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BAUMEL, PATRICE / ADANA TWINS - ROAR REMIX / AUFSTAND DER MASSEN

- NEW RELEASE

TITLE:
Roar Remix / Aufstand Der Massen
LABEL:
CATNO:
WGVINYL52
STYLE:
Tech / Trance /
FORMAT:
Vinyl record
DESCRIPTION:
2018 Tech / Trance Monster Repressed - Coming in hot off their latest Watergate Mix Adana Twins deliver their first EP stemming from the mix itself putting what could be the standout track off the compilation: their remix of Patrice Bäumel's 'Roar' front and center.

Taking the hugely successful original which could be considered as much a tool as it is a peak time bomb, the duo twist the initial anthem into a climactic, euphoric ride by adding their signature percussion and shimmers of melody while utilizing the original's spine tingling tension to create an absolutely massive and memorable dance floor experience. Flipping to the B-side, Adana Twins present 'Aufstand der Massen' where they dive into the ethereal corners of dramatic Techno reminiscent of the 'Jupiter' EP from early this year creating a flawlessly executed trip into enchanted territory. Having already been in constant rotation of heavy hitters like Solomun and Tale Of Us is proof enough that Adana Twins have a hit on their hands and now it's time for you to have it too.

PRICE:
£14.99
RELEASED YEAR:
SLEEVE:
New
MEDIA:
New

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a
Patrice Bäumel -Roar (Adana Twins Remix)
b
Adana Twins - Aufstand Der Massen

Last FM Information on Patrice Baumel

Please note the information is done on a artist keyword match and data is provided by LastFM.
Born in Germany and currently living in Amsterdam, Patrice Bäumel is a dj/producer who has been an active member of the electronic dance music scene for many years. He is an artist who devotes all of his energy to the dancefloor, with his dynamic sets as well as his trademark climaxing productions. His music is full of emotion, dynamic and contrasts of cold, warm, soft and hard: “If you can feel it, it’s good music!” Patrice loves to break musical rules, easily crossing genres, melting opposing elements into something fresh and homogenous. To call him eclectic would not do his style any justice, because everything feels as one whole, not like a patchwork of different genres. He calls his sound “Mutant Pop”, a mutated pulp of modern popular dance music. That is where his widely succesful debut single, released 2005 on Trapez Records, got its title from. Raised on a mixture of 80’s synth pop like Yello, Depeche Mode or Cabaret Voltaire and all kinds of other weird stuff ranging from Frank Zappa to John Coltrane (his dad being a music journalist helped in the matter), Patrice got into electronic dance music in the early 90’s. Illegal warehouse parties were held all over Germany, and your normal discotheque had to make way for a completely different order of untamed energy. Djing was the logical step and soon he had a residency secured at the BASE, one of East Germany’s hottest clubs at the time. Playing alongside guys like Richie Hawtin, Laurent Garnier or Claude Young he quickly learned the ropes of quality djing – mixing, track selection, crowd control. Today, Patrice has hundreds of gigs under his sleeve, having performed worldwide – from the famous Panorama Bar in Berlin to the amazing Lov.e club in Sao Paulo. Currently he is holds a monthly residency in Amsterdams premier Club, “11”, running his sucessful “360” nights together with musical partner Nuno dos Santos. The production thing really started taking flight after Patrice was chosen Dutch winner of the Red Bull Music Academy 2002. Being flown out to Brazil for two weeks and getting into the studio with legendary artists like Adrian Sherwood or Gilberto Gil was a unforgettable learning experience that made him want to explore his production talent more. Now, in 2007, his latest Trapez single “Just Electricity” is receiving massive reactions from all around the globe. New school electronic dance music has a new household name. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

Last FM Information on Adana Twins

Please note the information is done on a artist keyword match and data is provided by LastFM.
Straight outta “Hamburg house city”, Adana Twins helped secure their home’s reputation for deep grooves with a series of early EPs that have made them among the most buzz-worthy acts to emerge from the German media capital. Placing repeatedly in the pole position on both Resident Advisor and Beatport charts, the duo of Take It Easy and Friso have found their way into the record bags and Traktor set-ups of the world’s top DJs, while comfortably establishing their own sound where sleek beats and clever sampling are only a small piece of a bigger musical vision that began to form during a previous era. Formed in 2006, at the height of the French indie-electro takeover, the pair was, like the rest of the world, instantly enamored with the song-filled crossover sound coming from Ed Banger and its affiliates. But unlike many of their peers, Adana Twins soon began to feel exhausted with the harder, stronger, faster ethos that took over the community. Take It Easy, in particular, felt the fatigue, his name in direct conflict with the adrenalized style, as was his youth spent head-nodding to laid-back hip-hop like Black Star and Dilated Peoples. Friso, a follower of techno since the ripe age of 10, also knew of sounds beyond mere analog crunch. This appreciation for deeper beats soon found its way into the duo’s all-night DJs gigs, which allowed them to buck the trend of the times by playing all styles and tempos. They quickly established a residency at famed Reeperbahn club Baalsaal soon where they could incorporate the full range of dance music over eight to ten hour sets. These popular JEUDI (French for Thursday) nights inspired Take It Easy to launch a label of the same name with Doctor Dru and Davidé, committed to providing music for DJs who, like the Twins themselves, wanted a fun-yet-sophisticated sound that would stand out, even amongst their Hamburg peers. This close knit scene included, not only colleagues like Monte, Davidé, Doctor Dru or Kruse & Nuernberg, but also indie-dance stars Digitalism and Solomon’s Dynamic posse, all of whom collectively pushed Hamburg’s dance scene to new heights while garnering attention beyond the city’s own clubbing community. Perfectly poised to seize the opportunity, Adana Twins delivered their first hits, “Everyday” and “Strange”, on Exploited in 2012, to a global scene that was ready to look in Hamburg’s direction. The tracks would go international, being played by the likes of A-Trak, Pete Tong, Soul Clap, and Wolf+Lamb to name just a few, and would lead to remix requests for labels such as Get Physical, Noir Records and Kitsune. The wider attention also sent Adana Twins off on a whirlwind year of touring, manning the decks at renowned venues such as Ushuaia (Ibiza), Cielo (New York), Watergate (Berlin), Warung Beach Club (Brazil) and The Warehouse Project in Manchester, where their hit records caused the crowd to sit-down in respect. They also got their first taste of festival success, offering their sound to an exceptionally appreciative crowd at Loveland and MELT Festival. Despite the constant globe hopping, the duo took the time to double down on their hometown, launching their bi-monthly “Adana Night” party at Hamburg’s EGO club, where they invite their local crew to come party with the many new musical friends they’ve made on the road. This expanding scene, which includes many colleagues from the pair’s former careers in design and advertising, forms the nexus of music, art and graphics community that is sure to see Adana’s next step— whether an album, a live show, or something equally exciting—rival that of the Ed Banger heroes who inspired Take It Easy and Friso in the first place. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.


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