DESCRIPTION:
Vocal Hooked Electro Breaks / Electro - Boogie Down Bronx written by Man Parrish & Remixed by Phil Kieran
For its fifth release, french label The Bass Academy goes back into time!!! Originally written by legendary Man Parrish, "Boogie Down Bronx", a cult classic from 1984, sees a mighty resurrection with a "fresh mix" rework from UK Electro veteran Bass Junkie. Not the first time Phil Klein (Battle Trax, Breakin' Records) remixes Man Parrish as he committed in 2002 the heavy “Bass Junkie's Boogie Down Bass Mix” of “Hip Hop Re Bop”.
Today, he serves up an uncompromising electro funk mayhem made of old schoolish samples, vintage synth melodies, retro congas, relentless scratches and pounding 808 beats. This brand new Sci-Fi anthem, enhanced with the legitimate legacy from the past, will invite you for some irresistible B-Boy breakdancing movements on the linoleum!!! Tuuuuuunnne! On the flipside, Phil teams up once again with long time partner in crime Simon “The Dexorcist” Brown. Together, as Gods Of Technology, (Battle Trax), they revisit another untouchable song, “Future Computer”, an exclusive to TBA track written by Jamie Jupitor and published in 2017 (TBA02). Metallic sororities melt with nasty vocoder sequences and imparable whispers turn the cut into an ode to the dancefloor thanks to harsh and hammering beats. What a timeless monster in pure West Coast tradition! With abrasive outings to appear on the forthcoming months including an incredible album with Matt Whitehead on Dominance Electricity, Phil Klein definitively returns to studios stronger than ever, putting a end to a short blackout. Rush in this hypnotizing collector 12”, limited as usual to 150 copies as it marks one of Phil Klein’s best releases to date!
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U.K.-based producer Phil Klein releases Miami bass-inflected new school electro under his Bass Junkie aegis. Appearing most recently on the Breakin' Records label and on his own Parallax imprint, Klein's Bass Junkie material draws liberally from classics of electro-funk and bass music -- from Freestyle's "It's Automatic" and Unknown DJ's "808 Beats" to Maggotron's "Planet of Bass" -- combining truckloads of samples with crisp, uptempo rhythms and, naturally, the deepest of bone-rattling bass. Although his discography includes a number of tracks released as Battle Systems, I.B.M., and Cybernet Systems, Klein's most popular work to date has been his Bass Junkie material, most likely via its association with the Breakin' Records label (associated with Rephlex Records recording artist DMX Krew). Following a pair of Bass Junkie releases for his own Parallax label, Klein began releasing records through Breakin' in 1997 with the Unknown Funk EP. An additional EP (In Bass No One Can Hear You Scream) and an LP (ºss Junkie) appeared through Breakin' in 1998. Klein's affection for bass music has also stretched into a long-running collaboration with one of the genre's most acclaimed early innovators Scott Weiser, a.k.a. Miami-based Dynamix II. Bass Junkie and Cybernet Systems tracks have appeared on a number of Dynamix compilations, with the label also issuing a full-length CD of Klein's Bass Junkie material in 1996. Bass Time Continuum followed three years later. Additionally, Klein and Weiser share a writing credit on the title track to Klein's Borg EP (1996, Panic Trax), and on several releases as I.B.M.
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Please note the information is done on a artist keyword match and data is provided by LastFM.