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DOUBLE EXPOSURE / INSTANT FUNK - THE REFLEX REVISIONS

- NEW RELEASE

TITLE:
The Reflex Revisions
LABEL:
CATNO:
SALSBMG33LP
STYLE:
FORMAT:
Vinyl record
DESCRIPTION:
Funky Vocal House & Deep House Remixes of Classic Cyuts From Reflex - One of the undisputed kings of the remix, The Reflex works his magic on two new revisions for Salsoul Records. With a well-known ear for groove, the Frenchman takes on Double Exposure’s ‘My Love Is Free’ – crafting a layered, smooth remix that builds upon its slick guitar riff with conga rides, warm basslines and that euphoric, soulful vocal. Next up is Instant Funk to get the Revision treatment, as The Reflex re-edits and remixes ‘I Got My Mind Made Up’. This one’s got some punch: chunky, percussive breaks lay the foundation for lashings of funk, bass and some sexy vocals to boot. Always a welcome addition to any catalogue, The Reflex Revision of ‘My Love Is Free’ further solidifies why he’s the best in his field.

PRICE:
£9.49
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Mint (M)
MEDIA:
Mint (M)

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Double Exposure - My Love Is Free (The Reflex Revision)
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Instant Funk - I Got My Mind Made Up (The Reflex Revision)

Last FM Information on Double Exposure

Please note the information is done on a artist keyword match and data is provided by LastFM.
DOUBLE EXPOSURE IS BACK ON THE SCENE AND BETTER THAN EVER Formerly known as United Image, this group had been singing together since Jr. High School. After High School and military service they reunited and began their quest toward a life-long dream of becoming successful entertainers and recording artists. It was not easy but they believed in their God-given talents and just simply loved to sing. Upon recommendation of some DJ's, United Image was introduced to recording executive Lebaron Taylor, who signed them to Stax Records. They released a single “Love’s Creeping Up On Me” and they also released a dance tune "The African Bump" backed with "Hit Man” in Philadelphia. As time moved on so did the group. Producer and Songwriter, Norman Harris ran into Joe from Double Exposure and invited the group to an audition for a record company. That record company turned out to be Salsoul Records represented by Vice President Ken Cayre. Needless to say the audition went well. It had been previously suggested that the group change their name to something more modern. Some band members had joked about pictures taken and saying they looked like a double exposure. Well, the name stuck. Double Exposure was signed to Salsoul Records and began rehearsing new songs for their upcoming album entitled “TEN PERCENT”. On December 11, 1975, at Sigma Sound Studios in Philadelphia, Pennsylvania, Double Exposure began recording what would become one of the most successful albums to come out of the Philly music empire, “TEN PERCENT”. Around the spring of 1978 the "Four Play" album was released. Two songs were produced by Ron Tyson (currently with the Temptations). There was a remake of First Choice's "Newsy Neighbors", but the strongest song on the album was a ballad called "Perfect Lover" written by Akins, Bellman, Drayton, &Turner. In 1979, Double Exposure’s “Locker Room” was released. Double Exposure’s first album entitled, "Ten Percent" including the title cut had tremendous success, first as a “Disco” hit, then reaching the" R&B" charts and also having surprising success on the "POP" charts. The second single from that album "My Love is Free" was also a smash hit on all three charts, putting Double Exposure over the top. The results were two Gold singles and one Gold album. For Jimmy Williams, Charles Whittington, Leonard (Butch) Davis, and Joe Harris, this was their first taste of real success in the recording business but definitely not their first experience. Along with the songs, “Ten Percent and My Love Is Free”, the song “Every Man” became another big dance hit off the album. Three ballads from the album, "Give My Love Away" written and produced by Bruce Hawes, "Just Can't Say Hello" produced by Vince Montana, and the song "Pick Me" a bluesy tune written and produced by Bruce Gray, Conway and Felder were also hits. This album gave Double Exposure worldwide exposure and plenty of appeal. They were a hit not only in the United States but also in Canada, South America, England, South Africa, and Kenya. "My Love Is Free" and the "Ten Percent" album both went gold in South Africa. They had also gained a reputation of having a strong, polished, and energetic stage show which was backed up by excellent musicians. These guys are a family having been personal friends for over forty years. The camaraderie is true, the love is genuine, and the friendship is priceless! You can count on Double Exposure to bring great music with excellent vocals. Their star has not fizzled, it still shines bright. Look for more music from Double Exposure! doubleexposureonline.com and on Face Book Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

