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DREXCIYA - HYDRO DOORWAYS

- NEW RELEASE

ARTIST:
TITLE:
Hydro Doorways
LABEL:
CATNO:
TRESOR137X
STYLE:
FORMAT:
Vinyl record
DESCRIPTION:
Techno/ Electro Classic - Repressed - Tresor Records is proud to announce forthcoming special editions of its entire catalogue of Drexciya and related projects. 2022 marks the 20th anniversary of the passing of James Stinson and the releases of the Transllusion and Shifted Phases albums.

In recognition, the rightsholders, their families, and the label have commissioned Detroit-based contemporary artist Matthew Angelo Harrison to re-conceptualize the covers of Tresor's Drexciya-related catalogue. These editions will be released sequentially, bimonthly, starting early-September 2022.

Just a month after the album release of 'Neptune's Lair' in September, its companion 12" 'Hydro Doorways' will be second in the series, out on October 7th. In November, 'Harnessed The Storm' and 'Digital Tsunami' are coming, followed by the release of Transllusion in February 2023. The series is completed by the long-awaited re-release of 'Shifted Phases – The Cosmic Memoirs Of The Late Great Rupert J. Rosinthrope' - at the end of March.

These records, individually and as a catalogue, represent some of the most crucial moments in the Tresor label history, with the sound and mythic world of Drexciya undoubtedly inspiring generations.

PRICE:
£10.99
RELEASED YEAR:
SLEEVE:
New
MEDIA:
New

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CUE
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a1
Quantum Hydrodynamics
a2
Polymono Plexusgel
a3
Lost Vessel
b1
Species Of The Pod
b2
Drifting Into A Time Of No Future
b3
Quantum Hydrodynamics

Last FM Information on Drexciya

Please note the information is done on a artist keyword match and data is provided by LastFM.
Drexciya were a mysterious electro unit from Detroit, Michigan. The late James Stinson was the only officially identified member of Drexciya, but it was considered an open secret that he had a partner, Gerald Donald. The majority of Drexciya's releases were in the style of harsh, dancefloor oriented Electro, punctuated with elements of retro, 1980s Detroit Techno, with occasional excursions into the Ambient and Industrial genres. Drexciya combined a faceless, underground, anti-mainstream media stance with mythological, sci-fi narratives, to help heighten the dramatic effect of their music. In this respect they were similar to artists within and close to the Detroit collective Underground Resistance. Their name referred to a myth comparable to Plato's myth of Atlantis, which the group revealed in the sleeve notes to their 1997 album "The Quest". "Drexciya" was an underwater country populated by the unborn children of pregnant African women thrown off of slave ships that had adapted to breathe underwater in their mother's wombs. Reports of Drexciya's disbanding in 1997 were contradicted two years later when a new Drexciya track appeared on the Underground Resistance compilation Interstellar Fugitives, followed by three more Drexciya albums. Although both members of Drexciya remained completely anonymous throughout their active recording career, James Stinson was identified posthumously in 2002. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.