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BUGG, JAKE - [10TH] JAKE BUGG
ARTIST:
TITLE:
[10th] Jake Bugg
LABEL:
CATNO:
4538545
STYLE:
Indie Rock / Indie Rock /
FORMAT:
Vinyl record
DESCRIPTION:
10th Year Annivesary copy for NAD - Indie Rock 180g Heavyweight Vinyl Inc 2 Rare & 14 Unbreleased Recordings
Debut Indie Rock, Blues Folk Crossover LP 2012 - As far as debut albums go, this eponymous release is a surprisingly accomplished effort from the Nottingham-born teenager Jake Bugg. Although he stares out from the album cover like a younger, long-lost cousin of the View or the Enemy, while those U.K. indie acts found their nourishment on a diet of the Jam, Oasis, and the Strokes, Bugg found time to explore pre-Beatles music from the likes of Buddy Holly and Richie Valens. These influences -- combined with a folk sensibility and moments of delicate acoustic fingerpicking that betray a love for Bob Dylan and Donovan -- make for an accessible, pop-focused record that doesn’t attempt to chase innovation. Much of the material here was co-written, produced, and mixed by Snow Patrol and Reindeer Section collaborator Iain Archer. When Bugg and Archer combine on “Taste It” and “Trouble Town” -- two of the album’s stronger, more raucous tracks -- it’s as if you’re hearing what the La’s would have sounded like if John Power had been their dominant force, as opposed to Lee Mavers. It’s the intro to “Taste It” in particular that apes “Feelin’” -- the Liverpudlians’ final single -- while “Trouble Town” comes across as a rewrite of their cautionary “Doledrum” with its skiffle-fueled tales of unemployment benefits and missed payments. The comparatively positive and sprightly opener “Lightning Bolt” didn’t do Bugg any harm when it was featured just prior to the BBC’s live coverage of Usain Bolt’s Olympic 100m victory and was heard by a U.K. audience of 20 million people. Built around a three-chord shuffle and a bridge that Noel Gallagher would be proud of, it’s another example of a Bugg/Archer gem. While it’s the analog-sounding upbeat tracks such as these that impress, it’s the mid-paced, digitally polished ballads and resultant formulaic pacing that underwhelm. It’s safe to say that those searching for experimental music should most definitely look elsewhere. “Broken” -- co-written with former Longpigs frontman Crispin Hunt -- takes Bugg into broad, “X-Factor does indie” territory, while “Country Song” tiptoes between James Blunt’s vocal quirks and John Denver’s suffocating pleasantry. Inoffensive and clean-cut as they are, both tracks signify a mid-album lull and sit awkwardly on a record that is littered with overt drug references and imagery from the street. To his credit, Bugg's too young by far to be a drug bore, and when he takes “a pill or maybe two” in “Seen It All” or is “high on a hash pipe of good intent” in “Simple as This,” it feels like social documentation rather than a misguided attempt at glamorizing their use. Elsewhere, Clifton -- the south Nottingham village that Bugg calls home -- gets what is possibly its first mention in song on the irresistible, Hollies-inspired “Two Fingers.” All in all, though Bugg’s debut may not share the wordy precociousness of Conor Oberst’s formative steps or the political astuteness of Willy Mason on Where the Humans Eat, it’s his sheer earnestness and rare gift for writing simple, hook-filled tunes that ultimately charm the listener.
