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DREXCIYA - NEPTUNES LAIR


ARTIST:
TITLE:
Neptunes Lair
LABEL:
CATNO:
TRESOR129LPX
STYLE:
Techno /
FORMAT:
Vinyl record
DESCRIPTION:
2 x LP Techno Ambient Techno & Experimental Techno. REPRESSED

Though a quick glance at the track titles -- "Organic Hydropoly Spores," "Polymono Plexusgel," "Triangular Hydrogen Strain," "Oxyplasmic Gyration Beam" -- lends the impression that this is yet another Drexciyan work wherein the music, though stellar enough, isn't quite as important as the sub-aquatic science-fiction themes, Neptune's Lair proves as solid a piece of musicianship as the act has ever recorded. The album mostly disdains the froglike neo-retro vocal samples that often shifted emphasis away from the music on the Drexciya EPs, and simply pushes through with a set of midtempo, paranoid electro gems. The production is still reminiscent of the classic electro era, but never feels as tied to the vintage synth as before. Admittedly, there's a bit much to digest on the 20 tracks, but Neptune's Lair is yet another bright spot in the Detroit electro-techno revival.

PRICE:
£24.99
RELEASED YEAR:
SLEEVE:
New
MEDIA:
New

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LISTEN:
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TRACK LISTING:

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PLAY
 
CUE
MP3
a1
Intro: Temple Of Dos De Aqua
a2
Andreaen Sand Dunes
a3
Running Out Of Space
a4
Universal Element
b1
Habitat 'O' Negative
b2
Funk Release Valve
b3
Organic Hydropoly Spores
b4
Draining Of The Tanks
c1
Surface Terrestrial Colonization
c2
Oxyplasmic Gyration Beam
d1
Triangular Hydrogen Strain
d2
Bottom Feeders
d3
C To The Power Of X + C To The Power Of X = MM = Unknown

Last FM Information on Drexciya

Please note the information is done on a artist keyword match and data is provided by LastFM.
Drexciya were a mysterious electro unit from Detroit, Michigan. The late James Stinson was the only officially identified member of Drexciya, but it was considered an open secret that he had a partner, Gerald Donald. The majority of Drexciya's releases were in the style of harsh, dancefloor oriented Electro, punctuated with elements of retro, 1980s Detroit Techno, with occasional excursions into the Ambient and Industrial genres. Drexciya combined a faceless, underground, anti-mainstream media stance with mythological, sci-fi narratives, to help heighten the dramatic effect of their music. In this respect they were similar to artists within and close to the Detroit collective Underground Resistance. Their name referred to a myth comparable to Plato's myth of Atlantis, which the group revealed in the sleeve notes to their 1997 album "The Quest". "Drexciya" was an underwater country populated by the unborn children of pregnant African women thrown off of slave ships that had adapted to breathe underwater in their mother's wombs. Reports of Drexciya's disbanding in 1997 were contradicted two years later when a new Drexciya track appeared on the Underground Resistance compilation Interstellar Fugitives, followed by three more Drexciya albums. Although both members of Drexciya remained completely anonymous throughout their active recording career, James Stinson was identified posthumously in 2002. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.