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EILISH, BILLIE - WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?
- NEW RELEASEARTIST:
TITLE:
When We All Fall Asleep, Where Do We Go?
LABEL:
CATNO:
7742766
FORMAT:
Vinyl record
DESCRIPTION:
Debut LP From Worldwide Hit Monster - Ltd Edtiion Apricot Vinyl - On her big-league debut, Billie Eilish makes a bold entrance into the mainstream, leaving the fringes behind to embrace her role as an anti-pop star for the disaffected Gen Z masses.
With a youthful, hybrid blend that incorporates elements of indie electronic, pop, and hip-hop (assisted by brother Finneas O'Connell), When We All Fall Asleep, Where Do We Go? captures the late-2010s zeitgeist by throwing conventional boundaries to the wind and fully committing to its genre-blurring self. Like Lorde's devilish little sister, Eilish delivers her confessional lyrics in hushed bursts of breath, at times dirge-like in their sedateness and otherwise intensely threatening in their creepiness. Beneath the calculated image, she's a highly relatable kid -- not yet of legal voting age at the time of the album's release -- and an avatar for an audience that deals with similar mental health struggles and growing pains.
From the opening line of hilarious opener "!!!!!!!," Eilish makes it clear that she is just like you, the listener, goofing off in the studio with her brother while she's supposed to be recording her major-label debut. As endearing as it is obnoxious, the track sets the tone and, from there, the album is a thrill. Bouncing from infectious dance-pop highs to tender, restrained lows, Eilish manages effortless cohesion, even within the span of a single song. "Bad Guy" throbs like the cavernous echo heard outside the club, sparking to life with a K-pop brightness before descending with a bellowing trap drop, while "All the Good Girls Go to Hell" rides a playful bass strum that manages to pull some G-funk effects into its orbit. The meme-worthy "My Strange Addiction" makes the inspired choice to interpolate dialogue from the "Threat Level Midnight" episode of The Office (which had already wrapped its entire televised run before Eilish even turned 12), all while managing to be one of the sleekest standouts on the album. Other highlights include the hypnotic minimalist single "Bury a Friend," an unnerving nightmare that is as disturbing as it is addictive; the twisted funhouse electro-pop "Ilomilo"; and "You Should See Me in a Crown," a spiritual descendant of Lorde's "Royals" that finds Eilish making a power grab to rule the one-horse "nothing town" instead of simply complaining about it. While empowering and vulnerable messages bleed through every song, the quieter moments allow her introspection to take the spotlight, especially on the restrained trio that closes the album. She contemplates ending her life on the swelling, piano-centric "Listen Before I Go" and offers an uncomfortably uncertain conclusion with "Goodbye," but it's the swelling storm of "I Love You," a heartbreaking acoustic beauty, that pegs Eilish as something more than a spooky, scare-the-parents gimmick. Indeed, with When We All Fall Asleep, Where Do We Go?, she demonstrates that she can do it all, hinting at a bright future that could truly go in any direction, as messy and hopeful as youth can get.
With a youthful, hybrid blend that incorporates elements of indie electronic, pop, and hip-hop (assisted by brother Finneas O'Connell), When We All Fall Asleep, Where Do We Go? captures the late-2010s zeitgeist by throwing conventional boundaries to the wind and fully committing to its genre-blurring self. Like Lorde's devilish little sister, Eilish delivers her confessional lyrics in hushed bursts of breath, at times dirge-like in their sedateness and otherwise intensely threatening in their creepiness. Beneath the calculated image, she's a highly relatable kid -- not yet of legal voting age at the time of the album's release -- and an avatar for an audience that deals with similar mental health struggles and growing pains.
