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BLACK SABBATH - MASTER OF REALITY
ARTIST:
TITLE:
Master Of Reality
LABEL:
CATNO:
5414939920806
STYLE:
FORMAT:
Vinyl record
DESCRIPTION:
First edition original sleeve.1970s- 180g
2009 Andy Pearce remaster - The shortest album of Black Sabbath's glory years, Master of Reality is also their most sonically influential work. Here Tony Iommi began to experiment with tuning his guitar down three half-steps to C#, producing a sound that was darker, deeper, and sludgier than anything they'd yet committed to record. (This trick was still being copied 25 years later by every metal band looking to push the limits of heaviness, from trendy nu-metallers to Swedish deathsters.) Much more than that, Master of Reality essentially created multiple metal subgenres all by itself, laying the sonic foundations for doom, stoner and sludge metal, all in the space of just over half an hour. Classic opener "Sweet Leaf" certainly ranks as a defining stoner metal song, making its drug references far more overt (and adoring) than the preceding album's "Fairies Wear Boots." The album's other signature song, "Children of the Grave," is driven by a galloping rhythm that would later pop up on a slew of Iron Maiden tunes, among many others. Aside from "Sweet Leaf," much of Master of Reality finds the band displaying a stronger moral sense, in part an attempt to counteract the growing perception that they were Satanists. "Children of the Grave" posits a stark choice between love and nuclear annihilation, while "After Forever" philosophizes about death and the afterlife in an openly religious (but, of course, superficially morbid) fashion that offered a blueprint for the career of Christian doom band Trouble. And although the alternately sinister and jaunty "Lord of This World" is sung from Satan's point of view, he clearly doesn't think much of his own followers (and neither, by extension, does the band). It's all handled much like a horror movie with a clear moral message, for example The Exorcist. Past those four tracks, listeners get sharply contrasting tempos in the rumbling sci-fi tale "Into the Void," which shortens the distances between the multiple sections of the band's previous epics. And there's the core of the album -- all that's left is a couple of brief instrumental interludes, plus the quiet, brooding loneliness of "Solitude," a mostly textural piece that frames Osbourne's phased vocals with acoustic guitars and flutes. But, if a core of five songs seems slight for a classic album, it's also important to note that those five songs represent a nearly bottomless bag of tricks, many of which are still being imitated and explored decades later. If Paranoid has more widely known songs, the suffocating and oppressive Master of Reality was the Sabbath record that die-hard metalheads took most closely to heart.
2009 Andy Pearce remaster - The shortest album of Black Sabbath's glory years, Master of Reality is also their most sonically influential work. Here Tony Iommi began to experiment with tuning his guitar down three half-steps to C#, producing a sound that was darker, deeper, and sludgier than anything they'd yet committed to record. (This trick was still being copied 25 years later by every metal band looking to push the limits of heaviness, from trendy nu-metallers to Swedish deathsters.) Much more than that, Master of Reality essentially created multiple metal subgenres all by itself, laying the sonic foundations for doom, stoner and sludge metal, all in the space of just over half an hour. Classic opener "Sweet Leaf" certainly ranks as a defining stoner metal song, making its drug references far more overt (and adoring) than the preceding album's "Fairies Wear Boots." The album's other signature song, "Children of the Grave," is driven by a galloping rhythm that would later pop up on a slew of Iron Maiden tunes, among many others. Aside from "Sweet Leaf," much of Master of Reality finds the band displaying a stronger moral sense, in part an attempt to counteract the growing perception that they were Satanists. "Children of the Grave" posits a stark choice between love and nuclear annihilation, while "After Forever" philosophizes about death and the afterlife in an openly religious (but, of course, superficially morbid) fashion that offered a blueprint for the career of Christian doom band Trouble. And although the alternately sinister and jaunty "Lord of This World" is sung from Satan's point of view, he clearly doesn't think much of his own followers (and neither, by extension, does the band). It's all handled much like a horror movie with a clear moral message, for example The Exorcist. Past those four tracks, listeners get sharply contrasting tempos in the rumbling sci-fi tale "Into the Void," which shortens the distances between the multiple sections of the band's previous epics. And there's the core of the album -- all that's left is a couple of brief instrumental interludes, plus the quiet, brooding loneliness of "Solitude," a mostly textural piece that frames Osbourne's phased vocals with acoustic guitars and flutes. But, if a core of five songs seems slight for a classic album, it's also important to note that those five songs represent a nearly bottomless bag of tricks, many of which are still being imitated and explored decades later. If Paranoid has more widely known songs, the suffocating and oppressive Master of Reality was the Sabbath record that die-hard metalheads took most closely to heart.
