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BEYER, ADAM / OSCAR L / CAHRLES B / LUSU - [V14.1] A-SIDES VOL. 14 - V1
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[V14.1] A-Sides Vol. 14 - V1
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CATNO:
DC340V1
STYLE:
Techno Trance / Techno /
FORMAT:
Vinyl record
DESCRIPTION:
4 Tracks 4 Artists Of Pumpin Techno Trance & Techno - Drumcode returns with its flagship A-Sides series, led by a huge new Adam Beyer single that highlights the 20-track compilation.
If you want a snapshot of techno in any given year, look no further than Drumcode’s annual A-Sides compilation. The release broadly charts the evolution of the genre, while giving a platform to standout demo’s Adam Beyer has received across the course of the year with many emerging artists finding their music on Drumcode for the first time. Case in point – Wehbba, Charles D and Raxon who all debuted on the label via a track on the A-Sides series and have gone on to become regular contributors to Beyer’s influential labels.
This year’s compilation features an exciting mix of established heavy-hitters, alongside a slew of new faces set to make their mark on the genre. ‘We Don’t Say Please’ – is emblematic of Adam Beyer’s sound in 2025 – fresh, experimental and thriving on cross-genre pollinations, as elements of bass music, rap and techno collide, underpinned by a distinctive UK vocal. The results are inspiring.
Elsewhere, the 20-track compilation brims with highlights. HI-LO’s ‘NYC to Amsterdam’ has inflections of New York house fused with driving techno elements. Nicole Moudaber returns to DC in cahoots with the rising ZLATA for the super-charged ‘Report to the Dancefloor’. Oscar L & Charles D mint a new collaborative partnership with the immersive, spacey cut ‘Lift Me Up’. LUSU continue their red-hot run following the recent ‘Move 2 the Groove’ EP, and craft a straight-up mind-mashing single ‘LIKE THIS’. Mark Reeve is in trademark strong form with hypnotic ‘My Mind’, which comes to life via a massive synth led. The fantastic Kaufmann shares her ‘People are Strange’, a nod to a classic vox, re-contextualised for a modern techno audience.
As is tradition, a troupe of ascendant producers land on Drumcode for the first time. They include Uruguay’s Enzo Monza, who delivers the crisp ‘Late Night’ – a favourite of Beyer’s; Mattia Saviola, whose ‘Parallel Dimension’ is a powerful cut with fantastic sound design; Romanian artist Tao Andra, who shares the celestial ‘Unity’; and long-time industry stalwart AdamK, who makes a richly deserved Drumcode debut in partnership with Vikthor feat. MC Stretch on the stunning ‘Silence + The Sound’.
If you want a snapshot of techno in any given year, look no further than Drumcode’s annual A-Sides compilation. The release broadly charts the evolution of the genre, while giving a platform to standout demo’s Adam Beyer has received across the course of the year with many emerging artists finding their music on Drumcode for the first time. Case in point – Wehbba, Charles D and Raxon who all debuted on the label via a track on the A-Sides series and have gone on to become regular contributors to Beyer’s influential labels.
This year’s compilation features an exciting mix of established heavy-hitters, alongside a slew of new faces set to make their mark on the genre. ‘We Don’t Say Please’ – is emblematic of Adam Beyer’s sound in 2025 – fresh, experimental and thriving on cross-genre pollinations, as elements of bass music, rap and techno collide, underpinned by a distinctive UK vocal. The results are inspiring.
Elsewhere, the 20-track compilation brims with highlights. HI-LO’s ‘NYC to Amsterdam’ has inflections of New York house fused with driving techno elements. Nicole Moudaber returns to DC in cahoots with the rising ZLATA for the super-charged ‘Report to the Dancefloor’. Oscar L & Charles D mint a new collaborative partnership with the immersive, spacey cut ‘Lift Me Up’. LUSU continue their red-hot run following the recent ‘Move 2 the Groove’ EP, and craft a straight-up mind-mashing single ‘LIKE THIS’. Mark Reeve is in trademark strong form with hypnotic ‘My Mind’, which comes to life via a massive synth led. The fantastic Kaufmann shares her ‘People are Strange’, a nod to a classic vox, re-contextualised for a modern techno audience.
As is tradition, a troupe of ascendant producers land on Drumcode for the first time. They include Uruguay’s Enzo Monza, who delivers the crisp ‘Late Night’ – a favourite of Beyer’s; Mattia Saviola, whose ‘Parallel Dimension’ is a powerful cut with fantastic sound design; Romanian artist Tao Andra, who shares the celestial ‘Unity’; and long-time industry stalwart AdamK, who makes a richly deserved Drumcode debut in partnership with Vikthor feat. MC Stretch on the stunning ‘Silence + The Sound’.
