The Cure is a British Gothic rock/post-punk/alternative rock/new wave/pop band which formed in 1976 in Crawley, England, United Kingdom.
Band members:
Robert Smith – vocals, guitars, six-string bass, keyboards (1976–present)
Simon Gallup – bass guitar (1979–1982, 1984–present); keyboards (1980–1982, 1988–1992)
Roger O'Donnell – keyboards (1987–1990, 1995–2005, 2011–present); percussion (2011–present)
Perry Bamonte – guitars, six-string bass, keyboards (1990–2005, 2022–present)
Jason Cooper – drums (1995–present)
Reeves Gabrels – guitars, six-string bass (2012–present)
The band originally consisted of Robert Smith (vocals, guitar), Pearl Thompson (guitar), Michael Dempsey (bass), and Lol Tolhurst (drums), with the band's lineup overgoing several changes throughout the years and Smith remaining as the only constant member throughout the band's history. The band currently consists of Smith (vocals, guitar), Simon Gallup (bass), Roger O'Donnell (keyboards), Jason Cooper (drums), and Reeves Gabrels (guitar). The Cure has released 13 studio albums and have sold 27 million albums worldwide and are considered a major influence on goth rock, post-punk, and new wave music.
The Cure's full lineup history is as follows:
Robert Smith (vocals, guitar 1976-present), Lol Tolhurst (drums, keyboards 1976-1989), Michael Dempsey (bass 1976-1979), Porl Thompson (guitar, keyboards 1976-1978, 1983-1992, 2005 -2010), Simon Gallup (bass, keyboards 1979-1982, 1985-present), Matthieu Hartley (keyboards 1979 -1980), Andy Anderson (drums 1983-1984), Phil Thornalley (bass 1983-1984), Boris Williams (drums 1984-1994), Roger O'Donnell (keyboards 1987 -1990, 1995-2005, 2011-present), Perry Bamonte (guitar, keyboards 1990-2005, 2022-present), Jason Cooper drums 1995-present) and Reeves Gabrels (guitar 2012-present)
Just as the group's lineup has changed, the band's sound has evolved throughout the years, starting off as a post-punk band similar to Wire and Gang of Four before morphing into a gothic rock band in the early 80's, to a synthpop group in the mid-80's and a power-pop-alternative band in the early 90's. The Cure has always been an alternative and very independent band which was evident from the early days. Shunning the anarchistic tendencies of many punk bands after their formation in 1976 , The Cure's first release was Killing an Arab, based on material from French writer Albert Camus' "L'Etranger" (translated into English as The Stranger or The Outsider). This track courted controversy because of its theme (misinterpreted as racist, it was in fact, about the futility of killing any ethnicity), but it started to secure a small following, which grew following the release of debut album Three Imaginary Boys and non-LP single Boys Don't Cry in 1979, the latter of which would become one of The Cure's most famous songs. At that time, The Cure embarked on tour as the support for Siouxsie & the Banshees' Join Hands Tour. After the sudden departure of guitarist John McKay, Robert was recruited as guitarist for the Banshees as the band 'felt he was the only person capable of taking on the task.' As a result, Robert completed the tour playing two sets a night with The Cure and Siouxsie and the Banshees.
Following this, The Cure moved from their punk leanings into the portentous post-punk territory, releasing three albums of doom-laden rock in three years, Seventeen Seconds, Faith and Pornography, the latter of which charted inside the UK top 10, though the band were repeatedly dogged by the "Second-class Joy Division" tag. Following their third set of line-up changes, the group released Japanese Whispers, a compilation of three singles and their b-sides. Through their desire to escape the Joy Division description, the singles were a poppier effort, featuring danceable tracks like Let's Go To Bed alongside pop songs like Love Cats. Following the commercial disappointment of follow-up album The Top in 1984, The Cure returned to form with 1985's The Head On The Door. Featuring the singles In Between Days and Close To Me, The Head on the Door was distant from the band's punk roots, having more in common with successful alternative bands like The Smiths and Echo & The Bunnymen than their gloomier roots.