PRICE:
£19.99
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Mint (M)
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Last FM Information on Black Sabbath
Please note the information is done on a artist keyword match and data is provided by LastFM.
Black Sabbath was an English heavy metal band formed in Birmingham, Warwickshire in 1968 by guitarist Tony Iommi, drummer Bill Ward, bassist Geezer Butler and vocalist Ozzy Osbourne. They are often cited as pioneers of heavy metal music. The band helped define the genre with releases such as Black Sabbath (1970), Paranoid (1970) and Master of Reality (1971). The band had multiple line-up changes following Osbourne's departure in 1979 and Iommi is the only constant member throughout their history.
After previous iterations of the group – the Polka Tulk Blues Band and Earth – the band settled on the name Black Sabbath in 1969. They distinguished themselves through occult themes with horror-inspired lyrics and down-tuned guitars. Signing to Philips Records in November 1969, they released their first single, "Evil Woman", in January 1970, and their debut album, Black Sabbath, was released the following month. Though it received a negative critical response, the album was a commercial success, leading to a follow-up record, Paranoid, later that year. The band's popularity grew, and by 1973's Sabbath Bloody Sabbath, critics were starting to respond favourably.
Osbourne's excessive substance abuse led to his firing in 1979. He was replaced by former Rainbow vocalist Ronnie James Dio. Following two albums with Dio, Black Sabbath endured many personnel changes in the 1980s and 1990s that included vocalists Ian Gillan, Glenn Hughes, Ray Gillen and Tony Martin, as well as several drummers and bassists. Martin, who replaced Gillan in 1987, was the second-longest serving vocalist and recorded three albums with Black Sabbath before his dismissal in 1991. That same year, Iommi and Butler were rejoined by Dio and drummer Vinny Appice to record Dehumanizer (1992). After two more studio albums with Martin, who replaced Dio in 1993, the band's original line-up reunited in 1997 and released a live album, Reunion, the following year; they continued to tour occasionally until 2005. Other than various back catalogue reissues and compilation albums, as well as the Mob Rules-era line-up reunited as Heaven & Hell, there was no further activity under the Black Sabbath until 2011 with the release of their final studio album and 19th overall, 13, in 2013, which features all of the original members except Ward. During their farewell tour, the band played their final concert in their home city of Birmingham on 4 February 2017. Occasional partial reunions have happened since, most recently when Osbourne and Iommi performed together at the closing ceremony of the 2022 Commonwealth Games in Birmingham.
Black Sabbath have sold over 70 million records worldwide as of 2013, making them one of the most commercially successful heavy metal bands. Black Sabbath, together with Deep Purple and Led Zeppelin, have been referred to as the "unholy trinity of British hard rock and heavy metal in the early to mid-seventies". They were ranked by MTV as the "Greatest Metal Band of All Time" and placed second on VH1's "100 Greatest Artists of Hard Rock" list. Rolling Stone magazine ranked them number 85 on their "100 Greatest Artists of All Time". Black Sabbath were inducted into the UK Music Hall of Fame in 2005 and the Rock and Roll Hall of Fame in 2006. They have also won two Grammy Awards for Best Metal Performance, and in 2019 the band were presented a Grammy Lifetime Achievement Award.
Full Wikipedia article: https://en.wikipedia.org/wiki/Black_Sabbath
Studio albums
Black Sabbath (1970)
Paranoid (1970)
Master of Reality (1971)
Vol. 4 (1972)
Sabbath Bloody Sabbath (1973)
Sabotage (1975)
Technical Ecstasy (1976)
Never Say Die! (1978)
Heaven and Hell (1980)
Mob Rules (1981)
Born Again (1983)
Seventh Star (1986)
The Eternal Idol (1987)
Headless Cross (1989)
Tyr (1990)
Dehumanizer (1992)
Cross Purposes (1994)
Forbidden (1995)
13 (2013) Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.