Last FM Information on Instant Funk

Please note the information is done on a artist keyword match and data is provided by LastFM.
Instant Funk were an American 1970s and 1980s disco band, best known for their disco classic, "I Got My Mind Made Up (You Can Get It Girl)". Instant Funk came out of Trenton, New Jersey consisting of Raymond Earl, Scotty Miller and guitarist Kim Miller. The group was then called The Music Machine and they were very successful as a back-up band for The Manhattans, Bunny Sigler and also the TNJs. Throughout their careers, Instant Funk would be the back-up band for many stars, including Lou Rawls, Loleatta Holloway, The O'Jays, MFSB, Curtis Mayfield and Evelyn Champagne King (they are the backing band on the hit single, "Shame"). The group relocated to Philadelphia in 1976 to release its first album, Get Down With the Philly Jump, as they started to formulate their own sound. The group followed this album up with a release for former MFSB guitarist Norman Harris' new record label Gold Mind, with front man Bunny Sigler entitled "Let Me Party With You". The Gold Mind label folded, and Instant Funk's new cut "I Got My Mind Made Up" was transferred to the Salsoul label, which pushed the record heavily to all of the disco clubs. The remix of this song by club DJ Larry Levan and engineer Bob Blank quickly became the talk of Manhattan. "I Got My Mind Made Up" hit #1 on both the R&B and disco charts and #20 on the Billboard Hot 100 chart in the spring of 1979. The group's eponymous first album on Salsoul was also a hit, reaching #1 R&B and being certified gold disc status. Instant Funk initially stayed together to tour when Salsoul folded. They eventually disbanded, and Bunny Sigler went on to perform as part of The Trammps. Steven Scott "Scotty" Miller (Trenton NJ, August 22, 1951 - April 11, 2017) Funk burst on the '70s disco scene with the million-selling single "I Got My Mind Made Up (You Can Get It Girl)" and the gold album Instant Funk. The Trenton, NJ, band started out with the core lineup of bassist Raymond Earl, drummer Scotty Miller, and guitarist Kim Miller. It later expanded to include keyboardist Dennis Richardson; lead singer James Carmichael; horn players Larry Davis, Eric Huff, and Johnny Onderlinde; and percussionist Charles Williams. The band can be heard on sides by Evelyn "Champagne" King (her gold single "Shame"), Archie Bell & the Drells ("Let's Groove," "The Soul City Walk," and "Strategy"), South Shore Commission ("Free Man," "A Train Called Freedom"), the O'Jays (" Let Me Make Love to You," "I Swear I Love No One but You"), Lou Rawls ("From Now On," "When You Get Home"), Gabor Szabo ("Keep Smilin'"), and Jean Carn, as well as for their mentor, Bunny Sigler, and his cover of "Love Train," "Keep Smilin'," "Let Me Party With You," "Sweeter Than the Berry," and "Only You," a duet with Loleatta Holloway. In the mid-'60s, bassist Raymond Earl met drummer Scotty Miller in grade school and formed the duo the Music Machine. In 1973, Scotty's younger brother, guitarist Kim Miller, joined the duo. After hours and hours of playing together, the trio found that they clicked; they became so intuitively "tuned" into each other that they could anticipate and accent each other's playing. In 1968, they began backing local vocal group the TNJs, appearing at local dances and venues building up a good reputation. Around 1971, the group's manager Jackie Ellis christened the backup band Instant Funk because they could come up with funky grooves instantaneously. Philly soul artist/producer/songwriter Bunny Sigler was invited by Ellis to see Instant Funk and the TNJs perform. Sometime during the show, Sigler was called on stage to perform. He was impressed that the band knew "Sunshine," a song he co-wrote with Phil Hurtt that was made popular by the O'Jays. They began backing Sigler, the Manhattans, and various other R&B acts. As a staff songwriter/producer at Gamble & Huff's Philadelphia International Records, Sigler began using Instant Funk on his sessions along with the TNJs. At those sessions and later, Sigler would record the basic track with Earl and the Miller brothers. Sigler, a brimming fount of ideas, would often stop the band midsong to implement one of his flashes of brillance. They backed Sigler on three of his PIR albums: That's How Long I'll Be Loving You, Keep Smilin', and My Music. Some tracks from those LPs are on Sony/Legacy's The Best of Bunny Sigler: Sweeter Than the Berry and the 1998 Sony CD Bunny Sigler. Instant Funk released a single on PIR's TSOP imprint, "Float Like a Butterfly," and an album, Get Down With the Philly Jump, issued in November 1976, whose title track and "It Aint Reggae (But It Sho Is Funky)" were popular in disco clubs. Instant Funk