Guy Garvey (vocals, guitar), Mark Potter (guitar, vocals), Pete Turner (bass), Craig Potter (keyboards) and Richard Jupp (drums). Over the band's twenty plus year career, it has released eight studio albums and four EPs while also having over five top 40 singles in the U.K. alone.
The band is named after a line in the BBC TV mini-series 'The Singing Detective', in which a character says that the word "elbow" is the most sensuous word in the English language (not due to its definition per se but due to how it feels to say it). Though the group came about in 1990, intially going by names such as 'Soft' and 'Mr. Soft', it wasn't until 'The Noisebox EP' came out on 1 January 1998 that they had a real release. Elbow started out specializing in "chilled funk", but the guys changed the direction of their music after unanimously deciding that they were "shit."
Their new songs picked up notice from both Island Records, but the band got dropped due to business shenanigans before anything actually came out post-singing. Elbow then released two critically acclaimed EP's on the independent Ugly Man Record label, starting with the aformentioned 'Noisebox EP'. Luckily, their work caught the attention of V2 Records.
V2 released Elbow's debut album: "Asleep In The Back." The album was a surprisingly moderate success, gaining substantial critical acclaim and, ultimately, a nomination for the Mercury Music Prize in 2001. The single "Newborn" received attention after being banned by Radio 1 for the lyric, "I'll be the corpse in your bathtub."
Word of mouth then began to work in Elbow's favor. Its 2003 album, "Cast Of Thousands," entered the UK Charts at #7 to critical acclaim. The lead single, "Fallen Angel," charted at #19.
In 2004, Elbow became the first British band to ever play a concert in Havana during an unofficial Cuban tour. The tour was made into a short film by British documentary maker Irshad Ashraf.
Elbow released its third album in 2005: "Leaders Of The Free World." Despite a continued lack of commercial notice, "Leaders Of The Free World" charted at #12, with its lead single, "Forget Myself" achieving #22 in the charts. That autumn, Elbow headlined the first of two sell-out tours.
March 17, 2008, saw the release of Elbow's fourth album, entitled "The Seldom Seen Kid." Released through Fiction, it entered the UK album chart at #5, and went on to win the 2008 Mercury Music Award. "The Fix," features guest vocals and lead guitar by Richard Hawley. April 2009 saw the release of The Seldom Seen Kid Live At Abbey Road, recorded with The BBC Concert Orchestra and Chantage. This album, recorded in Studio One of the world famous Abbey Road Studios on Saturday, January 17, 2008, is a complete run-through of the Mercury winning album. It features the band, a 52-piece orchestra, and a 20-member choir.
"Grounds for Divorce" was featured in VALVe Software game Left 4 Dead in 2008.
The band's fifth album Build A Rocket Boys! was released in the UK on March 14, 2011.
The First Steps Songfacts reports that Elbow was commissioned by the BBC to write a song for their coverage of the 2012 Olympics. The resulting tune is "First Steps". The full song lasts six and a half minutes, but it was written in such a way so that it could be divided into different minute or two long elements for use over both winning and losing footages.
In July 2015, Elbow released the Lost Worker Bee EP, which was soon followed by Guy Garvey's first solo album 'Courting the Squall' (Oct 2015).
Their seventh studio album, 'Little Fictions' was released on 3 February 2017, with Elbow's eighth studio album, 'Giants of All Sizes', released 2 years later on 11 October 2019.
Website: http://elbow.co.uk/ Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.