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CASH, JOHNNY - AMERICAN V -A HUNDRED HIGHWAYS


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TITLE:
American V -A Hundred Highways
CATNO:
5344168
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Vinyl record
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Rock / Blues American V: A Hundred Highways is the long-awaited album of Johnny Cash's final recordings, the basic tracks for which (i.e., Cash's vocals) were recorded in 2002-2003, with overdubs added by producer Rick Rubin after his death on September 12, 2003, at age 71. Between 1994 and 2002, Cash and Rubin had succeeded in fashioning a third act for the veteran country singer's career, following his acclaimed 1950s work for Sun Records and his popular recordings for Columbia in the 1960s and '70s. In the '80s, Cash's star had faded, but Rubin reinvented him as a hip country-folk-rock elder at 62 with American Recordings (1994), his first new studio album to reach the pop charts in 18 years. Unchained (1996) and American III: Solitary Man (2000) continued the comeback, at least as far as the critics were concerned, though none of the albums was actually a big seller. But American IV: The Man Comes Around (2002), propelled by Cash's cover of Nine Inch Nails' "Hurt" and a powerful video, stayed in the pop charts longer than any Cash album since 1969's Johnny Cash at San Quentin. By 2002, however, Cash was in failing health, homebound and in a wheelchair, and he suffered a personal blow when his wife, June Carter Cash, died on May 15, 2003. The American series, which posited Cash as an aged sage and the repository for a bottomless American songbook, had already shown a predilection for gloom in the name of gravity; it's no surprise that the fifth and final volume would be even more concerned with, as three earlier Cash compilations had put it, God, Love, and Murder. The ailing septuagenarian certainly sounds like he's near the end of his life, but that said, he doesn't sound bad. Cash was never a great singer in a technical sense: he hadn't much range, his pitch often wobbled, and his lack of breath control sometimes found him grasping for sound at the end of lines. But he was a great singer in the sense of projecting a persona through his voice; his emotional range, which went from a Sinatra-like swagger to an almost embarrassingly intimate vulnerability, was as wide as the spread of notes he could hit confidently was narrow. Such a singer doesn't really lose that much with age; in fact, he gains even more interpretive depth. Listening to this album, one can't get around the knowledge that it is a posthumous collection made in Cash's last days, but even without that context, it would have much the same impact.

The album begins with two religious songs, Larry Gatlin's "Help Me," a plea to God, and the traditional "God's Gonna Cut You Down," which, in a sense, answers that plea. The finality of death thus established, Cash launches into what is billed as the last song he ever wrote, "Like the 309," which is about a train taking his casket away. The same image is used later in the cover of Hank Williams' "On the Evening Train," in which a man and his child put the coffin of a wife and mother on another train. Cash sings these songs in a restrained manner, and even has a sense of humor in "Like the 309," in which he complains about his asthma: "It should be awhile/Before I see Doctor Death/So it would sure be nice/If I could get my breath." In between the two train songs come songs that may not have been about death when their authors wrote them, but sure sound like they are here. As written, Gordon Lightfoot's "If You Could Read My Mind" seems to concern a romantic breakup expressed in literary and cinematic terms, but in Cash's voice, lines like "You know that ghost is me" and "But stories always end" become inescapably elegiac. Bruce Springsteen's "Further On (Up the Road)" is even easier to interpret as a call to the hereafter, with lines like "Got on my dead man's suit and my smilin' skull ring/My lucky graveyard boots and song to sing." These two songs make a pair with the album's two closing songs. Ian Tyson's "Four Strong Winds" is, like the Lightfoot selection, a folk standard by a Canadian songwriter, also nominally

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CUE
MP3
a1
Help Me
a2
God's Gonna Cut You Down
a3
Like The 309
a4
If You Could Read My Mind
a5
Further On Up The Road
a6
On The Evening Train
a7
I Came To Believe
b1
Love's Been Good To Me
b2
A Legend In My Time
b3
Rose Of My Heart
b4
Four Strong Winds
b5
I'm Free From The Chain Gang Now

