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CHROMATICS - [WHITE] CLOSER TO GREY
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ARTIST:
TITLE:
[White] Closer To Grey
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CATNO:
IDIB237_EUROW
FORMAT:
Vinyl record
DESCRIPTION:
2x12" Ltd Edition White Vinyl - Gatefold Sleeve - Synth Pop / Dance / Rock Pop - Portland's masters of cinematic synth, the inimitable Chromatics are back with their fifth studio LP, "Closer To Grey".
The band's first album since 2012, "Closer To Grey" continues the outfit's exploration of neon lit diners, freezing city streets and 80s noir, kicking off with a stripped back and atmospheric interpretation of Simon & Garfunkel's "The Sound Of Silence". The tempo rises for "You're No Good", "Closer To Grey" and twist the knife, which alternate between vintage Italians Do It Better disco and propulsive new wave, before "Light As A Feather" pairs Chromatics' trademark sound with the fresh addition of a breakbeat. The first disc ends on a note of romance with the prom-friendly "Move A Mountain", a reminder that vocalist Ruth Radelet can kill with a whisper. As we head to the C-side "Touch Red" leads us through a little lounge-styled melancholy while "Whispers In The Hall" finds the middle ground between trap-bass tones and Carpenter's Halloween soundtrack. A synth and scuzz cover of Jesus And Mary Chain's "On The Wall" reminds us of the group's DIY origins, a wonderful contrast to the luxurious textures of "Love Theme..." and dreamy closer "Wishing Well".
And just like that, Chromatics pull off that most difficult of tasks, creating something which is the same, but different. All the emotion, feeling and mood remain, but bolstered with a few new musical flavours which compliment rather than detract.
The band's first album since 2012, "Closer To Grey" continues the outfit's exploration of neon lit diners, freezing city streets and 80s noir, kicking off with a stripped back and atmospheric interpretation of Simon & Garfunkel's "The Sound Of Silence". The tempo rises for "You're No Good", "Closer To Grey" and twist the knife, which alternate between vintage Italians Do It Better disco and propulsive new wave, before "Light As A Feather" pairs Chromatics' trademark sound with the fresh addition of a breakbeat. The first disc ends on a note of romance with the prom-friendly "Move A Mountain", a reminder that vocalist Ruth Radelet can kill with a whisper. As we head to the C-side "Touch Red" leads us through a little lounge-styled melancholy while "Whispers In The Hall" finds the middle ground between trap-bass tones and Carpenter's Halloween soundtrack. A synth and scuzz cover of Jesus And Mary Chain's "On The Wall" reminds us of the group's DIY origins, a wonderful contrast to the luxurious textures of "Love Theme..." and dreamy closer "Wishing Well".
And just like that, Chromatics pull off that most difficult of tasks, creating something which is the same, but different. All the emotion, feeling and mood remain, but bolstered with a few new musical flavours which compliment rather than detract.
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Last FM Information on Chromatics
Please note the information is done on a artist keyword match and data is provided by LastFM.
Chromatics was an electronic band based in Portland, Oregon, United States. The band consisted of Ruth Radelet (vocals, guitar, synthesizer), Adam Miller (guitar), Johnny Jewel (synthesizer, production) and Nat Walker (drums, synthesizer). The band shifted from a post-punk sound to one inspired by 1980s synthpop and Italo disco around 2006. The band's most acclaimed albums are "Night Drive" (2007) and "Kill for Love" (2012).
The would-be next album, "Dear Tommy" (2016), was scrapped, and was meant to be re-worked for a subsequent release, however the fate of album is unclear, as on August 10, 2021, Ruth Radelet, Adam Miller and Nat Walker announced the breaking up of Chromatics. Later that day the label, Italians Do It Better, and Johnny Jewel's representative, also confirmed the breakup. Their last album is "Closer to Grey" (2019), which has a companion album, "Faded Now" (2020).
The band originally hailed from Seattle and formed in 2002 as a quartet featuring vocalist Adam Miller, drummer Hannah Blilie, guitarist Devin Welch, and bassist Michelle Nolan. That lineup debuted in 2002 with a Calvin Johnson-produced 7" on Gold Standard Laboratories -- a split with Die Monitr Batss -- and followed with the similarly GSL-issued Chrome Rats vs Basement Ruts LP.
While Chrome Rats was critically hailed, Chromatics couldn't keep it together, and Miller was soon the only member in good standing (Blilie, Welch, and Nolan went on to form the similar-sounding Shoplifting). Unworried, Miller added guitar and drum programming to his vocal duties and tapped bassist Nat Sahlstrom for the 2003 GSL 7" Ice Hatchets. That was followed by the February 2004 full-length Plaster Hounds (which featured the percussion work of Get Hustle's Ron Avila), and a repositioning of the Chromatics axis to greater reflect its dub and no wave influences.
This lineup too dissolved and Adam Miller relocated Chromatics to Portland, teaming up with Glass Candy's Johnny Jewel, Ruth Radelet on lead vocals, and Nat Walker on percussion and saxophone. The new lineup of Chromatics had a more lo-fi electronic sound as opposed to the earlier dub and no-wave sounds. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.