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Last FM Information on Adam Beyer
Please note the information is done on a artist keyword match and data is provided by LastFM.
Adam Beyer's music is synonymous with all that is exciting about techno. Having emerged as the figurehead of the hugely prolific Swedish techno scene, Beyer's focused and considered approach to his craft has worked to confirm his position as a globally recognized DJ and producer who headlines the worlds cutting edge clubs and festivals week-in-week-out. However life in music began for Beyer down in the grassroots; making the most of Stockholm's blossoming techno scene and working in the city's renowned Planet Rhythm record store. It was here that Adam hooked up with the triumvirate of Cari Lekebusch, Joel Mull and Jesper Dahlback; sharing a passion for dynamic and diverse techno which inevitably led to the beginnings of production experimentation and musical exploration which has maintained to the present day.
Beginning with the debut Drumcode 1 released on Planet Rhythm's record label, Beyer's production highlights including releases for Plus 8, NovaMute, Cocoon and Soma; remixes of Underworld 'PushUpstairs', Morgan 'Flowerchild' and Matthew Jonson 'Marionette' and a wealth of material on his own Drumcode, Truesoul and MadEye imprints. Something of an obsessive when it comes to creating his own productions the key to understanding the Swede's studio method can be traced back his formative years.
The beating percussive pulse of his music has been at the heart of his musical taste since adopting the role of drummer in a band while at school. By the time he was a young adult he was fully immersed in electronic music. DJing at friends parties, working in the record shop, playing around with samplers and an Atari computer, investing what money he could in better and more equipment; everything was focused on music. This self-drive and dedication has been central to the development of his sound. Self-taught and instinctively creative; the result is an individual style founded on a patient and natural technique that neatly balances impact and innovation.
The development of his own sound can be seen in the maturity of the three record labels Beyer positions at the heart of his operation. A passionate A&R, Beyer has bucked recent trends as Drumcode, Truesoul and Mad Eye go from strength to strength. Established in 1996, Drumcode was and still is about a very clear musical vision. Honest, forward thinking and functional; the label has stayed on its one true course from the outset; providing a consistent home to core artists such as Cari Lekebusch, Par Grindvik, Jesper Dahlback and Joel Mull while creating a platform for the leaders of the techno new-wave; Paul Ritch, Joseph Capriati and Alan Fitzpatrick.
Truesoul pushes the boundaries of the accepted norm with forward-thinking music from artists such as; Heiko Laux, Steve Rachmad, Dustin Zahn and Nihad Tule while Mad Eye is where Beyer showcases his more personal and inventive productions. Beyer's progressive approach to his craft transcends into the live arena. A natural and accomplished DJ capable of playing across the range of his genre, his sets are characterized by a mesmerizing fluidity that enhances the power and impact of the music he plays; as witnessed on compilations for Fabric, Music Man and Timewarp. Greeted with the knowing expectation reserved for headline acts wherever he plays, Beyer prefers to share the limelight with the acts he supports on his labels. Nowhere is this attitude more evident than at the expanding network of Drumcode parties that are now a regular event across North America, Europe, Asia, Australia and South America. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
Last FM Information on Oscar L
Please note the information is done on a artist keyword match and data is provided by LastFM.
Oscar L is a point of reference in the Techno and Tech-House scene with more than 15 years of international career. His productions, characterized by a very personal sound that combines classic and peculiar influences at the same time, have reached the highest positions of the international sales charts, being played by the most iconic artists of the globe like Richie Hawtin, Adam Beyer, Marco Carola, Nicole Moudaber, Danny Tennaglia or Ilario Alicante to name a few.
He has signed with the most prestigious record labels of the moment such Drumcode (Adam Beyer's label), Knee Deep In Sound (Hot Since 82's label), Stereo Productions (Chus & Ceballos's label), Truesoul (Adam Beyer's label), We Are The Brave (Alan Fitzpatrick's label), 1605 (Umek's label) among others are some of the biggest labels where you will find Oscar's productions.
A tasteful mixture that have been used to put a good handful of tracks at the top of the Techno and House charts. These capabilities have given Oscar the opportunity to travel the world making the most diverse audiences dance. Dozens of cities from different continents throughout the world have enjoyed the intensity and warmth that his sets transmit to the dance floor. But the diffusion of his music does not end there, for a few years now, Oscar has also been directing his own radio show, D-Mix, which is broadcasted in 16 countries through 130 different stations. Oscar L's professional framework continues to expand, foreshadowing a prolific future and a privileged position amongst the most outstanding figures of his country. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.