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DREXCIYA - HARNESSED THE STORM
- NEW RELEASEARTIST:
TITLE:
Harnessed The Storm
LABEL:
CATNO:
TRESOR181LPX
STYLE:
FORMAT:
Vinyl record
DESCRIPTION:
2x12" LP Of Pumpin Techno / Minimal Techno & Experimental Ambient / Downbeat Electronica Repressed With New Cover & Inc Digital Downlaod Of LP
After the re-release of Drexciya's 'Neptune's Lair' and Transllusion's 'The Opening of the Cerebral Gate', 'Harnessed the Storm' is the third album in Tresor Records' great Drexciya reissue program.
Originally released in 2002, 'Harnessed the Storm' was conceived as the opening chapter of the legendary Seven Storms - a series of seven albums created within a single year and released via several labels under different names. 'Harnessed the Storm' was the sole one in the series credited under the main Drexciya project.
The album, which is considered to be one of the pair's darkest, was produced in a time of creative outbreak and emotional turbulence. The duo's confidence was at a peak, new techniques revolutionized musical production, but the duo also had to face Stinson's severe health issues. This led to a radical shift of pace in producing and releasing music. For the Detroit pair it was time to move on from their ground-breaking past. It was time for some shape shifting and wave jumping to occur, in Drexciya's terms.
After the re-release of Drexciya's 'Neptune's Lair' and Transllusion's 'The Opening of the Cerebral Gate', 'Harnessed the Storm' is the third album in Tresor Records' great Drexciya reissue program.
Originally released in 2002, 'Harnessed the Storm' was conceived as the opening chapter of the legendary Seven Storms - a series of seven albums created within a single year and released via several labels under different names. 'Harnessed the Storm' was the sole one in the series credited under the main Drexciya project.
The album, which is considered to be one of the pair's darkest, was produced in a time of creative outbreak and emotional turbulence. The duo's confidence was at a peak, new techniques revolutionized musical production, but the duo also had to face Stinson's severe health issues. This led to a radical shift of pace in producing and releasing music. For the Detroit pair it was time to move on from their ground-breaking past. It was time for some shape shifting and wave jumping to occur, in Drexciya's terms.
PRICE:
£25.99
RELEASED YEAR:
SLEEVE:
Mint (M)
MEDIA:
Mint (M)
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LISTEN:
Last FM Information on Drexciya
Please note the information is done on a artist keyword match and data is provided by LastFM.
Drexciya were a mysterious electro unit from Detroit, Michigan. The late James Stinson was the only officially identified member of Drexciya, but it was considered an open secret that he had a partner, Gerald Donald.
The majority of Drexciya's releases were in the style of harsh, dancefloor oriented Electro, punctuated with elements of retro, 1980s Detroit Techno, with occasional excursions into the Ambient and Industrial genres.
Drexciya combined a faceless, underground, anti-mainstream media stance with mythological, sci-fi narratives, to help heighten the dramatic effect of their music. In this respect they were similar to artists within and close to the Detroit collective Underground Resistance.
Their name referred to a myth comparable to Plato's myth of Atlantis, which the group revealed in the sleeve notes to their 1997 album "The Quest". "Drexciya" was an underwater country populated by the unborn children of pregnant African women thrown off of slave ships that had adapted to breathe underwater in their mother's wombs.
Reports of Drexciya's disbanding in 1997 were contradicted two years later when a new Drexciya track appeared on the Underground Resistance compilation Interstellar Fugitives, followed by three more Drexciya albums.
Although both members of Drexciya remained completely anonymous throughout their active recording career, James Stinson was identified posthumously in 2002. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.