From the opening line of hilarious opener "!!!!!!!," Eilish makes it clear that she is just like you, the listener, goofing off in the studio with her brother while she's supposed to be recording her major-label debut. As endearing as it is obnoxious, the track sets the tone and, from there, the album is a thrill. Bouncing from infectious dance-pop highs to tender, restrained lows, Eilish manages effortless cohesion, even within the span of a single song. "Bad Guy" throbs like the cavernous echo heard outside the club, sparking to life with a K-pop brightness before descending with a bellowing trap drop, while "All the Good Girls Go to Hell" rides a playful bass strum that manages to pull some G-funk effects into its orbit. The meme-worthy "My Strange Addiction" makes the inspired choice to interpolate dialogue from the "Threat Level Midnight" episode of The Office (which had already wrapped its entire televised run before Eilish even turned 12), all while managing to be one of the sleekest standouts on the album. Other highlights include the hypnotic minimalist single "Bury a Friend," an unnerving nightmare that is as disturbing as it is addictive; the twisted funhouse electro-pop "Ilomilo"; and "You Should See Me in a Crown," a spiritual descendant of Lorde's "Royals" that finds Eilish making a power grab to rule the one-horse "nothing town" instead of simply complaining about it. While empowering and vulnerable messages bleed through every song, the quieter moments allow her introspection to take the spotlight, especially on the restrained trio that closes the album. She contemplates ending her life on the swelling, piano-centric "Listen Before I Go" and offers an uncomfortably uncertain conclusion with "Goodbye," but it's the swelling storm of "I Love You," a heartbreaking acoustic beauty, that pegs Eilish as something more than a spooky, scare-the-parents gimmick. Indeed, with When We All Fall Asleep, Where Do We Go?, she demonstrates that she can do it all, hinting at a bright future that could truly go in any direction, as messy and hopeful as youth can get.
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Last FM Information on Billie Eilish
Please note the information is done on a artist keyword match and data is provided by LastFM.
Billie Eilish Pirate Baird O'Connell (born December 18, 2001), known professionally as Billie Eilish, is a Grammy and Academy Award-winning American singer and songwriter signed to Darkroom/Interscope Records. Born and raised in Los Angeles, Eilish grew up in a household of actors and musicians and was homeschooled along with her brother Finneas O'Connell. At the age of eight, she joined the Los Angeles Children's Choir, developing the soulful vocals that would later appear on her early singles. After the release of "Six Feet Under" and "Fingers Crossed," Eilish made her breakthrough with "Ocean Eyes," produced and co-written with Finneas and released by Interscope. It surpassed 14 million online streams and spawned a number of remixes with Astronomyy, Blackbear, and Goldhouse. Eilish followed up in February 2017 with "Bellyache," then landed another track, "Bored," on the Netflix series 13 Reasons Why. An EP, dont smile at me, featuring the singles "COPYCAT" and "watch," followed later that summer. Her debut full-length album When We Fall Asleep, Where Do We All Go? stylized in all caps, was released March 29th, 2019 via Interscope Records.
On January 26, 2020, she won five Grammys, including the "big four" awards: Album of The Year, Record of the Year, Song of the Year, and Best New Artist. On February 18th 2020, she won a Brit Award for International Female Solo Artist and for the first time performed her new James Bond theme song "No Time to Die", joined by composer Hans Zimmer, guitar legend Johnny Marr and Finneas. The theme won Eilish and Finneas an Oscar for Best Original Song. Additionally, Eilish is the youngest musician to have ever performed the theme song for a Bond film.
On July 31, 2021, Billie Eilish has released her Sophomore Album "Happier Than Ever" that broke the internet two days the album was released. Eilish performed the album at the Life Is Beautiful festival performing for the first time since March 2020 when COVID happened. Eilish has planned a "Happier Than Ever World Tour" starting in February 2022 - July 2022.
In 2024, Eilish returned with her third studio album, Hit Me Hard and Soft , released on May 17, 2024. The album featured hit songs like "Lunch", "Chihiro" and "Birds of a Feather". Prior to this, her introspective ballad "What Was I Made For?", a track written for the Barbie movie soundtrack, won two Grammys Awards for Best Song Written for Visual Media and Song of the Year and her second Oscar for Best Original Song. This achievement solidified her place as one of the most influential artists of her generation.
Eilish's ability to merge deeply personal lyrics with innovative production continues to push boundaries and making her one of the most compelling voices in contemporary music. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.