2009 2x12" LP Folk Rock, Experimental, Ambient LP - 1st TIme On LP - Includes Free Download Code
”‘Vignetting The Compost’ partly draws on a theme of the endless cycle of life and death, of growth and decay and how the two are dependant on each other […] This album also explores the processes of pain, loss, suffering and healing, with an optimistic hopeful tone growing over the lamentation like ivy on a gravestone. I’ve always been fascinated with the quality of the imagination and dreams, how edges are unfinished and indefinite, unlike the boundaries of a cinema screen. In dreams, forms and details can seem vivid yet vague, impressionistic, powerful yet difficult to recall. These were the qualities and aesthetics that I focussed on with this album, including intertwining musical ‘vignettes’ amongst the more structured tracks.” – Bibio
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PLAY
CUE
MP3
a1
Flesh Rots, Pip Sown
a2
Mr. & Mrs. Compost
a3
Everglad Everglade
a4
Dopplerton
b1
Great Are The Piths
b2
Odd Paws
b3
Under The Pier
b4
Weekend Wildfire
c1
The Clothesline And The Silver Birch
c2
Torn Under The Window Light
c3
The Ephemeral Bluebell
c4
Over The Far And Hills Away
d1
Amongst The Bark And Fungus
d2
Top Soil
d3
Thatched
d4
The Garden Shelter
Last FM Information on Bibio
Please note the information is done on a artist keyword match and data is provided by LastFM.
Bibio is Stephen James Wilkinson from Wolverhampton, England. Wilkinson studied 'Sonic Arts' between 1999 - 2002 at Middlesex University in North London, it was during this time in London he came up with the name Bibio. The name was taken from a small black and red fishing fly which was favoured by his father on their fishing trips to Wales during Stephen's childhood, the name therefore has nostalgic meaning which is often a theme in his music. His recording career as Bibio started with Mush records in 2004. His Mush releases consist of 3 albums and 1 EP. In 2009 he signed to Warp records and so far has released a further 2 albums, an EP containing remix contributions from other artists and several singles. Bibio's music combines electronic and acoustic/traditional instruments, his main instrument being guitar. Bibio's signature 'grainy' sound is partly due to the use of analogue tape and vintage recording equipment, which is more exaggerated in his earlier Mush releases. Wilkinson himself labeled his debut on Mush as "Saturated Folk". Bibio's recent output, particularly on Warp, has been more diverse, with an increasing use of his own vocals, drums/beats and electronics. His Mush debut 'Fi' was described by Marcus Eoin of Boards of Canada as: "The antidote to the modern laptopia of pristine electronic music...". In 2009, Bibio contributed a cover version of Boards of Canada's 'Kaini Industries' to the Warp 20th Anniversary 'Recreated' album. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
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