Two years later, the eighth studio album Kiss Me, Kiss Me, Kiss Me was a more stadium-sized effort, though featuring audacious pop songs like Why Can't I Be You, it was seemingly caught between two styles. However, it was the band's ninth effort (following the departure of last surviving founder member other than Robert Smith, Lol Tolhurst), Disintegration, that would be their greatest success, both critically and commercially. Disintegration spawned hit singles like Lullaby (no.5 in the UK), Love Song (an impressive no. 2 in the USA), Pictures of You, and Fascination Street. The album itself was a culmination of The Cure's directions through the eighties, featuring the poppier side combined with the more tender aspects, as well as the gloomier facets.
Following this, a remix compilation named Mixed Up was released in 1990, featuring one new track, Never Enough, and two years later tenth studio album Wish surfaced, which was a hit mainly from the momentum gained by Disintegration, though it also featured their most famous pop song, Friday I'm In Love (no.6 in the UK and no.18 in the US). During the years following this, the band became distracted and discouraged by the lawsuit launched by former member Lol Tolhurst, who felt he had been deprived of royalties. As a result, the 1996 album Wild Mood Swings felt unfocused, and was a critical and commercial failure, though the single Mint Car was a moderate hit.
In 1997, The Cure released the compilation Galore, featuring new song Wrong Number. Three years later, at the release of original album Bloodflowers, Robert Smith announced it would be the last album for the band, the album itself being a return to the gloomier rock of Pornography and Faith. Resultantly, another hits compilation was released in 2001. However, in 2004, the band surprised all by returning with a self-titled album, their twelfth studio album, which was a surprise hit, reaching the US Top 10, its lead single - The End of the World - becoming a modest hit on Modern Rock radio, and receiving a relatively warm reception from the press.
In May 2005, Smith fired Roger O'Donnell and Perry Bamonte from the band, along with Bamonte's brother Daryl, who had been The Cure's tour manager for many years. The remaining members of the band (Robert Smith, longtime bassist Simon Gallup and Jason Cooper) made a few appearances as a trio before it was announced that founding member Porl Thompson would be returning to The Cure.
In early 2007 the band toured Asia and Oceania, but a planned North American tour in Autumn 2007 was delayed until Spring 2008 so the band could continue recording their next album.
The band released their thirteenth album 4:13 Dream on 27 October 2008. Four singles and a remix EP called "Hypnagogic States" were releases on the 13th of each month preceding the album's release.
In 2009, Robert Smith won the Godlike Genius award at the NME Awards. On April 19, 2009, the band performed at the Coachella Festival in California.
O'Donnell officially rejoined the Cure in 2011 before the band performed at the Vivid Sydney festival in Australia. This concert was the first in their Reflections concert series, in which they performed their first three albums in their entireties. The band performed seven additional Reflections concerts in 2011, one in London, three in New York City and three in Los Angeles. On 27 September, the Cure was announced as a nominee for 2012 induction into the Rock and Roll Hall of Fame.
In NME's cover article for March 2012, the Cure announced that they would be headlining a series of summer music festivals across Europe, including the Leeds/Reading Festival. On 1 May, Porl Thompson announced that he had left the Cure for the second time. On 26 May, the Cure embarked on a 19-date summer festival tour of Europe, commencing at the Pinkpop Festival, joined by Reeves Gabrels on guitar. On the same day, it was announced that Gabrels would be standing in for the tour, but at that point was not a full-fledged member of the band. Several weeks into the tour, the band invited Gabrels to become a member and he accepted. In 2013, the Cure toured South America, where they had not performed since 1987 apart from two 1996 concerts in Brazil.
In early 2014, Smith announced that the band would release a follow-up to 4:13 Dream later that year titled 4:14 Scream. The releases would be compiled together as a double album named 4:26 Dream. However, this project was eventually abandoned. The Cure paid tribute to Paul McCartney on the album titled The Art of McCartney, which was released on 18 November 2014. The Cure covered the Beatles' song "Hello, Goodbye" which featured guest vocals and keyboards from Paul's son James McCartney. A video of the band and James performing the song was released on 9 September 2014; it was filmed at Brighton Electric Studio in Brighton. Robert Smith also covered McCartney's "C Moon" on the album's bonus disc. In the summer of 2015, the Disintegration track "Plainsong" was featured in a humorous moment in the movie Ant-Man, but did not appear on the movie's soundtrack.
