GLOBAL GROOVE
Specialists in dance music and vinyl, over 60,000 in stock shipping worldwide daily.
Open for mail order transactions as normal.
BLACK SABBATH - MASTER OF REALITY
ARTIST:
TITLE:
Master Of Reality
LABEL:
CATNO:
5414939920806
STYLE:
FORMAT:
Vinyl record
DESCRIPTION:
First edition original sleeve.1970s- 180g
2009 Andy Pearce remaster - The shortest album of Black Sabbath's glory years, Master of Reality is also their most sonically influential work. Here Tony Iommi began to experiment with tuning his guitar down three half-steps to C#, producing a sound that was darker, deeper, and sludgier than anything they'd yet committed to record. (This trick was still being copied 25 years later by every metal band looking to push the limits of heaviness, from trendy nu-metallers to Swedish deathsters.) Much more than that, Master of Reality essentially created multiple metal subgenres all by itself, laying the sonic foundations for doom, stoner and sludge metal, all in the space of just over half an hour. Classic opener "Sweet Leaf" certainly ranks as a defining stoner metal song, making its drug references far more overt (and adoring) than the preceding album's "Fairies Wear Boots." The album's other signature song, "Children of the Grave," is driven by a galloping rhythm that would later pop up on a slew of Iron Maiden tunes, among many others. Aside from "Sweet Leaf," much of Master of Reality finds the band displaying a stronger moral sense, in part an attempt to counteract the growing perception that they were Satanists. "Children of the Grave" posits a stark choice between love and nuclear annihilation, while "After Forever" philosophizes about death and the afterlife in an openly religious (but, of course, superficially morbid) fashion that offered a blueprint for the career of Christian doom band Trouble. And although the alternately sinister and jaunty "Lord of This World" is sung from Satan's point of view, he clearly doesn't think much of his own followers (and neither, by extension, does the band). It's all handled much like a horror movie with a clear moral message, for example The Exorcist. Past those four tracks, listeners get sharply contrasting tempos in the rumbling sci-fi tale "Into the Void," which shortens the distances between the multiple sections of the band's previous epics. And there's the core of the album -- all that's left is a couple of brief instrumental interludes, plus the quiet, brooding loneliness of "Solitude," a mostly textural piece that frames Osbourne's phased vocals with acoustic guitars and flutes. But, if a core of five songs seems slight for a classic album, it's also important to note that those five songs represent a nearly bottomless bag of tricks, many of which are still being imitated and explored decades later. If Paranoid has more widely known songs, the suffocating and oppressive Master of Reality was the Sabbath record that die-hard metalheads took most closely to heart.
2009 Andy Pearce remaster - The shortest album of Black Sabbath's glory years, Master of Reality is also their most sonically influential work. Here Tony Iommi began to experiment with tuning his guitar down three half-steps to C#, producing a sound that was darker, deeper, and sludgier than anything they'd yet committed to record. (This trick was still being copied 25 years later by every metal band looking to push the limits of heaviness, from trendy nu-metallers to Swedish deathsters.) Much more than that, Master of Reality essentially created multiple metal subgenres all by itself, laying the sonic foundations for doom, stoner and sludge metal, all in the space of just over half an hour. Classic opener "Sweet Leaf" certainly ranks as a defining stoner metal song, making its drug references far more overt (and adoring) than the preceding album's "Fairies Wear Boots." The album's other signature song, "Children of the Grave," is driven by a galloping rhythm that would later pop up on a slew of Iron Maiden tunes, among many others. Aside from "Sweet Leaf," much of Master of Reality finds the band displaying a stronger moral sense, in part an attempt to counteract the growing perception that they were Satanists. "Children of the Grave" posits a stark choice between love and nuclear annihilation, while "After Forever" philosophizes about death and the afterlife in an openly religious (but, of course, superficially morbid) fashion that offered a blueprint for the career of Christian doom band Trouble. And although the alternately sinister and jaunty "Lord of This World" is sung from Satan's point of view, he clearly doesn't think much of his own followers (and neither, by extension, does the band). It's all handled much like a horror movie with a clear moral message, for example The Exorcist. Past those four tracks, listeners get sharply contrasting tempos in the rumbling sci-fi tale "Into the Void," which shortens the distances between the multiple sections of the band's previous epics. And there's the core of the album -- all that's left is a couple of brief instrumental interludes, plus the quiet, brooding loneliness of "Solitude," a mostly textural piece that frames Osbourne's phased vocals with acoustic guitars and flutes. But, if a core of five songs seems slight for a classic album, it's also important to note that those five songs represent a nearly bottomless bag of tricks, many of which are still being imitated and explored decades later. If Paranoid has more widely known songs, the suffocating and oppressive Master of Reality was the Sabbath record that die-hard metalheads took most closely to heart.
PRICE:
£19.99
RELEASED YEAR:
SLEEVE:
Mint (M)
MEDIA:
Mint (M)
BUY:
LISTEN:
Last FM Information on Black Sabbath
Please note the information is done on a artist keyword match and data is provided by LastFM.