Last FM Information on Johnny Cash

Please note the information is done on a artist keyword match and data is provided by LastFM.
Johnny Cash (born J.R. Cash; February 26, 1932 – September 12, 2003) was an American singer, guitarist, actor, songwriter, author. He is one of the best-selling music artists of all time, having sold more than 90 million records worldwide. Although primarily remembered as a country music icon, his genre-spanning songs and sound embraced rock and roll, rockabilly, blues, folk, and gospel. Cash was known for his deep, calm bass-baritone voice, the distinctive sound of his Tennessee Three backing band characterized by train-sound guitar rhythms, a rebelliousness coupled with an increasingly somber and humble demeanor, free prison concerts, and a trademark, all-black stage wardrobe, which earned him the nickname "The Man in Black." He traditionally began his concerts by simply introducing himself, "Hello, I'm Johnny Cash," followed by his signature song "Folsom Prison Blues". Much of Cash's music contained themes of sorrow, moral tribulation, and redemption, especially in the later stages of his career. His other signature songs include "I Walk the Line", "Ring of Fire", "Get Rhythm", and "Man in Black". He also recorded humorous numbers like "One Piece at a Time" and "A Boy Named Sue"; a duet with his future wife, June Carter, called "Jackson" (followed by many further duets after their wedding); and railroad songs including "Hey, Porter", "Orange Blossom Special", and "Rock Island Line". During the last stage of his career, Cash covered songs by several late 20th-century rock artists, notably "Hurt" by Nine Inch Nails and "Rusty Cage" by Soundgarden. Johnny Cash was born on February 26, 1932, in Kingsland, Arkansas, to Ray Cash and Carrie Cloveree (née Rivers). He was the fourth of seven children, who were in birth order: Roy, Margaret Louise, Jack, J. R., Reba, Joanne, and Tommy (who also became a successful country artist). He was primarily of English and Scottish descent. As an adult he traced his surname to 11th-century Fife, after meeting with the then-laird of Falkland, Major Michael Crichton-Stuart. Cash Loch and other locations in Fife bear the name of his family. At birth, Cash was named J. R. Cash. When Cash enlisted in the United States Air Force, he was not permitted to use initials as a first name, so he changed his name to John R. Cash. In 1955, when signing with Sun Records, he started going by Johnny Cash. In March 1935, when Cash was three years old, the family settled in Dyess, Arkansas, a New Deal colony established to give poor families a chance to work land that they had a chance to own as a result. Cash started working in cotton fields at the age of five, singing along with his family while working. The Cash farm experienced a flood during the family's time in Dyess, which led Cash later to write the song "Five Feet High and Rising". His family's economic and personal struggles during the Great Depression inspired many of his songs, especially those about other people facing similar difficulties. Consequently, Cash had sympathy for the poor and working class throughout his life. Cash was very close to his older brother, Jack. On Saturday May 12, 1944, Jack was pulled into an unguarded table saw at his high school while cutting oak into fence posts as his job and was almost cut in two. He lingered until the following Saturday, when he died. Cash often spoke of the horrible guilt he felt over this incident; according to Cash: The Autobiography, his father was away that morning, but Johnny, his mother, and even Jack himself, all had premonitions or a sense of foreboding about that day. His mother urged Jack to skip work and go fishing with his brother, but Jack insisted on working since the family needed the money at the time. On his deathbed, Jack said he had visions of Heaven and angels. Decades later, Cash spoke of looking forward to meeting his brother in Heaven. Cash's early memories were dominated by gospel music and radio. Taught guitar by his mother and a childhood friend, Cash began playing and writing songs at the age of 12. When young, Cash had a high-tenor voice, before becoming a bass-baritone after his voice changed. In high school, he sang on a local radio station. Decades later, he released an album of traditional gospel songs, called My Mother's Hymn Book. He was also significantly influenced by traditional Irish music, which he heard performed weekly by Dennis Day on the Jack Benny radio program. In 1997, Cash was diagnosed with the neurodegenerative disease Shy–Drager syndrome, a form of multiple system atrophy. According to biographer Robert Hilburn, the disease was originally misdiagnosed as Parkinson's disease, and Cash even announced to his audience that he had Parkinson's after nearly collapsing on stage in Flint, Michigan, on October 25, 1997. Soon afterwards, his diagnosis was changed to Shy–Drager, and Cash was told he had about 18 months to live. The diagnosis was later again altered to autonomic neuropathy associated with diabetes. The illness forced Cash to curtail his touring. He was hospitalized in 1998 with severe pneumonia, which damaged his lungs. During the last stage of his career, Cash released the albums American III: Solitary Man (2000) and American IV: The Man Comes Around (2002). American IV included cover songs by several late 20th-century rock artists, notably "Hurt" by Nine Inch Nails and "Personal Jesus" by Depeche Mode. Trent Reznor of Nine Inch Nails commented that he was initially skeptical about Cash's plan to cover "Hurt", but was later impressed and moved by the rendition. The video for "Hurt" received critical and popular acclaim, including a Grammy Award. June Carter Cash died on May 15, 2003, at the age of 73. June had told Cash to keep working, so he continued to record, completing 60 more songs in the last four months of his life, and even performed a few surprise shows at the Carter Family Fold outside Bristol, Virginia. At the July 5, 2003, concert (his last public performance), before singing "Ring of Fire", Cash read a statement about his late wife that he had written shortly before taking the stage: "The spirit of June Carter overshadows me tonight with the love she had for me and the love I have for her. We connect somewhere between here and Heaven. She came down for a short visit, I guess, from Heaven to visit with me tonight to give me courage and inspiration like she always has. She's never been one for me except courage and inspiration. I thank God for June Carter. I love her with all my heart. " Cash continued to record until shortly before his death. His final recordings were made on August 21, 2003, and consisted of "Like the 309", which appeared on American V: A Hundred Highways in 2006, and the final song he completed, "Engine 143", which was recorded for his son John Carter Cash for a planned Carter Family tribute album. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.