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BROOM, MARK - TOUCH EP
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TITLE:
Touch EP
LABEL:
CATNO:
REKIDS288
STYLE:
House / Techno Disco /
FORMAT:
Vinyl record
DESCRIPTION:
4 Track EP Of House & Loopy Techno Disco In Robert Hood / Carl Cox Style
UK Techno and House lynchpin Mark Broom returns to Radio Slave’s Rekids with the ‘Touch’ EP, landing 8th May 2026. Active since the late ‘80s and widely regarded as one of UK dance music’s most enduring figures, Broom’s catalogue spans key imprints including Warp Records, M-Plant, Hardgroove, and his own Pure Plastic and Beardman, alongside collaborations with the likes of Riva Starr, Baby Ford, and James Ruskin. Since fi rst appearing on Rekids in 2019, he’s gone on to deliver 13 further releases, including his five-part ‘Mutated Battle Breaks’ EP series on sister label RSPX.
Following 2024’s ‘Showtime’ EP, his last House-leaning outing for Rekids, Mark Broom now drops the ‘Touch’ EP.The title track leads the charge, pairing a nostalgic vocal with a Disco-House hybrid feel and jackin’ edge, setting the tone for ‘Eyes’, where he works the filters to build suspense as a loopy sample drives those feel-good dancefloor moments. The B-side shifts into Techno territory with ‘MXM’, a robust, driving groove marked by a machine-like swirl that steadily pushes the pressure, before closer ‘Don’t’ rounds things out with a hard-hitting drumline and tough, strobe-lit stab work.
UK Techno and House lynchpin Mark Broom returns to Radio Slave’s Rekids with the ‘Touch’ EP, landing 8th May 2026. Active since the late ‘80s and widely regarded as one of UK dance music’s most enduring figures, Broom’s catalogue spans key imprints including Warp Records, M-Plant, Hardgroove, and his own Pure Plastic and Beardman, alongside collaborations with the likes of Riva Starr, Baby Ford, and James Ruskin. Since fi rst appearing on Rekids in 2019, he’s gone on to deliver 13 further releases, including his five-part ‘Mutated Battle Breaks’ EP series on sister label RSPX.
Following 2024’s ‘Showtime’ EP, his last House-leaning outing for Rekids, Mark Broom now drops the ‘Touch’ EP.The title track leads the charge, pairing a nostalgic vocal with a Disco-House hybrid feel and jackin’ edge, setting the tone for ‘Eyes’, where he works the filters to build suspense as a loopy sample drives those feel-good dancefloor moments. The B-side shifts into Techno territory with ‘MXM’, a robust, driving groove marked by a machine-like swirl that steadily pushes the pressure, before closer ‘Don’t’ rounds things out with a hard-hitting drumline and tough, strobe-lit stab work.
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Last FM Information on Mark Broom
Please note the information is done on a artist keyword match and data is provided by LastFM.
It all started in the summer of '89 ...Mark went on holiday to Tenerife and in the clubs they were spinning the now legendary Acid House music. On his return to England Broom went on a search for this music... found it... bought some turntables and the birth of his musical career was born.
After a few years of playing at peoples parties, Mark decided to try his hand at making music.
Through a friend, he was introduced to Ed and Andy from Black Dog Productions. Together they created Brooms first musical ideas. These ideas went on to be released on General Production Records. The studio used for these first recordings was called UXB Studios and was run by Dave Hill. After many visits to UXB, Dave asked Mark if he would be into making some tracks together, and from that day their musical and later business partnership was born.
In 1994 they started Pure Plastic Recordings which has played host to many of Marks musical productions, ranging from the landmark 'Angie Is A Shoplifter' LP, through to the recent 'Rave Days' EP.
Mark has also recorded on many of the worlds best labels including A13, Ifach, Speaker Attack, Mosaic, Dark House Music and New Electronica.
As a DJ Mark has spun at some of the worlds best clubs ranging from Belgium's FUSE club to Spain's La Real.
As a remixer Mark has had the pleasure to mix artists like Eddie Flashin' Fowlkes, Ken Ishi, Ben Sims, Samuel L. Session and The Advent, to name but a few. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.