Black Sabbath was an English metal band formed in Birmingham in 1968 by guitarist Tony Iommi, drummer Bill Ward, bassist Geezer Butler, and vocalist Ozzy Osbourne. They are often cited as pioneers of heavy metal music. The band helped define the genre with their first three albums Black Sabbath, Paranoid (both 1970), and Master of Reality (1971). Throughout the 1980s and 1990s, the band underwent multiple line-up changes, with Iommi being the only constant member throughout its history, though since 1997 it has settled with the original band except for Ward on occasions.
After previous iterations of the group – the Polka Tulk Blues Band, and Earth – the band settled on the name Black Sabbath in 1969. They distinguished themselves through occult themes with horror-inspired lyrics and down-tuned guitars. Signing to Philips Records in November 1969, they released their first single, a cover of the Crow song "Evil Woman", in January 1970, and their debut album, Black Sabbath, was released the following month. Though it received a negative critical response, the album was a commercial success, leading to a follow-up record, Paranoid, later that year. The band's popularity grew, and by 1973's Sabbath Bloody Sabbath, critics were starting to respond favorably. This album, along with its predecessor Vol. 4 (1972) and its successors Sabotage (1975), Technical Ecstasy (1976) and Never Say Die! (1978), saw the band explore more experimental and progressive styles.
Osbourne first left Black Sabbath in late 1977 and was briefly replaced by Dave Walker. After returning to record Never Say Die!, Osbourne was dismissed from the band a second time in 1979 due to his substance abuse, and was replaced by former Rainbow vocalist Ronnie James Dio, who recorded three albums with the band: Heaven and Hell (1980), Mob Rules (1981) and their first authorised live album Live Evil (1983), the last two featuring drummer Vinny Appice replacing Ward. Following Dio and Appice's departures, Iommi and Butler recorded Born Again (1983) with then-former Deep Purple vocalist Ian Gillan and Ward returning on drums, while the latter was replaced by then-Electric Light Orchestra drummer Bev Bevan on the subsequent tour. Black Sabbath split in 1984, with Iommi assembling a new version of the band the following year. For the next twelve years, the band endured many personnel changes that included vocalists Glenn Hughes (who appeared on 1986's Seventh Star), Ray Gillen and Tony Martin, as well as several drummers (including Cozy Powell) and bassists; of the vocalists during these years, Martin's tenure was the longest, joining the band in 1987 and recording three studio albums before his initial departure in 1991: The Eternal Idol (1987), Headless Cross (1989), and Tyr (1990). That same year, Iommi reunited with Butler, Dio and Appice to record Dehumanizer (1992), though Dio and Appice had both departed again by the end of 1992. Martin returned as vocalist for two more studio albums, Cross Purposes (1994) and Forbidden (1995), and one live album before the band went on a one-year hiatus during 1996.
The original line-up of Iommi, Osbourne, Butler and Ward reunited in 1997, releasing a live album, Reunion, in the following year, and continuing to tour sporadically until 2005, most of which saw Black Sabbath headline Osbourne's annual festival tour Ozzfest. The band went on another hiatus in 2006 when the Mob Rules line-up reunited as Heaven & Hell, touring during the late 2000s and releasing its sole studio album, The Devil You Know, in 2009 before disbanding after Dio's death in the following year. The original line-up of Black Sabbath reunited once again in 2011, though Ward departed prior to the recording of their final studio album and 19th overall, 13 (2013). To conclude their farewell tour, Black Sabbath played its last concert for eight years in their home city on 4 February 2017. Occasional partial reunions had occurred since, most notably when Osbourne and Iommi performed together at the closing ceremony of the 2022 Commonwealth Games in Birmingham.
Black Sabbath have sold over 70 million records worldwide as of 2013, making them one of the most commercially successful heavy metal bands. Black Sabbath, together with Deep Purple and Led Zeppelin, have been referred to as the "unholy trinity of British hard rock and heavy metal in the early to mid-seventies". They were ranked by MTV as the "Greatest Metal Band of All Time" and placed second on VH1's "100 Greatest Artists of Hard Rock" list. Rolling Stone magazine ranked them number 85 on its "100 Greatest Artists of All Time" list. Black Sabbath were inducted into the UK Music Hall of Fame in 2005 and the Rock and Roll Hall of Fame in 2006. They have also won two Grammy Awards for Best Metal Performance, and in 2019, the band received a Grammy Lifetime Achievement Award.
In February 2025, Osbourne announced that the original line-up of Black Sabbath would reform for one final charity show at Villa Park, Birmingham on 5 July. Titled Back to the Beginning, it is set to be the final gig for both Osbourne and the group. It will be Black Sabbath's first concert in eight years and will also mark the first time in twenty years that the original line-up of the band has performed together. Proceeds from the show are going to support Cure Parkinsons, Birmingham Children's Hospital and Acorns Children's Hospice. Tom Morello was announced as the show's musical director. Osbourne said, "I'm not going to get up there and do a half-hearted Ozzy looking for sympathy. What's the fucking point in that? I'm not going up there in a fucking wheelchair." The supporting acts for the show will be Metallica, Slayer, Pantera, Gojira, Alice in Chains, Halestorm, Lamb of God, Anthrax and Mastodon, and it will include "additional performances from" Morello, Billy Corgan, Slash, David Draiman, Sammy Hagar, Fred Durst, former Judas Priest guitarist K. K. Downing, and three former members of Osbourne's solo band (Rudy Sarzo, Jake E. Lee and Mike Bordin). Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.