Debut Indie Rock, Blues Folk Crossover LP 2012 - As far as debut albums go, this eponymous release is a surprisingly accomplished effort from the Nottingham-born teenager Jake Bugg. Although he stares out from the album cover like a younger, long-lost cousin of the View or the Enemy, while those U.K. indie acts found their nourishment on a diet of the Jam, Oasis, and the Strokes, Bugg found time to explore pre-Beatles music from the likes of Buddy Holly and Richie Valens. These influences -- combined with a folk sensibility and moments of delicate acoustic fingerpicking that betray a love for Bob Dylan and Donovan -- make for an accessible, pop-focused record that doesn’t attempt to chase innovation. Much of the material here was co-written, produced, and mixed by Snow Patrol and Reindeer Section collaborator Iain Archer. When Bugg and Archer combine on “Taste It” and “Trouble Town” -- two of the album’s stronger, more raucous tracks -- it’s as if you’re hearing what the La’s would have sounded like if John Power had been their dominant force, as opposed to Lee Mavers. It’s the intro to “Taste It” in particular that apes “Feelin’” -- the Liverpudlians’ final single -- while “Trouble Town” comes across as a rewrite of their cautionary “Doledrum” with its skiffle-fueled tales of unemployment benefits and missed payments. The comparatively positive and sprightly opener “Lightning Bolt” didn’t do Bugg any harm when it was featured just prior to the BBC’s live coverage of Usain Bolt’s Olympic 100m victory and was heard by a U.K. audience of 20 million people. Built around a three-chord shuffle and a bridge that Noel Gallagher would be proud of, it’s another example of a Bugg/Archer gem. While it’s the analog-sounding upbeat tracks such as these that impress, it’s the mid-paced, digitally polished ballads and resultant formulaic pacing that underwhelm. It’s safe to say that those searching for experimental music should most definitely look elsewhere. “Broken” -- co-written with former Longpigs frontman Crispin Hunt -- takes Bugg into broad, “X-Factor does indie” territory, while “Country Song” tiptoes between James Blunt’s vocal quirks and John Denver’s suffocating pleasantry. Inoffensive and clean-cut as they are, both tracks signify a mid-album lull and sit awkwardly on a record that is littered with overt drug references and imagery from the street. To his credit, Bugg's too young by far to be a drug bore, and when he takes “a pill or maybe two” in “Seen It All” or is “high on a hash pipe of good intent” in “Simple as This,” it feels like social documentation rather than a misguided attempt at glamorizing their use. Elsewhere, Clifton -- the south Nottingham village that Bugg calls home -- gets what is possibly its first mention in song on the irresistible, Hollies-inspired “Two Fingers.” All in all, though Bugg’s debut may not share the wordy precociousness of Conor Oberst’s formative steps or the political astuteness of Willy Mason on Where the Humans Eat, it’s his sheer earnestness and rare gift for writing simple, hook-filled tunes that ultimately charm the listener.
PRICE:
£23.49
RELEASED YEAR:
SLEEVE:
New
MEDIA:
New
BUY:
LISTEN:
TRACK LISTING:
Click to listen - add to playlist or download mp3 sample.PLAY
CUE
MP3
a1
Lightning Bolt
a2
Two Fingers
a3
Taste It
a4
Seen It All
a5
Simple As This
a6
Country Song
a7
Broken
b1
Trouble Town
b2
Ballad Of Mr. Jones
b3
Slide
b4
Someone Told Me
b5
Note To Self
b6
Someplace
b7
Fire
c1
It's True
c2
Mr. Minister
c3
Kentucky (Jason Hart Version)
c4
Saffron (Jason Hart Version)
c5
Love Me The Way You Do (Jason Hart Version)
c6
Man On The Moon
c7
Something Wrong
c8
I See Her Crying
c9
Friends
d1
Devil Song
d2
Pretty Colours
d3
Green Man (Jason Hart Version)
d4
War
d5
The Only One I Ever Knew
d6
Swept Away
d7
Broken (Rick Rubin Version)
d7
Broken (Rick Rubin Version)
Last FM Information on Jake Bugg
Please note the information is done on a artist keyword match and data is provided by LastFM.
Jake Edwin Charles Kennedy, known professionally as Jake Bugg, is an English singer-songwriter.
He was born in Nottingham to musical parents who separated when he was young. His father, David Bugg, was a nurse and his mother worked in sales, both parents having previously made recordings. He grew up in the Clifton council estate of Nottingham and started playing guitar at the age of 12 after being introduced to the instrument by his uncle Mark. He attended Farnborough School Technology College in Clifton. He has described a formative musical moment when, aged 12, he heard Don McLean's "Vincent (Starry, Starry Night)" on an episode of The Simpsons. He was enrolled in a music technology course but, by the age of 16, he had dropped out and was writing and performing his own songs. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.