can also be heard on sides by the O'Jays ("Let Me Make Love to You," "You've Got Your Hooks in Me," "Once Is Not Enough," and "I Swear I Love No One but You" from Message in Our Music; "Strokety Stroke" from So Full of Love), Archie Bell & the Drells ("Let's Groove," "Strategy," "The Soul City Walk," and "I Could Dance All Night" on Tightening It Up:The Best of Archie Bell & the Drells), the Three Degrees ("Take Good Care of Yourself"), Jean Carn ("I'm in Love Once Again" and "You Are All I Need" from Jean Carn), Dexter Wansel ("Life on Mars," the best recording that gives an idea of how the band sounded live, and "You Can Be What You Wanna Be" from The Very Best of Dexter Wansel), and M.F.S.B. ("Let's Go Disco" from Universal Love). The band can be heard on studio bandmate T. Life's That's Life album and LPs by his protégée, Evelyn "Champagne" King (Smooth Talk and Music Box). In 1977, M.F.S.B. guitarist Norman Harris started his own label, Gold Mind Records, distributed by New York-based Salsoul Records. Sigler signed on as a recording artist. He and the band were constantly in the studio recording ideas and songs. One track, "Let Me Party With You," Sigler would listen to while driving around and excited passengers suggested that he release it. The single, co-written by the Miller brothers, Earl, and Sigler, went to number eight R&B in January 1978. The track was reminiscent of Marvin Gaye's "Got to Give It Up." The album, Let Me Party With You, was a huge disco hit, and included the follow-up single, the funky Sam Peake's sax-drenched ballad "I Got What You Need," "Don't Even Try," and the club hit "Your Love Is So Good." While brainstorming in the studio, Sigler and Instant Funk came up with "I Got My Mind Made Up (You Can Get It Girl)." Sigler did overdubs on the track at Philadelphia-area studios, Alpha International and Sigma Sound Studios, before taking it to Bob Blank's Blank Tapes in New York. When the track was done, Sigler shopped it around to the record labels, who rebuffed him with comments like "the hook's not strong enough" and it sounds incomplete." Instant Funk signed with Gold Mind, but by the time their single "I Got My Mind Made Up (You Can Get It Girl)" was released, Gold Mind had folded and all of its acts were transferred to Salsoul. The million-selling "I Got My Mind Made Up (You Can Get It Girl)" (remixed by Larry Levan) parked at number one R&B for three weeks, peaking at number 20 pop on Billboard's charts in March 1979. Their second album, Instant Funk, issued January 1979, went gold hitting number one R&B in spring 1979. Other Instant Funk albums on Salsoul were: Witch Doctor (November 1979), The Funk Is On (October 1980), Looks So Fine (March 1982), Instant Funk, Vol. 5 (January 1983), and Kinky (September 1983). The band backed Sigler on his Salsoul LPs: I've Always Wanted to Sing...Not Just Write Songs (March 1979) and Let It Snow (June 1980). Other Salsoul LPs that feature Instant Funk are Loleatta Holloway's Queen of the Night, Loleatta, and Greatest Hits; Double Exposure's Locker Room; and the Salsoul Orchestra's How High. For eil Bogart's Casablanca Records, the band can be heard on two albums Sigler produced for the label: Party Girl by Patti Brooks and Callin' by the Pips. On Curtis Mayfield's Curtom Records, Sigler and the band are on Barbara Mason & Bunny Sigler's Locked in This Position, the self-titled debut of Mystique featuring Ralph Johnson, and Mayfield's own Heartbeat. With the John Brothers, who were featured on Witch Doctor, they recorded a Sigler-produced RCA single, "Try to Walk a Mile" b/w "I Just Want to Be Free," both songs written by Bunny's brother Jimmy Sigler. They are also on Gabor Szabo's Mercury LP Nightflight and Carl Carlton's I Wanna Be With You. When the Cayre brothers, owners of Salsoul Records, decided to fold the label in 1984, in an effort to concentrate on the then-emerging home video market, Instant Funk was without a record deal. The band toured for a few years then disbanded. Some of the members were still in the music business in one form or another as the 21st century began. Raymond Earl was operating his own studio and production company, Ray Ray Productions. Kim Miller, Dennis Richardson, and James Carmichael went into gospel music. Bunny Sigler was touring the world as a member of the Trammps. "I Got My Mind Made Up (You Can Get It Girl)" can be found on the CD reissue of their 1979 gold album Instant Funk, Greatest Hits from EMI/Capitol/The Right Stuff, in the movie and on the soundtrack for the Disney/Miramax movie 54, Larry Levan's Paradise Garage, and various Salsoul and Salsoul-licensed compilations. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.


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