In June 2018, the Cure headlined the 25th annual Meltdown Festival in London. Smith also selected the festival's lineup, which included several of his personal favourite artists, including Nine Inch Nails, My Bloody Valentine, Deftones, Placebo, Manic Street Preachers, and Kristin Hersh, among others. On 7 July 2018, Cure performed a 40th anniversary concert at Hyde Park as part of the British Summer Time concert series. For Record Store Day 2018, the Cure released a remastered, deluxe edition of Mixed Up, along with a sequel titled Torn Down featuring 16 new remixes all created by Robert Smith.
In a 30 March 2019 interview with Rolling Stone, Smith commented on the band's next album, saying, "For the first time in 20 years, we went into a studio – we actually went into the studio where they [Queen] did 'Bohemian Rhapsody'. The songs are like 10 minutes, 12 minutes long. We recorded 19 songs. So I have no idea what to do now... We'll finish it before we start in the summer, and it'll be mixed through the summer. And then so release date, I don't know, October? Halloween! Come on!" In an interview published on 5 July in NME, he noted that the band would be re-recording three or four songs in August 2019 but that, "I feel intent on it being a 2019 release and would be extremely bitter if it isn't." The year passed with no new studio release, as did the following four years.
In 2019, the Cure embarked on a 23-date summer tour, consisting mostly of festival performances along with four dates in Sydney, Australia. The final Sydney show on 30 May was live-streamed. The band performed at the Austin City Limits Music Festival in October 2019. Later that same month, the band issued 40 Live: CURÆTION-25 + Anniversary, a Blu-ray, DVD and CD box set featuring their Meltdown and Hyde Park performances from 2018 in their entireties.
In interviews in June 2021, Smith referenced the recording of two new Cure albums, saying "One of them's very, very doom and gloom and the other one isn't," and that the recordings have been completed, "I just have to decide who's going to mix them." On 15 August 2021, bassist Simon Gallup posted on his social media that he had left the Cure. No official statement concerning his departure was made by Smith or the band and Gallup subsequently deleted the post. On 14 October 2021, Gallup confirmed that he was still in the band.
In March 2022, Smith confirmed that the first of the band's two projected new albums would be titled Songs of a Lost World. An update was provided in May 2022, when Smith claimed that the album would be released prior to the band's European tour in October 2022. This, however, did not happen, as the tour got underway with no new album being released, although new material was performed. Perry Bamonte returned to the band for their Lost World tour beginning with their 6 October 2022 concert in Riga, Latvia. In March 2023, the Cure announced a 30-date North American tour called Shows of a Lost World, set to take place in May through July, the band's first full United States tour since 2016. Smith was outspoken against Ticketmaster's dynamic pricing model and ticket scalpers, setting base prices as low as $20 before fees; he also negotiated with the company to issue partial refunds to fans who were subjected to excessive fees above the list price.
The Cure released a 12-inch single on 1 October 2024 featuring live recordings of two new songs, "And Nothing Is Forever" and "I Can Never Say Goodbye", that were recorded at a concert in France in 2022.
In September 2024, the band began sending out cryptic postcard messages to fans who signed up for their mailing list along with a poster unveiled in a pub in Robert Smith's hometown where the band played some of their earliest shows. On 26 September, the first single from the album, "Alone", was released. The album was produced by Smith and Paul Corkett, who Smith previously worked with to produce Bloodflowers. Songs of a Lost World, their first studio album in sixteen years, was released on 1 November 2024. Songs of a Lost World reached number one on the UK Albums Chart, and was the Cure's first chart-topping album since Wish in 1992. In the United States, Songs of a Lost World debuted at number four on the Billboard 200, and was the band's first top ten album there since The Cure in 2004.
In October 2024, Smith said the Cure would release a follow-up album to Songs of a Lost World and tour in 2025, and would release a documentary in 2028. He also suggested that the Cure would retire in 2029, which would be the year he turns 70 and the 50th anniversary of their debut album Three Imaginary Boys. A 24-track album Mixes of a Lost World was announced to release in June 2025, featuring remixes of songs from Songs of a Lost World by artists including Chino Moreno, Trentemøller, and Paul Oakenfold.
The Cure official website: www.thecure.com
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